Book contents
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Acknowledgements
- List of Abbreviations
- Preface
- Part I Space and Materiality in the Realm of Allegorical Romance
- Part II Architectural Space and the Status of the Object in The Faerie Queene
- Part III Beleaguered Spaces
- 5 ‘Goodly Workemanship’: Fortifications and the Body
- 6 Defended Spaces, Fast Spaces, Proper Spaces
- 7 The Stones of Kilcolman: Spenserian Biography, the Ruin, and the Material Fragment
- Part IV The Physical and Allegorized Landscape
- Conclusion
- Bibliography
- Index
- Studies in Renaissance Literature
5 - ‘Goodly Workemanship’: Fortifications and the Body
from Part III - Beleaguered Spaces
Published online by Cambridge University Press: 05 February 2013
- Frontmatter
- Contents
- List of Illustrations
- Dedication
- Acknowledgements
- List of Abbreviations
- Preface
- Part I Space and Materiality in the Realm of Allegorical Romance
- Part II Architectural Space and the Status of the Object in The Faerie Queene
- Part III Beleaguered Spaces
- 5 ‘Goodly Workemanship’: Fortifications and the Body
- 6 Defended Spaces, Fast Spaces, Proper Spaces
- 7 The Stones of Kilcolman: Spenserian Biography, the Ruin, and the Material Fragment
- Part IV The Physical and Allegorized Landscape
- Conclusion
- Bibliography
- Index
- Studies in Renaissance Literature
Summary
To looke vpon a worke of rare deuise
The which a workman setteth out to view,
And not to yield it the deserued prise,
That vnto such a workmanship is dew,
Doth either proue the iudgement to be naught
Or els doth shew a mind with enuy fraught.
FQ, Commendatory Verse 7The castle, a building with specific importance in military and architectural history, also frequently appears in literary works like The Faerie Queene as an allegorical or symbolic image. Studies of The Faerie Queene have tended to disregard, or indeed to deny, the influence of specific military practices on the poem. Alastair Fowler argues that Spenser is less interested in physical combat than a different type of heroism, ‘a spiritual struggle’, and that he ‘seldom poeticises detailed particulars of modern war to the extent that Milton does’. Michael West's analysis proves the influence of some of these particulars, but suggests that the incomplete extent to which they are absorbed into the poem creates a ‘slightly absurd’ effect. And in his broader study, Michael Murrin sees Spenser as the epitome of a tradition of English writers of ‘peaceful epic’, who turned their attention away from war on account of their lack of military experience, and their interest in other themes.
Changes in European warfare during the sixteenth century had brought about rapid and profound changes in the ways that military architecture was designed and built.
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- Publisher: Boydell & BrewerPrint publication year: 2006