Black Theatre Archives and the Making of a Black Dramatic Tradition

doi:10.1017/9781108560665.008

Chapter 6 - Black Theatre Archives and the Making of a Black Dramatic Tradition

from Part II - New Deal, New Methodologies

Published online by Cambridge University Press: 25 March 2022

Kate Dossett

Edited by

Eve Dunbar and

Ayesha K. Hardison

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Eve Dunbar: Affiliation:
Vassar College, New York
Ayesha K. Hardison: Affiliation:
University of Kansas

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Summary

This chapter examines how and why Black dramatists and dramas of the Federal Theatre Project (FTP) were forgotten and the role of the Black Arts Movement in recovering the repertoire of Black federal theatre. Only a fraction of the Black plays held in the FTP archives have been anthologized or staged since the 1930s. This chapter examines the broad range of Black dramas developed on the project and still waiting to be surfaced. It focuses in particular on two neglected Black folk dramas: Did Adam Sin? and Cinda, alongside Theodore Ward’s better known social protest drama Big White Fog. Black playwrights and Negro Units dramatized the Depression as it unfolded. The chapter also roots the Black family drama within a longer Black dramatic tradition. Rather than see August Wilson’s Pittsburgh Cycle plays as stretching back to a tradition beginning with Richard Wright’s collaboration with Paul Green on the stage play of Native Son (1941) or Lorraine Hansberry’s Raisin in the Sun (1959), sourcing contemporary Black drama to the Black federal theatre suggests that the staging of contemporary gender roles and race relations has a much longer and richer theatre history.

Keywords

Federal Theatre Project archives Black Arts MovementBlack drama Theodore Ward Big White Fog New Deal

Type: Chapter
Information: African American Literature in Transition, 1930–1940 , pp. 170 - 208

DOI: https://doi.org/10.1017/9781108560665.008 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2022

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