Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-22T20:39:32.060Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  17 March 2022

Edited by
Miriam Thaggert  and
Rachel Farebrother
Miriam Thaggert
Affiliation:
University of Iowa
Rachel Farebrother
Affiliation:
Swansea University
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
African American Literature in Transition, 1920–1930 , pp. 335 - 360
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Committee of Fourteen Records (COFR), Manuscript and Archives Section, Stephen A. Schwarzman Building, New York Public Library.Google Scholar
Papers of the National Association for the Advancement of Colored People (microfilm).Google Scholar

Secondary Sources

Abel, Elizabeth. “Black Writing, White Reading: Race and the Politics of Feminist Interpretation.” Critical Inquiry 19, no. 3 (1993): 470–98.CrossRefGoogle Scholar
Abernethy, Graeme. “‘The Beauty of Other Horizons’: Sartorial Self-Fashioning in Claude McKay’s Banjo: A Story without a Plot.” Journal of American Studies 48, no. 2 (2014): 445–60.Google Scholar
Ahmad, Dohra. “More than Romance: Genre and Geography in Dark Princess.” English Literary History 69, no. 3 (2002): 775–803.Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso, 2006.Google Scholar
Anderson, Erin. “Toward a Resonant Material Vocality for Digital Composition.” enculturation: A Journal of Rhetoric, Writing, and Culture 18 (2014): www.enculturation.net/materialvocality.Google Scholar
Anderson, Jervis. This Was Harlem: A Cultural Portrait, 1900–1950. New York: Farrar, Straus and Giroux, 1982.Google Scholar
Anderson, Paul Allen. Deep River: Music and Memory in Harlem Renaissance Thought. Durham, nc: Duke University Press, 2001.Google Scholar
Appiah, Kwame Anthony. Lines of Descent: W. E. B. Du Bois and the Emergence of Identity. Cambridge, ma: Harvard University Press, 2014.Google Scholar
Ardis, Ann. “Making Middlebrow Culture, Making Middlebrow Texts Matter: The Crisis, Easter 1912.” Modernist Cultures 6, no. 1 (2011): 18–40.Google Scholar
Awkward, Michael. Negotiating Difference: Race, Gender, and the Politics of Positionality. University of Chicago Press, 1995.Google Scholar
Baker Jr., Houston A. Modernism and the Harlem Renaissance. University of Chicago Press, 1987.Google Scholar
Baker Jr., Houston A. “Questionnaire Response.” Modernism/Modernity 23, no. 3 (2013): 433–35.Google Scholar
Baker, Houston A. et al. “Questionnaire Responses.” Modernism/Modernity 23, no. 3 (2013): 433–67.Google Scholar
Baker, Lee D. From Savage to Negro: Anthropology and the Construction of Race, 1896–1954. Berkeley: University of California Press, 1998.Google Scholar
Baldwin, Davarian L. Chicago’s New Negroes: Modernity, the Great Migration and Black Urban Life. Chapel Hill: University of North Carolina Press, 2008.Google Scholar
Baldwin, Davarian L. “Introduction: New Negroes Forging a New World.” In Baldwin, and Makalani, (eds.), Escape from New York, 1–28.Google Scholar
Baldwin, Davarian L. and Makalani, Minkah (eds.). Escape from New York: The New Negro Renaissance beyond Harlem. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Balfour, Lawrie. Democracy’s Reconstruction: Thinking Politically with W. E. B. Du Bois. New York: Oxford University Press, 2011.Google Scholar
Balshaw, Maria. Looking for Harlem: Urban Aesthetics in African American Literature. London: Pluto, 2001.Google Scholar
Barnhart, Bruce. “Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Colored Man.” In New Perspectives on James Weldon Johnson’s “The Autobiography of an Ex-Colored Man,” ed. Morrissette, Noelle, 128–44. Athens: University of Georgia Press, 2017.Google Scholar
Barrett, Lindon. Blackness and Value: Seeing Double. Cambridge University Press, 1999.Google Scholar
Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Hill & Wang, 1987.Google Scholar
Barthes, Roland. The Fashion System, trans. Ward, Matthew and Howard, Richard. Berkeley: University of California Press, 1990.Google Scholar
Batiste, Stephanie. Darkening Mirrors: Imperial Representation in Depression-Era African American Performance. Durham, nc: Duke University Press, 2011.Google Scholar
Bearden, Bessye. “Sell Mme. Walker’s Treasures.” Chicago Defender, December 6, 1930: 1.Google Scholar
Beavers, Herman. “Dead Rocks and Sleeping Men: Aurality in the Aesthetic of Langston Hughes.” Langston Hughes Review 11, no. 1 (1992): 1–5.Google Scholar
Beavers, Herman. “The Noisy Lostness: Oppositionality and Acousmatic Subjectivity in Invisible Man.” In The New Territory: Ralph Ellison and the Twenty-First Century, ed. Conner, Marc C. and Morel, Lucas E., 67–83. Jackson: University Press of Mississippi, 2016.Google Scholar
Benedict, Ruth. Patterns of Culture. 1934; Cambridge, ma: Riverside Press, 1959.Google Scholar
Bennett, Gwendolyn. “Blue-Black Symphony: Home to Harlem, by Claude McKay.” In Heroine of the Harlem Renaissance and Beyond: Gwendolyn Bennett’s Selected Writings, ed. Wheeler, Belinda and Parascandola, Louis J, 79–81. University Park: Pennsylvania State University Press, 2018.Google Scholar
Bernard, Emily. Carl Van Vechten and the Harlem Renaissance: A Portrait in Black and White. New Haven, ct: Yale University Press, 2012.Google Scholar
Bernard, Emily. “Commentary.” In Williams, Edward Christopher, When Washington Was in Vogue: A Love Story (A Lost Novel of the Harlem Renaissance), ed. McKible, Adam, xxxv–xliii. New York: Amistad, 2004.Google Scholar
Bernard, Emily. “The Renaissance and the Vogue.” In The Cambridge Companion to the Harlem Renaissance, ed. Hutchinson, George, 28–40. Cambridge University Press, 2007.CrossRefGoogle Scholar
Bernier, Celeste-Marie. “A Visual Call to Arms against the ‘Caracature [sic] of My Own Face’: From Fugitive Slave to Fugitive Image in Frederick Douglass’s Theory of Portraiture.” Journal of American Studies 49, no. 2 (2015): 323–57.Google Scholar
Biers, Kathryn. “Syncope Fever: James Weldon Johnson and the Black Phonographic Voice.” Representations 96, no. 1 (Fall 2006): 99–125.Google Scholar
Bonner, Marita. “On Being Young – a Woman – and Colored” (1925). In Frye Street & Environs: The Collected Works of Marita Bonner, ed. Flynn, Joyce and Stricklin, Joyce Occomy, 3–8. Boston: Beacon Press, 1987.Google Scholar
Bonner, Marita. “The Young Blood Hungers” (1928). In Frye Street & Environs: The Collected Works of Marita Bonner, ed. Flynn, Joyce and Stricklin, Joyce Occomy, 9–13. Boston: Beacon Press, 1987.Google Scholar
Bornstein, George. The Colors of Zion: Blacks, Jews, and Irish from 1845 to 1945. Cambridge, ma: Harvard University Press, 2011.Google Scholar
Bornstein, George. “What Is the Text of a Poem by Yeats?” In Palimpsest: Editorial Theory in the Humanities, ed. Bornstein, George and Williams, Ralph G., 167–93. Ann Arbor: University of Michigan Press, 1993.Google Scholar
Botkin, B. A. “We Called it ‘Living Lore,’” New York Folklore Quarterly 14, no. 3 (Fall 1958): 189–201.Google Scholar
Botkin, B. A. (ed.). Folk Say: A Regional Miscellany, 1930. Norman: University of Oklahoma Press, 1930.Google Scholar
Bourdieu, Pierre. Distinction: A Social Critique of the Judgment of Taste. Cambridge, ma: Harvard University Press, 1984.Google Scholar
Boyd, Valerie. Wrapped in Rainbows: The Life of Zora Neale Hurston. New York: Scribner, 2003.Google Scholar
Brady, Erika. A Spiral Way: How the Phonograph Changed Ethnography. Jackson: University Press of Mississippi, 1999.Google Scholar
Brewster, Fanny. “Wheel of Fire.” Jung Journal: Culture & Psyche 7, no. 1 (2013): 70–87.Google Scholar
Brooker, Peter and Thacker, Andrew. “General Introduction.” The Oxford Critical and Cultural History of Modernist Magazines, vol. i: Britain and Ireland, 1880–1955, 1–26. Oxford University Press, 2009.Google Scholar
Brooks, Daphne A. Bodies in Dissent: Spectacular Performances of Race and Freedom, 1850–1910. Durham, nc: Duke University Press, 2006.Google Scholar
Brooks, Daphne A. “‘Sister, can you line it out?’: Zora Neale Hurston and the Sound of Angular Black Womanhood.” Amerikastudien/American Studies 55, no. 4 (2010): 617–27.Google Scholar
Brooks, Gwendolyn. Maud Martha in Blacks (1953). Chicago: Third World Press, 1987.Google Scholar
Brown, Jayna. Babylon Girls: Black Women Performers and the Shaping of the Modern. Durham, nc: Duke University Press, 2008.Google Scholar
Brown, Sterling A. “Blues as Folk Poetry.” In Botkin, (ed.), Folk-Say, 324–39.Google Scholar
Brown, Sterling A. “Ma Rainey.” In Southern Road: Poems. 1932; Boston: Beacon Press, 1974.Google Scholar
Brown, Sterling A. The Negro in American Fiction. Port Washington, ny: Kennikat Press, 1937.Google Scholar
Bryant, John. The Fluid Text: A Theory of Revision and Editing for Book and Screen. Ann Arbor: University of Michigan Press, 2002.Google Scholar
Bryant, John. “Rewriting Moby Dick: Politics, Textual Identity, and the Revision Narrative.” PMLA 125, no. 4 (2010): 1043–60.Google Scholar
Bryant, John. “Where Is the Text of America?: Witnessing Revision and the Online Critical Archive.” In The American Literature Scholar in the Digital Age, ed. Earhart, Amy E. and Jewell, Andrew, 145–68. Ann Arbor: University of Michigan Press, 2011.Google Scholar
Bryant, John. “Witness and Access: The Uses of the Fluid Text.” Textual Cultures: Texts, Contexts, Interpretation 2, no. 1 (2007): 16–42.Google Scholar
Bundles, A’Lelia Perry. On Her Own Ground: The Life and Times of Madam C. J. Walker. New York: Scribner, 2001.Google Scholar
Callon, Michael. “Some Elements of a Sociology of Translation: Domestication of the Scallops and the Fishermen of St. Brieuc Bay.” In Power, Action, and Belief: A New Sociology of Knowledge, ed. Law, John, 196–223. London: Routledge & Kegan Paul, 1986.Google Scholar
Calt, Stephen. Barrelhouse Words: A Blues Dialect Dictionary. Urbana: University of Illinois Press, 2009.Google Scholar
Capshaw Smith, Katharine. Children’s Literature of the Harlem Renaissance. Bloomington: Indiana University Press, 2004.Google Scholar
Carby, Hazel. “The Politics of Fiction, Anthropology, and the Folk: Zora Neale Hurston.” In New Essays on Their Eyes Were Watching God, ed. Awkward, Michael, 71–93. Cambridge University Press, 1990.Google Scholar
Carby, Hazel. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. Oxford University Press, 1987.Google Scholar
Carpenter, Carole H. “Arthur Huff Fauset, Campaigner for Social Justice: A Symphony of Diversity.” In African-American Pioneers in Anthropology, ed. Harrison, Ira E. and Harrison, Faye V., 213–42. Urbana: University of Illinois Press, 1999.Google Scholar
Carpio, Glenda R. and Sollors, Werner. “Part One: ‘The Book of Harlem,’ ‘Monkey Junk,’ and ‘The Back Room.’” Amerikastudien/American Studies 54, no. 4 (Winter 2010): 562–65.Google Scholar
Carr, Brian and Cooper, Tova. “Zora Neale Hurston and Modernism at the Critical Limit.” Modern Fiction Studies 48, no. 2 (2002): 285–313.Google Scholar
Carr, Helen. Inventing the American Primitive: Politics, Gender and the Representation of Native American Literary Traditions. Cork University Press, 1996.Google Scholar
Carrington, André M. “Salon Cultures and Spaces of Cultural Edifications.” In Sherrard-Johnson, (ed.), Companion, 251–66.Google Scholar
Carroll, Anne Elizabeth. Word, Image, and the New Negro: Representation and Identity in the Harlem Renaissance. Bloomington: Indiana University Press, 2005.Google Scholar
Castronovo, Russ. “Beauty along the Color Line: Lynching, Aesthetics, and the Crisis.” PMLA 121, no. 5 (2006): 1443–59.Google Scholar
Caughie, Pamela L. “‘The best people’: The Making of the Black Bourgeoisie in the Writings of the Negro Renaissance.” Modernism/Modernity 20, no. 3 (September 2013): 519–38.Google Scholar
Cha-Jua, Sundiata. “‘A warlike demonstration’: Legalism, Violence, and Self-Help, and Electoral Politics in Decatur, Illinois, 1894–1898.” Journal of Urban History 26, no. 5 (July 2000): 591–629.Google Scholar
Chambers, Clarke A. Paul Kellogg and the Survey: Voices for Social Welfare and Social Justice. Minneapolis: University of Minnesota Press, 1971.Google Scholar
Chancy, Myriam J. A. Autochthonomies: Transnationalism, Testimony, and Transmission in the African Diaspora. Urbana: University of Illinois Press, 2020.Google Scholar
Chaney, Michael A. “International Contexts of the Negro Renaissance.” In The Cambridge Companion to the Harlem Renaissance, ed. Hutchinson, George, 41–54. Cambridge University Press, 2007.CrossRefGoogle Scholar
Chapman, Erin D. Prove It on Me: New Negroes, Sex, and Popular Culture in the 1920s. New York: Oxford University Press, 2012.Google Scholar
Cheng, Anne Anlin. Second Skin: Josephine Baker and the Modern Surface. New York: Oxford University Press, 2011.Google Scholar
Chinitz, David. Which Sin to Bear? Authenticity and Compromise in Langston Hughes. New York: Oxford University Press, 2013.Google Scholar
Chion, Michel. The Voice in Cinema, trans. Gorbman, Claudia. New York: Columbia University Press, 1999.Google Scholar
Christian, Barbara. “But What Do We Think We’re Doing Anyway: The State of Black Feminist Criticism(s) or My Version of a Little Bit of History.” In Changing Our Own Words: Essays on Criticism, Theory, and Writing by Black Women, ed. Wall, Cheryl A., 58–74. London: Routledge, 1990.Google Scholar
Clement, Elizabeth Alice. Love for Sale: Courting, Treating, and Prostitution in New York City, 1900–1945. Chapel Hill: University of North Carolina Press, 2006.Google Scholar
Cohen, Octavus Roy. “Battle Scared.” Saturday Evening Post, June 12, 1926: 20ff.Google Scholar
Cohen, Octavus Roy. “Endurance Vile.” Saturday Evening Post, December 5, 1925: 32ff.Google Scholar
Cohen, Octavus Roy. “Horns Aplenty.” Saturday Evening Post, September 4, 1926: 34ff.Google Scholar
Cohen, Octavus Roy. “Low but Sure.” Saturday Evening Post, November 6, 1926: 46ff.Google Scholar
Cole, Jean Lee and Mitchell, Charles, “Zora Neale Hurston – a Theatrical Life.” In Zora Neale Hurston: Collected Plays, xv–xxxi. New Brunswick, nj: Rutgers University Press, 2008.Google Scholar
Collier, Patrick. “What Is Modern Periodical Studies?” Journal of Modern Periodical Studies 6, no. 2 (2015): 92–111.Google Scholar
Cooper, Brittney C. Beyond Respectability: The Intellectual Thought of Race Women. Urbana: University of Illinois Press, 2017.Google Scholar
Cooper, Frederick. “Postcolonial Studies and the Study of History.” In Postcolonial Studies and Beyond, ed. Loomba, Ania, Kaul, Suvir, Bunzl, Matti, Burton, Antoinette, and Etsy, Jed, 401–22. Durham, nc: Duke University Press, 2005.Google Scholar
Cooper, Wayne F. Claude McKay, Rebel Sojourner in the Harlem Renaissance: A Biography. Baton Rouge: Louisiana State University Press, 1996.Google Scholar
Cooppan, Vilashini. “Move on Down the Line: Domestic Science, Transnational Politics, and Gendered Allegory in Du Bois.” In Next to the Color Line: Gender, Sexuality, and W. E. B. Du Bois, ed. Gillman, Susan and Weinbaum, Alys Eve, 35–68. Minneapolis: University of Minnesota Press, 2007.Google Scholar
Corbould, Clare. Becoming African Americans: Black Public Life in Harlem, 1919–1939. Cambridge, ma: Harvard University Press, 2009.Google Scholar
Cullen, Countee. “Heritage.” In Gates Jr, . and McKay, (eds.), Norton Anthology, 2nd edn, 1347–50.Google Scholar
Curtis, Edward E. and Sigler, Danielle Brune (eds.). The New Black Gods: Arthur Huff Fauset and the Study of African American Religions. Bloomington: Indiana University Press, 2009.CrossRefGoogle Scholar
Dahn, Eurie. Jim Crow Networks: African American Periodical Cultures (Amherst: University of Massachusetts Press, 2021), 135–64.Google Scholar
Dalleo, Rafe. American Imperialism Undead: The Occupation of Haiti and the Rise of Caribbean Anticolonialism. Charlottesville: University of Virginia Press, 2016.Google Scholar
Das, Santanu. “Introduction.” In Race, Empire and First World War Writing, ed. Das, Santanu, 1–31. Cambridge University Press, 2011.Google Scholar
Davis, Angela Y. Blues Legacies and Black Feminism: Gertrude “Ma” Rainey, Bessie Smith, and Billie Holiday. New York: Pantheon, 1998.Google Scholar
Davis, Thadious M. Nella Larsen, Novelist of the Harlem Renaissance: A Woman’s Life Unveiled. Baton Rouge: Louisiana State University Press, 1994.Google Scholar
De Jongh, James. Vicious Modernism: Black Harlem and the Literary Imagination. Cambridge University Press, 1990.Google Scholar
Dickinson, Blanche Taylor. “Four Walls.” In Shadowed Dreams: Women’s Poetry of the Harlem Renaissance, ed. Honey, Maureen, 78. New Brunswick, nj: Rutgers University Press, 2006.Google Scholar
Dickinson, Blanche Taylor. “The Walls of Jericho,” In Shadowed Dreams: Women’s Poetry of the Harlem Renaissance, ed. Honey, Maureen, 78–79. New Brunswick, nj: Rutgers University Press, 2006.Google Scholar
Dickson-Carr, Darryl. Spoofing the Modern: Satire in the Harlem Renaissance. Columbia: University of South Carolina Press, 2015.Google Scholar
“Dislikes Negroes in Harlem,” New York Times, July 7, 1912.Google Scholar
Dixon, Robert M. W. and Godrich, John. Recording the Blues. New York: Stein and Day, 1970.Google Scholar
Dorman, Jacob. “Negro with a Hat: The Rise and Fall of Marcus Garvey (review).” American Studies 50, nos. 1–2 (Spring–Summer 2009): 199–200.Google Scholar
Drew, Bernard A. Black Stereotypes in Popular Fiction Series, 1851–1955: Jim Crow Authors and Their Characters. Jefferson, nc: McFarland, 2015.Google Scholar
Drouin, Jeffrey. “Close- and Distant-Reading Modernism: Network Analysis, Text Mining, and Teaching The Little Review.” Journal of Modern Periodical Studies 5, no. 1 (2014): 110–35.Google Scholar
Dubey, Madhu. Signs and Cities: Black Literary Postmodernism. University of Chicago Press, 2003.Google Scholar
Du Bois, W. E. B. Black Reconstruction in America: 1860–1880. 1935; New York: Free Press, 1998.Google Scholar
Du Bois, W. E. B. “China and Africa.” In W. E. B. Du Bois on Asia: Crossing the World Color Line, ed. Mullen, Bill V. and Watson, Cathryn, 196–201. Jackson: University of Mississippi Press, 2005.Google Scholar
Du Bois, W. E. B. The Correspondence of W. E. B. Du Bois, vol. i: Selections, 1877–1934, ed. Aptheker, Herbert. Amherst: University of Massachusetts Press, 1973.Google Scholar
Du Bois, W. E. B. “Criteria of Negro Art.” In Gates Jr., and McKay, (eds.), Norton Anthology, 1st edn, 752–59.Google Scholar
Du Bois, W. E. B. Dark Princess: A Romance (1928); ed. Gates Jr, Henry Louis. New York: Oxford University Press, 2007.Google Scholar
Du Bois, W. E. B. Darkwater: Voices from within the Veil. 1920; Mineola, ny: Dover, 1999.Google Scholar
Du Bois, W. E. B. Dusk of Dawn: An Essay toward an Autobiography of a Race Concept. 1940; New York: Schocken, 1968; New Brunswick, nj: Transaction, 1997.Google Scholar
Du Bois, W. E. B. “The N.A.A.C.P.” The Crisis, October 1911: 241–42.Google Scholar
Du Bois, W. E. B. “Negro Art.” In The Oxford W. E. B. Du Bois Reader, ed. Sundquist, Eric, 310–11. New York: Oxford University Press, 1996.Google Scholar
Du Bois, W. E. B. “Negro Art and Literature.” In The Oxford W. E. B. Du Bois Reader, ed. Sundquist, Eric, 311–24. New York: Oxford University Press, 1996.Google Scholar
Du Bois, W. E. B. “The Negro in Art: How Shall He Be Portrayed.” In The New Negro: Readings on Race, Representation, and African American Culture, 1892–1938, ed. Gates Jr, Henry Louis. and Jarrett, Gene Andrew, 190–204. Princeton University Press, 2007.Google Scholar
Du Bois, W. E. B. “The Negro Mind Reaches Out.” In Locke, (ed.), The New Negro, 385–414.Google Scholar
Du Bois, W. E. B. “Two Novels.” In Gates, and McKay, (eds.), Norton Anthology, 1st edn, 759–60.Google Scholar
Du Bois, W. E. B. “The Pan-African Congresses: The Story of a Growing Movement.” The Crisis, October 1927: 263–64.Google Scholar
Du Bois, W. E. B. The Souls of Black Folk (1903), ed. Blight, David W and Gooding-Williams, Robert. Boston, ma: Bedford, 1997.Google Scholar
Du Bois, W. E. B. The Souls of Black Folk: Essays and Sketches. 1st edn. Chicago: A. C. McClurg, 1903.Google Scholar
Du Bois, W. E. B. “Strivings of the Negro People.” Atlantic Monthly, August 1897: 194–98.Google Scholar
Du Bois, W. E. B. “The Third Pan-African Congress.” The Crisis, January 1924: 120–22.Google Scholar
Du Bois, W. E. B. W. E. B. Du Bois: A Reader, ed. Lewis, David Levering. New York: Henry Holt, 1995.Google Scholar
Du Bois, W. E. B. and Locke, Alain. “The Younger Literary Movement.” The Crisis 27 (1924): 161–63.Google Scholar
Dudley, Tara. “Seeking the Ideal African-American Interior: The Walker Residences and Salon in New York.” Studies in the Decorative Arts 14, no. 1 (Fall–Winter 2006–07): 80–112.Google Scholar
Dunbar, Eve. “Woman on the Verge of a Cultural Breakdown: Zora Neale Hurston in Haiti and the Racial Privilege of Boasian Relativism.” In Indigenous Visions: Rediscovering the World of Franz Boas, ed. Blackhawk, Ned and Wilner, Isaiah Lorado, 231–57. New Haven, ct: Yale University Press, 2018.Google Scholar
Durkin, Hannah. “Finding Last Middle Passage Survivor Sally ‘Redoshi’ Smith on the Page and Screen.” Slavery and Abolition 40, no. 4 (2019): 631–58.CrossRefGoogle Scholar
Durkin, Hannah. “Zora Neale Hurston’s Visual and Textual Portrait of Middle Passage Survivor Oluale Kossola/Cudjo Lewis.” Slavery and Abolition 38, no. 3 (2017): 601–19.CrossRefGoogle Scholar
Dyer, Richard. “Entertainment and Utopia.” In The Cultural Studies Reader, ed. During, Simon, 271–83. New York: Routledge, 1993.Google Scholar
Eburne, Jonathan. “Garveyism and Its Involutions.” African American Review 47, no. 1 (Spring 2014): 1–19.Google Scholar
Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, ma: Harvard University Press, 2003.Google Scholar
Ekaete, Genevieve. “Sterling Brown: A Living Legend.” New Directions: The Howard University Magazine 1 (Winter 1974): 5–11.Google Scholar
Ellington, Duke. “My Hunt for Song Titles.” In The Duke Ellington Reader, ed. Tucker, Mark, 87–89. New York: Oxford University Press, 1993.Google Scholar
Elliott, Michael A. The Culture Concept: Writing and Difference in the Age of Realism. Minneapolis: University of Minnesota Press, 2002.Google Scholar
Ellison, Ralph. Invisible Man. 1952; New York: Vintage, 1995.Google Scholar
Evans, Curtis J. The Burden of Black Religion. New York: Oxford University Press, 2008.Google Scholar
Evans, David. “Bessie Smith’s ‘Back-Water Blues’: The Story behind the Song.” Popular Music 26, no. 1 (2007): 97–116.Google Scholar
Ewing, Adam. “Garvey or Garveyism? Colin Grant’s Negro with a Hat (2008) and the Search for a New Synthesis in UNIA Scholarship.” Transition 105, no. 1 (2011): 130–45.Google Scholar
Farebrother, Rachel. The Collage Aesthetic in the Harlem Renaissance. Farnham, England: Ashgate, 2009.Google Scholar
Fauset, Arthur Huff. “American Negro Folk Literature.” In Locke, (ed.), The New Negro, 238–44.Google Scholar
Fauset, Arthur Huff. Black Gods of the Metropolis: Negro Religious Cults of the Urban North. Philadelphia: University of Pennsylvania Press, 1944.Google Scholar
Fauset, Arthur Huff. “Folk Lore from the Half-Breeds of Nova Scotia.” Journal of American Folklore 38, no. 148 (April–June 1925): 305–15.Google Scholar
Fauset, Arthur Huff. Folklore from Nova Scotia. New York: American Folklore Society, G. E. Stechert, 1931.Google Scholar
Fauset, Arthur Huff. “Jumby.” In Ebony and Topaz, ed. Johnson, Charles S, 15–20. New York: National Urban League, 1927.Google Scholar
Fauset, Arthur Huff. “Negro Folk Lore.” In Locke, (ed.), The New Negro, 442–48.Google Scholar
Fauset, Arthur Huff. “Negro Folk Tales from the South (Alabama, Mississippi, Louisiana).” Journal of American Folklore 40, no. 157 (July–September 1927): 213–303.Google Scholar
Fauset, Arthur Huff. “T’appin (Terrapin).” In Locke, (ed.), The New Negro, 245–47.Google Scholar
Fauset, Jessie Redmon. “Impressions of the Second Pan-African Congress.” The Crisis, November 1921: 12–18.Google Scholar
Fauset, Jessie Redmon. Plum Bun: A Novel without a Moral. 1928; Boston: Beacon Press, 1990.Google Scholar
Fearnley, Andrew M. and Matlin, Daniel (eds.). Race Capital? Harlem as Setting and Symbol. New York: Columbia University Press, 2019.Google Scholar
Ferguson, Jeffrey B. The Sage of Sugar Hill: George S. Schuyler and the Harlem Renaissance. New Haven, ct: Yale University Press, 2005.Google Scholar
“Fierce Race Riot in Upper New York,” New York Times, December 26, 1901: 1.Google Scholar
Fisher, Rudolph. “The Caucasian Storms Harlem.” In The Portable Harlem Renaissance Reader, ed. Lewis, David Levering, 110–17. New York: Penguin, 1995.Google Scholar
Fisher, Rudolph. “The City of Refuge” (1925). In City of Refuge, 3–16.Google Scholar
Fisher, Rudolph. The City of Refuge: The Collected Stories of Rudolph Fisher, ed. McCluskey Jr, John. Columbia: University of Missouri Press, 1987.Google Scholar
Fisher, Rudolph. “The Promised Land” (1927). In City of Refuge, 48–59.Google Scholar
Fisher, Rudolph. “Ringtail” (1925). In City of Refuge, 17–29.Google Scholar
Fisher, Rudolph. “The South Lingers On” (1925). In City of Refuge, 30–39.Google Scholar
Fisher, Rudolph. The Walls of Jericho. 1928; London: X Press, 1995.Google Scholar
Fleck, Andrew Jerome. “‘Deep Designs of Empire’: English Representations of the Dutch from the Armada to the Glorious Revolution.” PhD diss., Claremont Graduate School, 2000.Google Scholar
Fleetwood, Nicole R. Troubling Vision: Performance, Visuality, and Blackness. University of Chicago Press, 2011.Google Scholar
Foley, Barbara. Jean Toomer: Race, Repression, and Revolution. Urbana: University of Illinois Press, 2014.Google Scholar
Foley, Barbara. “Jean Toomer’s Washington and the Politics of Class: From ‘Blue Veins’ To Seventh-Street Rebels.” Modern Fiction Studies 42, no. 2 (Summer 1996): 289–321.Google Scholar
Foreman, P. Gabrielle. “Who’s Your Mama? ‘White’ Mulatta Genealogies, Early Photography, and Anti-Passing Narratives of Slavery and Freedom.” American Literary History 14, no. 3 (2002): 505–39.Google Scholar
Frank, Waldo. Holiday, ed. Pfeiffer, Kathleen. Urbana: University of Illinois Press, 2003.Google Scholar
Frazier, Franklin E. The Black Bourgeoisie: The Rise of a New Black Middle Class in the United States. London: Collier-Macmillan, 1962.Google Scholar
Freeburg, Christopher. Black Aesthetics and the Interior Life. Charlottesville: University of Virginia Press, 2017.Google Scholar
Freud, Sigmund. “Mourning and Melancholia” (1915). In The Standard Edition of the Complete Psychological Works of Freud, vol. xiv: On the History of the Psycho-Analytic Movement, Papers on Metapsychology and Other Works, 237–58. New York: Vintage, 2001.Google Scholar
Fronc, Jennifer. New York Undercover: Private Surveillance in the Progressive Era. University of Chicago Press, 2009.Google Scholar
Gaines, Kevin K. Uplifting the Race: Black Leadership, Politics, and Culture in the Twentieth Century. Chapel Hill: University of North Carolina Press, 1996.Google Scholar
Gallicchio, Marc. Black Internationalism in Asia, 1895–1945. Chapel Hill: University of North Carolina Press, 2000.Google Scholar
Gambrell, Alice. Women Intellectuals, Modernism, and Difference: Transatlantic Culture, 1919–1945. Cambridge University Press, 1997.Google Scholar
Garvey, Amy Jacques. Garvey and Garveyism. Baltimore, md: Black Classic Press, 2014.Google Scholar
Garvey, Amy Jacques. (ed.). The Philosophy and Opinions of Marcus Garvey: Africa for the Africans. London: Routledge, 2006.Google Scholar
Gates Jr., Henry Louis. Figures in Black: Words, Signs, and the “Racial” Self. Oxford University Press, 1989.Google Scholar
Gates Jr, ., “The Trope of the New Negro and the Reconstruction of the Image of the Black.” Representations 24 (Autumn 1988): 129–55.Google Scholar
Gates Jr., Henry Louis and McKay, Nellie Y (eds.). The Norton Anthology of African American Literature. 1st edn New York: W. W. Norton, 1997; 2nd edn New York: W. W. Norton, 2004.Google Scholar
Gikandi, Simon. Slavery and the Culture of Taste. Princeton University Press, 2014.Google Scholar
Gilroy, Paul. Against Race: Imagining Political Culture beyond the Color Line. Cambridge, ma: Harvard University Press, 2000.Google Scholar
Gilroy, Paul. Darker than Blue: On the Moral Economies of Black Atlantic Culture. Cambridge, ma: Harvard University Press, 2010.Google Scholar
Gitelman, Lisa. Scripts, Grooves, and Writing Machines: Representing Technology in the Edison Era. Stanford University Press, 1999.Google Scholar
Glass, Kathy L. “Nella Larsen’s Spiritual Strivings.” In Sherrard-Johnson, (ed.), Companion, 171–86.Google Scholar
Glissant, Édouard. Caribbean Discourse: Selected Essays, trans. Dash, J. Michael. Charlottesville: University of Virginia Press, 1989.Google Scholar
Goble, Mark. Beautiful Circuits: Modernism and the Mediated Life. New York: Columbia University Press, 2010.Google Scholar
Godfrey, Mollie. “Rewriting White, Rewriting Black: Authentic Humanity and Authentic Blackness in Nella Larsen’s ‘Sanctuary.’” MELUS 38, no. 4 (2013): 122–45.Google Scholar
Goeser, Caroline. Picturing the New Negro: Harlem Renaissance Print Culture and Modern Black Identity. Lawrence: University Press of Kansas, 2007.Google Scholar
Gold, Michael. “Hoboken Blues, or the Black Rip van Winkle, a Modern Negro Fantasia on an Old American Theme.” In The American Caravan: A Yearbook of American Literature, ed. Brooks, Van Wyck et al., 548–626. New York: Literary Guild of America, 1927.Google Scholar
Goldsby, Jacqueline. “Introduction: ‘Giving the country something new and unknown’: James Weldon Johnson’s The Autobiography of an Ex-Colored Man.” In The Autobiography of an Ex-Colored Man, ed. Goldsby, Jacqueline, ix–lvi. New York: W. W. Norton, 2015.Google Scholar
Goldsby, Jacqueline. A Spectacular Secret: Lynching in American Life and Literature. University of Chicago Press, 2006.Google Scholar
Goyal, Yogita. “Black Nationalist Hokum: George Schuyler’s Transnationalist Critique.” African American Review 47, no. 1 (2014): 21–36.Google Scholar
Grant, Colin. Negro with a Hat: The Rise and Fall of Marcus Garvey. New York: Oxford University Press, 2008; London: Vintage, 2009.Google Scholar
Griffin, Farah Jasmine. “Who Set You Flowin’?”: The African-American Migration Narrative. New York: Oxford University Press, 1995.Google Scholar
Guridy, Frank. “Making New Negroes in Cuba: Garveyism as a Transcultural Movement.” In Baldwin, and Makalani, (eds.), Escape from New York, 183–204.Google Scholar
Gurock, Jeffrey S. When Harlem Was Jewish, 1870–1930. New York: Columbia University Press, 1979.Google Scholar
Gyasi, Yaa. Homegoing. New York: Vintage, 2016.Google Scholar
Haidarali, Laila. Brown Beauty: Color, Sex, and Race from the Harlem Renaissance to World War II. New York University Press, 2018.Google Scholar
Hale, Grace Elizabeth. Making Whiteness: The Culture of Segregation in the South, 1890–1940. New York: Vintage, 1999.Google Scholar
Hamilton, Marybeth. In Search of the Blues. New York: Basic Books, 2009.Google Scholar
Hannah-Jones, Nikole, Elliott, Mary, Hughes, Jazmine, and Silverstein, Jake. “The 1619 Project.” New York Times Magazine, August 18, 2019.Google Scholar
Harold, Claudrena. “Reconfiguring the Roots and Routes of New Negro Activism: The Garvey Movement in New Orleans.” In Baldwin, and Makalani, (eds.), Escape from New York, 205–24. University of Minnesota Press, 2013.Google Scholar
Harper, Phillip Brian. “Passing for What? Racial Masquerade and the Demands of Upward Mobility.” Callaloo 21, no. 2 (Spring 1998): 381–97.Google Scholar
Harris, Leonard. “The Great Debate: W. E. B. Du Bois vs. Alain Locke on the Aesthetic.” Philosophia Africana 7 (2004): 15–39.Google Scholar
Harris, Leonard. (ed.). The Philosophy of Alain Locke: Harlem Renaissance and Beyond. Philadelphia, pa: Temple University Press, 1989.Google Scholar
Harrison, Hubert. “No Negro Literary Renaissance.” In A Hubert Harrison Reader, ed. Perry, Jeffrey B, 351–54. Middletown, ct: Wesleyan University Press, 2001.Google Scholar
Hartman, Saidiya. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. New York: Oxford University Press, 1997.Google Scholar
Hartman, Saidiya. Wayward Lives, Beautiful Experiments: Intimate Histories of Social Upheaval. New York: W. W. Norton, 2019.Google Scholar
Haviland, Beverly. “Passing from Paranoia to Plagiarism: The Abject Authorship of Nella Larsen.” Modern Fiction Studies 43, no. 2 (1997): 295–318.Google Scholar
Heard, Matthew. “‘Dancing is dancing no matter who is doing it’: Zora Neale Hurston, Literacy, and Contemporary Writing Pedagogy.” College Literature 34, no. 1 (2007): 129–55.Google Scholar
Hegeman, Susan. Patterns for America: Modernism and the Concept of Culture. Princeton University Press, 1994.Google Scholar
Heinemann, R. L. “Robert Russa Moton (1867–1940).” Encyclopedia Virginia, March 1, 2014, www.encyclopediavirginia.org/Moton_Robert_Russa_1867-1940.Google Scholar
Hemenway, Robert E. Zora Neale Hurston: A Literary Biography. Urbana: University of Illinois Press, 1977; London: Camden Press, 1986.Google Scholar
Henderson, Mae Gwendolyn. “Speaking in Tongues: Dialogics, Dialectics, and the Black Woman Writer’s Literary Tradition.” In Changing Our Own Words: Essays on Criticism, Theory, and Writing by Black Women, ed. Wall, Cheryl A., 16–37. London: Routledge, 1990.Google Scholar
Hicks, Cheryl D. Talk with You Like a Woman: African American Women, Justice, and Reform in New York, 1890–1935. Chapel Hill: University of North Carolina Press, 2010.Google Scholar
Higginbotham, Evelyn Brooks. Righteous Discontent: The Women’s Movement in the Black Baptist Church, 1880–1920. Cambridge, ma: Harvard University Press, 1993.Google Scholar
Higham, John. Strangers in the Land: Patterns of American Nativism 1860–1925. New Brunswick, nj: Rutgers University Press, 2004.Google Scholar
Hill, Robert A., “Making Noise: Marcus Garvey Dada, August 1922.” In Picturing Us: African American Identity in Photography, ed. Willis, Deborah, 181–205. New York: New Press, 1994.Google Scholar
Hill, Robert A., (ed.). The Marcus Garvey and Universal Negro Improvement Association Papers. 10 vols. Berkeley: University of California Press, 1983–95.Google Scholar
Hine, Darlene Clark. “Black Migration to the Urban Midwest: The Gender Dimension, 1915–1945.” In The Great Migration in Historical Perspective: New Dimensions of Race, Class, and Gender, ed. Trotter, Joe Jr., 127–46. Bloomington: Indiana University Press, 1991.Google Scholar
Hobsbawn, Eric. “Introduction: Inventing Traditions.” In The Invention of Tradition, ed. Hobsbawn, Eric and Ranger, Terence, 1–14. Cambridge University Press, 1983.Google Scholar
Hoeller, Hildegard. “Race, Modernism, and Plagiarism: The Case of Nella Larsen’s ‘Sanctuary.’” African American Review 40, no. 3 (2006): 421–37.Google Scholar
Hollander, Anne. Seeing through Clothes. 1978; Berkeley: University of California Press, 1993.Google Scholar
Hollenbach, Lisa. “Phonography, Race Records, and the Blues Poetry of Langston Hughes.” In Sherrard-Johnson, (ed.), Companion, 301–16.Google Scholar
Huggins, Nathan. Harlem Renaissance. New York: Oxford University Press, 1971.Google Scholar
Hughes, Clair. “Dressing for Success.” In Fashion in Fiction: Text and Clothing in Literature, Film and Television, ed. McNeil, Peter, Karaminas, Vicki, and Cole, Catherine, 11–22. Oxford: Berg, 2009.Google Scholar
Hughes, Langston. The Big Sea. 1940; New York: Hill & Wang, 2015.Google Scholar
Hughes, Langston. The Collected Poems of Langston Hughes, ed. Rampersad, Arnold and Roessel, David E. New York: Vintage, 1995; New York: Alfred A. Knopf, 2004.Google Scholar
Hughes, Langston. I Wonder as I Wander. 1956; New York: Hill & Wang, 1993.Google Scholar
Hughes, Langston. “The Negro Artist and the Racial Mountain.” The Nation, June 23, 1926: 692–94.Google Scholar
Hughes, Langston. “The Negro Artist and the Racial Mountain” (1926). In Gates, Jr. and McKay, (eds.), Norton Anthology, 2nd edn, 1311–14.Google Scholar
Hughes, Langston. “Says Race Leaders.” Pittsburgh Courier, April 16, 1927: 8.Google Scholar
Hurston, Zora Neale. “The Back Room” (1927). Amerikastudien/American Studies 54, no. 4 (Winter 2010): 577–81.Google Scholar
Hurston, Zora Neale. Barracoon: The Story of the Last “Black Cargo,” ed. Plant, Deborah G.. New York: Amistad, 2018.Google Scholar
Hurston, Zora Neale. “Characteristics of Negro Expression” (1934). In Folklore, Memoirs and Other Writings, ed. Wall, Cheryl A, 830–46. New York: Library of America, 1995.Google Scholar
Hurston, Zora Neale. “The Country in the Woman” (1927). Amerikastudien/American Studies 54, no. 4 (Winter 2010): 587–91.Google Scholar
Hurston, Zora Neale. “Dance Songs and Tales from the Bahamas.” Journal of American Folklore 43 (July–September 1930): 294–312.Google Scholar
Hurston, Zora Neale. Dust Tracks on a Road: An Autobiography. 1942; New York: HarperCollins, 1991.Google Scholar
Hurston, Zora Neale. “The Eatonville Anthology” (1926). In The Complete Stories, ed. Gates Jr, Henry Louis. and Lemke, Sieglinde, 59–72. New York: HarperCollins, 1995.Google Scholar
Hurston, Zora Neale. Every Tongue Got to Confess: Negro Tales from the Gulf States, ed. Kaplan, Carla. New York: HarperCollins, 2001.Google Scholar
Hurston, Zora Neale. “Hoodoo in America.” Journal of American Folklore 44 (October–December 1931): 317–418.Google Scholar
Hurston, Zora Neale. “How It Feels to Be Colored Me.” The World Tomorrow, May 1928: 215–16.Google Scholar
Hurston, Zora Neale. “Monkey Junk” (1927). Amerikastudien/American Studies 54, no. 4 (Winter 2010): 570–75.Google Scholar
Hurston, Zora Neale. Mules and Men. 1935; New York: Harper Perennial, 1990.Google Scholar
Hurston, Zora Neale. “The Rise of the Begging Joints.” American Mercury 60, no. 3 (1945): 288–93.Google Scholar
Hurston, Zora Neale. “The Sanctified Church.” In Zora Neale Hurston: Folklore, Memoirs, and Other Writings, ed. Wall, Cheryl A, 901–05. New York: Library of America, 1995.Google Scholar
Hurston, Zora Neale. “She Rock” (1933). Amerikastudien/American Studies 54, no. 4 (Winter 2010): 592–97.Google Scholar
Hurston, Zora Neale. Tell My Horse. 1938; New York: Harper Perennial, 1990.Google Scholar
Hurston, Zora Neale. Their Eyes Were Watching God. 1937; New York: Harper Perennial, 2013.Google Scholar
Hurston, Zora Neale. Zora Neale Hurston: Collected Plays, ed. Cole, Jean Lee and Mitchell, Charles. New Brunswick, nj: Rutgers University Press, 2008.Google Scholar
Hurston, Zora Neale. Zora Neale Hurston: A Life in Letters, ed. Kaplan, Carla. New York: Doubleday, 2002.Google Scholar
Hutchinson, George B. The Harlem Renaissance in Black and White. Cambridge, ma: Belknap Press, 1995.Google Scholar
Hutchinson, George B. In Search of Nella Larsen: A Biography of the Color Line. Cambridge, ma: Belknap Press, 2006.Google Scholar
Hutchinson, George B. “Jean Toomer and the ‘New Negroes’ of Washington.” American Literature 63, no. 4 (December 1991): 683–92.Google Scholar
Hutchinson, George B. “Organizational Voices: The Messenger (1917–28) and Opportunity (1923–49).” In The Oxford Critical and Cultural History of Modernist Magazines, vol. ii: North America 1894–1960, ed. Brooker, Peter and Thacker, Andrew, 784–800. Oxford University Press, 2012.Google Scholar
Hutchinson, George B. and Young, John K.. “Introduction.” In Publishing Blackness: Textual Constructions of Race since 1850, ed. Young, Hutchinson, 1–17. Ann Arbor: University of Michigan Press, 2013.Google Scholar
Irving, Washington. History, Tales, and Sketches. New York: Library of America, 1983.Google Scholar
Israel, Jonathan. The Dutch Republic: Its Rise, Greatness, and Fall, 1477–1806. Oxford University Press, 1995.Google Scholar
Jackson Jr., John L. “When Harlem was in Vogue Magazine.” In Fearnley, and Matlin, (eds.), Race Capital, 267–84.Google Scholar
Jackson, Robert. Fade in Crossroads: A History of the Southern Cinema. New York: Oxford University Press, 2017.Google Scholar
Jacobs, Harriet. Incidents in the Life of a Slave Girl, ed. Yellin, Jean Fagin. Cambridge, ma: Harvard University Press, 1987.Google Scholar
Jacobs, Karen. The Eye’s Mind: Literary Modernism and Visual Culture. Ithaca, ny: Cornell University Press, 2001.Google Scholar
James, C. L. R. “From Toussaint L’Ouverture to Fidel Castro” (1938). In The Black Jacobins: Toussaint L’Ouverture and the San Domingo Revolution, 2nd edn rev., 391–418. New York: Vintage, 1989.Google Scholar
James, Winston. “Harlem’s Difference.” In Fearnley, and Matlin, (eds.), Race Capital, 111–42.Google Scholar
Jarrett, Gene Andrew. Deans and Truants: Race and Realism in African American Literature. Philadelphia: University of Pennsylvania Press, 2007.Google Scholar
Johnson, Barbara. A World of Difference. Baltimore, md: Johns Hopkins University Press, 1987.Google Scholar
Johnson, Bob. “Globalizing the Harlem Renaissance: Irish, Mexican, and ‘Negro’ Renaissances in The Survey.” Journal of Global History 1 (2006): 155–75.Google Scholar
Johnson, Bob. “‘Typical of her race’: Cultural Pluralism and the Editorial Records of Survey Graphic.” American Studies 52 (2013): 43–63.Google Scholar
Johnson, Charles S. “The Balance Sheet: Debits and Credits in Negro-White Relations.” The World Tomorrow, January 1928: 13–16.Google Scholar
Johnson, Charles S. “The New Frontage on American Life.” In Locke, (ed.), The New Negro, 278–98.Google Scholar
Johnson, James Weldon. The Autobiography of an Ex-Colored Man, ed. Goldsby, Jacqueline. 1912/1927; New York: W. W. Norton, 2015.Google Scholar
Johnson, James Weldon. Black Manhattan. Preface by Spear, Allan. 1930; New York: Atheneum, 1977.Google Scholar
Johnson, James Weldon. “The Dilemma of the Negro Author” (1928). In The New Negro: Readings on Race, Representation, and African American Culture, 1892–1938, ed. Gates Jr, Henry Louis. and Jarrett, Gene Andrew, 378–82. Princeton University Press, 2007.Google Scholar
Johnson, James Weldon. “Harlem: The Culture Capital.” In Locke, (ed.), The New Negro, 301–11.Google Scholar
Johnson, James Weldon. “The Making of Harlem,” Survey Graphic 6, no. 6 (March 1925): 635–39.Google Scholar
Johnson, James Weldon. Negro Americans, What Now? New York: Viking, 1934.Google Scholar
Johnson, James Weldon. “Words and Clothes.” In Johnson, , Autobiography, 255–58.Google Scholar
Josephson, Matthew. “Great American Novels.” Broom 5 (1923): 178–80.Google Scholar
Joslin, Katherine and Wardrop, Daneen. “Introduction.” In Crossings in Text and Textile, ed. Joslin, and Wardrop, , ix–xxii. Durham: University of New Hampshire Press, 2015.Google Scholar
Jung, Carl G. “Your Negroid and Indian Behavior.” Forum, April 1930: 193–99.Google Scholar
Kachun, Mitch. Festivals of Freedom: Memory and Meaning in African American Emancipation Celebrations, 1808–1915. Amherst: University of Massachusetts Press, 2003.Google Scholar
Kammen, Michael G. Mystic Chords of Memory: The Transformation of Tradition in American Culture. New York: Knopf, 1991.Google Scholar
Kaplan, Carla. Miss Anne in Harlem: The White Women of the Black Renaissance. New York: HarperCollins, 2013.Google Scholar
Kawash, Samira. Dislocating the Color Line: Identity, Hybridity and Singularity in African-American Literature. Stanford University Press, 1997.Google Scholar
Kenney, William Howland. Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945. New York: Oxford University Press, 2003.Google Scholar
Kheshti, Roshanak. Modernity’s Ear: Listening to Race and Gender in World Music. New York University Press, 2015.Google Scholar
King, Shannon. “Not Just a World Problem: Segregation, Police Brutality, and New Negro Politics.” In Baldwin, and Makalani, (eds.), Escape from New York, 381–400.Google Scholar
King, Shannon. Whose Harlem Is This Anyway?: Community Politics and Grassroots Activism during the New Negro Era. New York University Press, 2015.Google Scholar
Kirschke, Amy Helene. Aaron Douglas: Art, Race, and the Harlem Renaissance. Jackson: University Press of Mississippi, 1995.Google Scholar
Kisseloff, Jeff. You Must Remember This: An Oral History of Manhattan from the 1890s to World War II. New York: Harcourt Brace Jovanovich, 1989.Google Scholar
Kroeber, A. L. The Superorganic. Indianapolis: Bobbs-Merrill, 1927.Google Scholar
Kutzinski, Vera. The Worlds of Langston Hughes: Modernism and Translation in the Americas. Ithaca, ny: Cornell University Press, 2012.Google Scholar
Laird, Ross and Rust, Brian. Discography of OKeh Records, 1918–1934. Westport, ct: Praeger, 2004.Google Scholar
Lamothe, Daphne. Inventing the New Negro: Narrative, Culture, and Ethnography. Philadelphia: University of Pennsylvania Press, 2008.Google Scholar
Larkin, Lesley. Race and the Literary Encounter: Black Literature from James Weldon Johnson to Percival Everett. Bloomington: Indiana University Press, 2015.Google Scholar
Larsen, Nella. Quicksand. New York: Alfred A. Knopf, 1928.Google Scholar
Larsen, Nella. Quicksand; & Passing, ed. McDowell, Deborah. New Brunswick, nj: Rutgers University Press, 1987.Google Scholar
Larsen, Nella. “Sanctuary.” The Forum, January 1930: 15–18.Google Scholar
Larson, Charles R. Invisible Darkness: Jean Toomer and Nella Larsen. Iowa City: University of Iowa Press, 1993.Google Scholar
Larson, Kelli A. “Surviving the Taint of Plagiarism: Nella Larsen’s ‘Sanctuary’ and Sheila Kaye-Smith’s ‘Mrs. Adis.’” Journal of Modern Literature 30, no. 4 (2007): 82–104.Google Scholar
Latham, Sean. “Unpacking My Digital Library: Programs, Modernisms, and Magazines.” In Making Canada New: Editing, Modernism, and New Media, ed. Irvine, Dean, Lent, Vanessa, and Vautour, Bart, 31–60. University of Toronto Press, 2017.Google Scholar
Latham, Sean and Scholes, Robert. “The Rise of Periodical Studies.” PMLA 121, no. 2 (2006): 517–31.Google Scholar
Latour, Bruno. Reassembling the Social: An Introduction to Actor-Network Theory. Oxford University Press, 2005.Google Scholar
Lee, Judith Yaross. Defining New Yorker Humor. Jackson: University Press of Mississippi, 2000.Google Scholar
Lee, Steven S. The Ethnic Avant-Garde: Minority Cultures and World Revolution. New York: Columbia University Press, 2015.Google Scholar
Levy, Eugene. James Weldon Johnson: Black Leader, Black Voice. University of Chicago Press, 1973.Google Scholar
Lewis, David Levering. W. E. B. Du Bois: A Biography. New York: Henry Holt, 2009.Google Scholar
Lewis, David Levering. W. E. B. Du Bois: The Fight for Equality and the American Century (1919–1963). New York: Henry Holt, 2000.Google Scholar
Lewis, David Levering. When Harlem Was in Vogue. New York: Knopf, 1981; New York: Oxford University Press, 1989; New York: Penguin, 1997.Google Scholar
Lewis, Rupert. Marcus Garvey: Anti-Colonial Champion. Trenton, nj: Africa World Press, 1988.Google Scholar
Locke, Alain. “The Concept of Race as Applied to Culture” (1924). In The Critical Temper of Alain Locke: A Selection of His Essays on Art and Culture, ed. Stewart, Jeffrey C, 423–31. New York: Garland, 1983.Google Scholar
Locke, Alain. “Harlem: Dark Weather-Vane.” Survey Graphic 25 (August 1936): 457–62.Google Scholar
Locke, Alain.“The New Negro.” In Locke, (ed.), The New Negro, 3–16.Google Scholar
Locke, Alain. “Review of Fine Clothes to the Jew.” Saturday Review of Literature, April 9, 1927: 714.Google Scholar
Locke, Alain. “This Year of Grace: Outstanding Books of the Year in Negro Literature” (1931). In The Critical Temper of Alain Locke: A Selection of His Essays on Art and Culture, ed. Stewart, Jeffrey C, 205–08. New York: Garland, 1983.Google Scholar
Locke, Alain. “We Turn to Prose: A Retrospective Review of the Literature of the Negro for 1931” (1932). In The Critical Temper of Alain Locke: A Selection of His Essays on Art and Culture, ed. Stewart, Jeffrey C, 209–13. New York: Garland, 1983.Google Scholar
Locke, Alain. (ed.). The New Negro. 1925; New York: Touchstone, 1997.Google Scholar
Logan, Rayford “Why We Should Study Negro History.” New Journal and Guide, December 12, 1925: 16.Google Scholar
Lorde, Audre. Sister Outsider: Essays and Speeches. Berkeley, ca: The Crossing Press, 1984.Google Scholar
Lowe, John. Jump at the Sun: Zora Neale Hurston’s Cosmic Comedy. Urbana: University of Illinois Press, 1997.Google Scholar
Luis-Brown, David. Waves of Decolonization: Discourses of Race and Hemispheric Citizenship in Cuba, Mexico, and the United States. Durham, nc: Duke University Press, 2008.Google Scholar
Lutenski, Emily. West of Harlem: African American Writers at the Borderlands. Lawrence: University Press of Kansas, 2015.Google Scholar
Lynch, Hollis. “Introduction to the Atheneum Edition.” Philosophy and Opinions of Marcus Garvey, Volumes I & II, ed. Garvey, Amy Jacques, 1–16. New York: Atheneum, 1986.Google Scholar
Marcus Garvey: Look for me in the Whirlwind. Directed and produced by Nelson, Stanley. Arlington, va, 2001. DVD.Google Scholar
Manganaro, Marc. Culture, 1922: The Emergence of a Concept. Princeton University Press, 2002.Google Scholar
Marshall, Kate. Corridor: Media Architectures in American Fiction. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Matlin, Daniel. “Harlem: The Making of a Ghetto Discourse.” In Fearnley, and Matlin, (eds.), Race Capital, 71–90.Google Scholar
Maxwell, William J. New Negro, Old Left: African-American Writing and Communism between the Wars. New York: Columbia University Press, 1999.Google Scholar
Mays, Benjamin E. The Negro’s God: As Reflected in His Literature. 1938; Westport, ct: Greenwood Press, 1969.Google Scholar
McDowell, Deborah E. The Changing Same: Black Women’s Literature, Criticism, and Theory. Bloomington: Indiana University Press, 1995.Google Scholar
McDowell, Deborah E. “Introduction.” In Larsen, Quicksand; & Passing,” ed. McDowell, , ix–xxxv. New Brunswick, nj: Rutgers University Press, 1986.Google Scholar
McDowell, Deborah E. “New Directions for Black Feminist Criticism.” Black American Literature Forum 14, no. 4 (Winter 1980): 153–59.Google Scholar
McGinley, Paige A. Staging the Blues: From Tent Shows to Tourism. Durham, nc: Duke University Press, 2014.Google Scholar
McGruder, Kevin. Race and Real Estate: Conflict and Cooperation in Harlem, 1890–1920. New York: Columbia University Press, 2015.Google Scholar
McHenry, Elizabeth. Forgotten Readers: Recovering the Lost History of African American Reading Societies. Durham, nc: Duke University Press, 2002.Google Scholar
McKay, Claude. Banjo: A Story without a Plot. 1929; New York: Harcourt Brace, 1957.Google Scholar
McKay, Claude. Collected Poems, ed. Maxwell, William J. Urbana: University of Illinois Press, 2004.Google Scholar
McKay, Claude. Home to Harlem. 1928; Boston, ma: Northeastern University Press, 1987.Google Scholar
McKible, Adam. “Introduction.” In Edward Christopher Williams, When Washington Was in Vogue: A Love Story (A Lost Novel of the Harlem Renaissance), ed. McKible, , xiii–xxxiv. New York: Amistad, 2004.Google Scholar
McKible, Adam. The Space and Place of Modernism: The Russian Revolution, Little Magazines, and New York. New York: Routledge, 2002.Google Scholar
McKible, Adam. “‘We Return Fighting’: Black Doughboys and the Battle of Representation.” American Periodicals: A Journal of History & Criticism 26, no. 2 (2016): 167–82.Google Scholar
McKible, Adam and Churchill, Suzanne W.. “Introduction: In Conversation: The Harlem Renaissance and the New Modernist Studies.” Modernism/Modernity 20, no. 3 (2013): 427–31.Google Scholar
Menand, Louis. The Metaphysical Club: A Story of Ideas in America. New York: Farrar, Straus and Giroux, 2001.Google Scholar
Mencken, H. L. Response to “The Negro in Art.” In The New Negro: Readings on Race, Representation, and African American Culture, 1892–1938, ed. Gates Jr, Henry Louis. and Jarrett, Gene Andrew, 191. Princeton University Press, 2007.Google Scholar
Mercer, Kobena. James VanDerZee. London: Phaidon, 2003.Google Scholar
Miller, Karl Hagstrom. Segregating Sound: Inventing Folk and Pop Music in the Age of Jim Crow. Durham, nc: Duke University Press, 2010.Google Scholar
Miller, Monica L. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Durham, nc: Duke University Press, 2009.Google Scholar
“Millions of Friends for Florian Slappey.” Saturday Evening Post, March 24, 1934: 90.Google Scholar
Mills, Joseph. “The Absurdity of America: George S. Schuyler’s Black No More.” EnterText 1, no. 1 (2000): 127–48.Google Scholar
Milner, Greg. Perfecting Sound Forever: An Aural History of Recorded Music. 1st edn. New York: Faber and Faber, 2009.Google Scholar
Mitchell, Michele. Righteous Propagation: African Americans and the Politics of Racial Destiny after Reconstruction. Chapel Hill: University of North Carolina Press, 2004.Google Scholar
Modelski, George. “Kautilya: Foreign Policy and International System in the Ancient Hindu World.” American Political Science Review 58, no. 3 (1964): 549–60.Google Scholar
Morissette, Noelle. “Introduction: Biography of an Author, Biography of a Text.” In New Perspectives on James Weldon Johnson’s “The Autobiography of an Ex-Colored Man,” ed. Morrissette, Noelle, 1–20. Athens: University of Georgia Press, 2017.Google Scholar
Morrison, Mark. The Public Face of Magazines: Little Magazines, Audiences, and Reception, 1905–1920. Madison: University of Wisconsin Press, 2000.Google Scholar
Morrison, Toni. “The Nobel Lecture in Literature.” In What Moves at the Margin: Selected Nonfiction, ed. Denard, Carolyn C., 198–207. Jackson: University Press of Mississippi, 2008.Google Scholar
Moses, Wilson J. Afrotopia: The Roots of African American Popular History. Cambridge University Press, 1998.Google Scholar
Moses, Wilson J. “The Poetics of Ethiopianism: W. E. B. Du Bois and Literary Black Nationalism.” American Literature 47, no. 3 (1975): 411–26.Google Scholar
Moten, Fred. Into the Break: The Aesthetics of the Black Radical Tradition. Minneapolis: University of Minnesota Press, 2003.Google Scholar
Muhammad, Khalil G. The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America. Cambridge, ma: Harvard University Press, 2011.Google Scholar
Mullen, Bill V. Afro-Orientalism. Minneapolis: University of Minnesota Press, 2004.Google Scholar
Mullen, Bill V. “Du Bois, Dark Princess, and the Afro-Asian International.” Positions: East Asia Cultures Critique 11, no. 1 (2003): 217–39.Google Scholar
Murray, Albert. The Omni-Americans: New Perspectives on Black Experience and American Culture. New York: Outerbridge & Dienstfrey, 1970.Google Scholar
“Myles Anderson Paige.” Who’s Who in Colored America, 1941–44, 392. Brooklyn: T. Yenser, n.d.Google Scholar
Nadell, Martha Jane. “‘Devoted to Younger Negro Artists’: Fire!! (1926) and Harlem (1928).” In The Oxford Critical and Cultural History of Modernist Magazines, vol. ii: North America 1894–1960, ed. Brooker, Peter and Thacker, Andrew, 801–24. Oxford University Press, 2012.Google Scholar
Nadell, Martha Jane. Enter the New Negroes: Images of Race in American Culture. Cambridge, ma: Harvard University Press, 2004.Google Scholar
“Negroes Support Dance-Hall Policy.” New York Times, June 21, 1926: 5.Google Scholar
“A New Leaf – And Let’s Keep It Clean!” Chicago Defender, January 3, 1920: 16.Google Scholar
Ngai, Sianne. Ugly Feelings. Cambridge, ma: Harvard University Press, 2005.Google Scholar
“Nine Ex-Soldiers Lynched in South.” Chicago Defender, January 3, 1920: 1.Google Scholar
Nishikawa, Kinohi. “The Archive on Its Own: Black Politics, Independent Publishing, and The Negotiations.” MELUS 40, no. 3 (2015): 176–201.Google Scholar
Nishikawa, Kinohi. “Race, Thick and Thin.” Arcade: Literature, Humanities, and the World, March 16, 2015, http://arcade.stanford.edu/content/race-thick-and-thin.Google Scholar
North, Michael. The Dialect of Modernism: Race, Language, and Twentieth-Century Literature. Oxford University Press, 1994.Google Scholar
Nowlin, Michael. “Race Literature, Modernism, and Normal Literature: James Weldon Johnson’s Groundwork for an African American Literary Renaissance, 1912–20.” Modernism/Modernity 20, no. 3 (2013): 503–18.Google Scholar
Nugent, Richard Bruce. Gentleman Jigger, a Novel. Philadelphia: Da Capo, 2008.Google Scholar
“Octavus Roy Cohen Watches Football Game.” Chicago Defender, November 1922: 10.Google Scholar
“Octavus Roy Cohen Writes Hard, Plays Hard, in Southland.” Washington Herald, February 16, 1919: 6ff.Google Scholar
“The Old and the New.” Chicago Defender, January 3, 1920: 16.Google Scholar
Oliver, Paul. Blues Off the Record: Thirty Years of Blues Commentary. New York: Baton Press, 1984.Google Scholar
Onishi, Yuichiro. Afro-Asian Solidarity in 20th-Century Black America, Japan, and Okinawa. New York University Press, 2013.Google Scholar
“Open Wide the Door.” Chicago Defender, December 13, 1930: 12.Google Scholar
Osofsky, Gilbert. Harlem: The Making of a Ghetto, Negro New York, 1890–1930, 2nd edn. Chicago: Elephant Paperbacks, 1996.Google Scholar
Ottley, Roi (ed.), The Negro in New York: An Informal Social History. New York Public Library, 1967.Google Scholar
Palmer, Robert. Rock ’n’ Roll: An Unruly History. 1st edn. New York: Harmony, 1995.Google Scholar
Parkins, Ilya and Sheehan, Elizabeth M.. “Introduction: Cultures of Femininity in Modern Fashion.” In Cultures of Femininity in Modern Fashion, ed. Parkins, and Sheehan, , 1–15. Durham: University of New Hampshire Press, 2011.Google Scholar
Peake, Jak. “‘Watching the Waters’: Tropic Flows in the Harlem Renaissance, Black Internationalism and Other Currents.” Radical Americas 3, no. 1 (2018): 1–52.Google Scholar
Pinkerton, Steve. “‘New Negro’ v. ‘Niggeratti’: Defining and Defiling the Black Messiah.” Modernism/Modernity 20, no. 3 (September 2013): 539–55.Google Scholar
Pinkney, Alphonso. Red, Black, and Green: Black Nationalism in the United States. Cambridge University Press, 1976.Google Scholar
Plummer, Brenda Gayle. “Garveyism in Haiti during the US Occupation.” Journal of Haitian Studies 21, no. 2 (Fall 2015): 68–87.Google Scholar
“‘Porgy’ Star in Radio Mystery,” Baltimore Afro-American, February 1933: 19.Google Scholar
Potamkin, Harry Allan. “Old Clothes.” The Nation 124, no. 3223 (April 13, 1927).Google Scholar
Powell, Richard. Cutting a Figure: Fashioning Black Portraiture. University of Chicago Press, 2008.Google Scholar
Powell, Richard. “Sartor Africanus.” In Dandies: Fashion and Finesse in Art and Culture, ed. Fillin-Yeh, Susan, 217–42. New York University Press, 2001.Google Scholar
Price, Kenneth M. “Charles Chesnutt, the Atlantic Monthly, and the Intersection of African-American Fiction and Elite Culture.” In Periodical Literature in Nineteenth-Century America, ed. Price and Smith, Susan Belasco, 257–74. Charlottesville: University of Virginia Press, 1995.Google Scholar
Putnam, Lara. Radical Moves: Caribbean Migrants and the Politics of Race in the Jazz Age. Chapel Hill: University of North Carolina Press, 2013.Google Scholar
Quashie, Kevin. The Sovereignty of Quiet: Beyond Resistance in Black Culture. New Brunswick, nj: Rutgers University Press, 2012.Google Scholar
“Race Riot Rages in Harlem Streets.” New York Times, August 5, 1907: 1.Google Scholar
Raiford, Leigh. “Marcus Garvey in Stereograph.” Small Axe 17, no. 1 (March 2013): 263–80.Google Scholar
Rampersad, Arnold. The Art and Imagination of W. E. B. Du Bois. Cambridge, ma: Harvard University Press, 1976; New York: Schocken, 1990.Google Scholar
Rampersad, Arnold. “Introduction,” in Hughes, Langston, The Big Sea, xiii–xxvi. 1940; New York: Hill & Wang, 2015.Google Scholar
Rampersad, Arnold. “Introduction,” in The Collected Poems of Langston Hughes, ed. Rampersad, and Roessel, David E. New York: Vintage, 1995.Google Scholar
Rampersad, Arnold. The Life of Langston Hughes. New York: Oxford University Press, 1986.Google Scholar
Reed, Touré F. Not Alms But Opportunity: The Urban League and the Politics of Racial Uplift, 1910–1950. Chapel Hill: University of North Carolina Press, 2008.Google Scholar
Reid, Ira De A. “Let Us Prey!” Opportunity 4 (September 1926): 274–78.Google Scholar
“‘Rent Parties Are Menace’ Says Judge.” Amsterdam News, October 24, 1925: 1.Google Scholar
Retman, Sonnet H. Real Folks: Race and Genre in the Great Depression. Durham, nc: Duke University Press, 2011.Google Scholar
Reynolds, Anita. American Cocktail: A “Colored Girl” in the World, with Howard M. Miller, ed. Hutchinson, George. Cambridge, ma: Harvard University Press, 2014.Google Scholar
Riker, James. Harlem (City of New York): Its Origin and Early Annals; Prefaced by Home Scenes in the Fatherlands; or, Notices of Its Founders before Emigration; also, Sketches of Numerous Families, and the Recovered History of the Land-Titles. New York: Printed for the author, 1881.Google Scholar
Rink, Oliver A. Holland on the Hudson: An Economic and Social History of Dutch New York. Ithaca, ny: Cornell University Press, 1986.Google Scholar
Robertson, Stephen. “Churches.” Digital Harlem Blog: Everyday Life, 1915–1930, April 17, 2009, https://digitalharlemblog.wordpress.com/2009/04/17/churches.Google Scholar
Robertson, Stephen, White, Shane, Garton, Stephen, and White, Graham. “Disorderly Houses: Residences, Privacy, and the Surveillance of Sexuality in 1920s Harlem.” Journal of the History of Sexuality 21, no. 3 (September 2012): 443–66.Google Scholar
Rogers, Joel. “Jazz at Home.” In Locke, (ed.), The New Negro, 216–24.Google Scholar
Rose, Tricia. Black Noise: Rap Music and Black Culture in Contemporary America. Middletown, ct: Wesleyan University Press, 1994.Google Scholar
Ross, Marlon B. Manning the Race: Reforming Black Men in the Jim Crow Era. New York University Press, 2004.Google Scholar
Russell, Heather. Legba’s Crossing: Narratology in the African Atlantic. Athens: University of Georgia Press, 2009.Google Scholar
Sacks, Marcy S. “‘To show who was in charge’: Police Repression of New York’s Black Population at the Turn of the Twentieth Century.” Journal of Urban History 31, no. 6 (September 2005): 799–819.Google Scholar
Sagee, Alona. “‘Down Hearted Blues’ and ‘Gulf Coast Blues’ Revisited.” Popular Music 26, no. 1 (2006): 117–27.Google Scholar
Said, Edward W. Culture and Imperialism. London: Chatto & Windus, 1993.Google Scholar
Sapir, Edward. “Culture, Genuine and Spurious.” American Journal of Sociology 29, no. 4 (1924): 401–29.Google Scholar
Savage, Barbara Dianne. “Biblical and Historical Imperatives: Toward a History of Ideas about the Political Role of Black Churches.” In African Americans and the Bible: Sacred Texts and Social Textures, ed. Wimbush, Vincent L., 367–88. New York: Continuum, 2000.Google Scholar
Scholes, Robert and Wulfman, Clifford. Modernism in the Magazines: An Introduction. New Haven, ct: Yale University Press, 2010.Google Scholar
Schomburg, Arthur A. “The Negro Digs Up His Past.” In Locke, (ed.), The New Negro, 231–37.Google Scholar
Schuyler, George S. Black and Conservative. New Rochelle, ny: Arlington House, 1966.Google Scholar
Schuyler, George S. Black No More. 1931; New York: Modern Library, 1999.Google Scholar
Schuyler, George S. Ethiopian Stories. Boston, ma: Northeastern University Press, 1994.Google Scholar
Schuyler, George S. “The Negro-Art Hokum.” In Gates Jr, . and McKay, (eds.), Norton Anthology, 2nd edn, 1221–23.Google Scholar
Schwarz, A. B. Christa. Gay Voices of the Harlem Renaissance. Bloomington: Indiana University Press, 2003.Google Scholar
Schweitzer, Ivy. When Broadway Was the Runway. Philadelphia: University of Pennsylvania Press, 2009.Google Scholar
“Secretary Taft Visits Fisk,” Nashville Globe, May 29, 1908.Google Scholar
Segrave, Kerry. Jukeboxes: An American Social History. Jefferson, nc: McFarland, 2002.Google Scholar
Sekula, Allan. “The Body and the Archive.” October 39 (Winter 1986): 3–64.Google Scholar
Sernett, Milton. Bound for the Promised Land: African American Religion and the Great Migration. Durham, nc: Duke University Press, 1997.Google Scholar
Sheehan, Elizabeth M. “The Face of Fashion: Race and Fantasy in James VanDerZee’s Photography and Jessie Fauset’s Fiction.” In Cultures of Femininity in Modern Fashion, ed. Parkins, Ilya and Sheehan, Elizabeth M., 180–202. Durham: University of New Hampshire Press, 2011.Google Scholar
Sheehan, Elizabeth M. Modernism à la Mode: Fashion and the Ends of Literature. Ithaca, ny: Cornell University Press, 2018.Google Scholar
Sherrard-Johnson, Cherene. Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance. New Brunswick, nj: Rutgers University Press, 2007.Google Scholar
Sherrard-Johnson, Cherene. “Questionnaire Response.” Modernism/Modernity 23, no. 3 (2013): 454–57.Google Scholar
Sherrard-Johnson, Cherene. (ed.). A Companion to the Harlem Renaissance. Chichester: Wiley-Blackwell, 2015.Google Scholar
Shilliam, Robbie. “Ethiopianism, Englishness, Britishness: Struggles over Imperial Belonging.” Citizenship Studies 20, no. 2 (2016): 243–59.Google Scholar
Silvera, Edward. “Critics Say.” Baltimore Afro-American, February 19, 1927: 16.Google Scholar
Silverman, Kaja. “Fragments of a Fashionable Discourse.” In On Fashion, ed. Benstock, Shari and Ferriss, Suzanne, 183–96. New Brunswick, nj: Rutgers University Press, 1994.Google Scholar
Skinner, Quentin. Visions of Politics, vol. i. Cambridge University Press, 2002.Google Scholar
Smethurst, James. The African American Roots of Modernism: From Reconstruction to the Harlem Renaissance. Chapel Hill: University of North Carolina Press, 2011.Google Scholar
Smethurst, James. “American Modernism and the Harlem Renaissance.” In The Cambridge Companion to Modern American Poetry, ed. Kalaidjian, Walter, 77–88. Cambridge University Press, 2015.Google Scholar
Smethurst, James. The New Red Negro: The Literary Left and African American Poetry, 1930–1946. New York: Oxford University Press, 1999.Google Scholar
Smith, Barbara. “Toward a Black Feminist Criticism.” In Feminist Criticism and Social Change: Sex, Class and Race in Literature and Culture, ed. Newton, Judith and Rosenfelt, Deborah, 3–18. New York: Methuen, 1985.Google Scholar
Smith, Shawn Michelle. Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture. Durham, nc: Duke University Press, 2004.Google Scholar
Smith, Willie with George Hoefer. Music on My Mind: The Memoirs of an American Pianist, Foreword by Ellington, Duke. London: MacGibbon & Kee, 1965.Google Scholar
Sohi, Seema. Echoes of Mutiny: Race, Surveillance, and Indian Anticolonialism in North America. New York: Oxford University Press, 2007.Google Scholar
Soto, Michael. Measuring the Harlem Renaissance: The US Census, African American Identity, and Literary Form. Amherst: University of Massachusetts Press, 2016.Google Scholar
Spillers, Hortense. “Mama’s Baby, Papa’s Maybe: An American Grammar Book.” In Black, White, and in Color: Essays on American Literature and Culture, 203–29. 1987; University of Chicago Press, 2003.Google Scholar
Spillers, Hortense. “A Tale of Three Zoras: Barbara Johnson and Black Women Writers.” diacritics 34, no. 1 (2004): 94–97.Google Scholar
Stadler, Gus. “‘Never heard such a thing’: Lynching and Phonographic Modernity.” Social Text 28, no. 1 (Spring 2010): 87–105.Google Scholar
Stephens, Michelle Ann. Black Empire: The Masculine Global Imaginary of Caribbean Intellectuals in the United States, 1914–1962. Durham, nc: Duke University Press, 2005.Google Scholar
Stephens, Michelle Ann. “Black Transnationalism and the Politics of National Identity: West Indian Intellectuals in Harlem in the Age of War and Revolution.” American Quarterly 50, no. 3 (1998): 592–608.Google Scholar
Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction. Durham, nc: Duke University Press, 2003.Google Scholar
Stewart, Jeffrey C. “The New Negro as Citizen.” In The Cambridge Companion to the Harlem Renaissance, ed. Hutchinson, George, 13–27. Cambridge University Press, 2007.Google Scholar
Stewart, Maria Miller. “Religion and the Pure Principles of Morality, the Sure Foundation on Which We Must Build.” In Maria W. Stewart: America’s First Black Woman Political Writer, ed. Richardson, Marilyn (1831; Bloomington: Indiana University Press, 1987), 28–42.Google Scholar
Stoever, Jennifer Lynn. “Fine-Tuning the Sonic Color-Line: Radio and the Acousmatic Du Bois.” Modernist Cultures 10, no. 1 (2015): 99–118.Google Scholar
Stoever, Jennifer Lynn. The Sonic Color Line: Race and the Cultural Politics of Listening. New York University Press, 2016.Google Scholar
Strain, Christopher. Pure Fire: Self-Defense as Activism in the Civil Rights Era. Athens: University of Georgia Press, 2005.Google Scholar
“Sues Harlem Theater; Segregation Charged.” Chicago Defender, October 22, 1927: 11.Google Scholar
Suisman, David. Selling Sounds: The Commercial Revolution in American Music. Cambridge, ma: Harvard University Press, 2009.Google Scholar
Summers, Martin. Manliness and Its Discontents: The Black Middle Class and the Transformation of Masculinity, 1900–1930. Chapel Hill: University of North Carolina Press, 2004.Google Scholar
Sundquist, Eric J. “Literature and Art.” In The Oxford W. E. B. Du Bois Reader, ed. Sundquist, Eric, 303–04. New York: Oxford University Press, 1996.Google Scholar
Sundquist, Eric J. To Wake the Nations: Race in the Making of American Culture. Cambridge, ma: Harvard University Press, 1993.Google Scholar
Survey Graphic, March 1925. Repr. Baltimore, md: Black Classic Press, 1980.Google Scholar
Taggard, Genevieve. “Engaged.” The Liberator, September 1922: 5–10.Google Scholar
Tebbel, John. George Horace Lorimer and “The Saturday Evening Post.” Garden City, ny: Doubleday, 1948.Google Scholar
Thacker, Andrew. “Poetry in Perspective: The Melange of the 1920s: The Measure (1921–26); Rhythmus (1923–24); and Palms (1923–30).” In The Oxford Critical and Cultural History of Modernist Magazines, vol. ii: North America 1894–1960, ed. Brooker, Peter and Thacker, , 320–46. Oxford University Press, 2012.Google Scholar
Thaggert, Miriam. Images of Black Modernism: Verbal and Visual Strategies of the Harlem Renaissance. Amherst: University of Massachusetts Press, 2010.Google Scholar
Thurman, Wallace. The Blacker the Berry. 1929; New York: Simon & Schuster, 1996.Google Scholar
Thurman, Wallace. The Collected Writings of Wallace Thurman: A Harlem Renaissance Reader, ed. Singh, Amritjit and Scott III, Daniel M.. New Brunswick, nj: Rutgers University Press, 2003.Google Scholar
Thurman, Wallace. “Fire Burns: A Department of Comment.” In Collected Writings, 193–95.Google Scholar
Thurman, Wallace. “Harlem: A Vivid Word Picture of the World’s Greatest Negro City.” In Collected Writings, 32–34.Google Scholar
Thurman, Wallace. “Harlem Facets.” In Collected Writings, 35–39.Google Scholar
Thurman, Wallace. “Negro Artists and the Negro.” In Collected Writings, 195–200.Google Scholar
Thurman, Wallace. “Negro Life in New York’s Harlem: A Lively Picture of a Popular and Interesting Section.” In Collected Writings, 39–62.Google Scholar
Thurman, Wallace. Negro Life in New York’s Harlem: A Lively Picture of a Popular and Interesting Section. Girard: Haldeman-Julius, 1928.Google Scholar
Thurman, Wallace. “Odd Jobs in Harlem.” In Collected Writings, 74–78.Google Scholar
Tidwell, John and Wright, John S.. “‘Steady and Unaccusing’: An Interview with Sterling A. Brown.” Callaloo 21, no. 4 (1998): 810–21.Google Scholar
Toomer, Jean. Cane, ed. Byrd, Rudolph P and Gates Jr, Henry Louis. New York: W. W. Norton, 2011.Google Scholar
Toomer, Jean. “Carma.” The Liberator, September 1922: 13.Google Scholar
Toomer, Jean. Jean Toomer: Selected Essays and Literary Criticism, ed. Jones, Robert B. Knoxville: University of Tennessee Press, 1996.Google Scholar
Toomer, Jean. A Jean Toomer Reader: Selected Unpublished Writings, ed. Rusch, Frederick L. New York: Oxford University Press, 1993.Google Scholar
Toomer, Jean. “Kabnis.” Broom 5 (1923): 83–94.Google Scholar
Toomer, Jean. Natalie Mann (1922). In The Wayward and the Seeking: A Collection of Writings by Jean Toomer, ed. Turner, Darwin, 243–327. Washington, dc: Howard University Press, 1980.Google Scholar
Toomer, Jean. “Notations on The Captain’s Doll.” Broom 5 (1923): 47–49.Google Scholar
“Too Much ‘Gun Play’ in New York City,” New York Age, June 1914: 4.Google Scholar
Tracy, Steven C. Hot Blues, Ragmentation and the Blueing of American Literature. Tuscaloosa: University of Alabama Press, 2015.Google Scholar
“The Trouble in Harlem,” New York Age, August 5, 1909: 4.Google Scholar
Trouillot, Michel-Rolph. Silencing the Past: Power and the Production of History. Boston, ma: Beacon Press, 1995.Google Scholar
Valdez, Inés. Transnational Cosmopolitanism: Kant, Du Bois, and Justice as a Political Craft. New York: Cambridge University Press, 2019.Google Scholar
Van Leeuwen, David. “Marcus Garvey and the Universal Negro Improvement Association.” www.nationalhumanitiescenter.org/tserve/twenty/tkeyinfo/garvey.htm.Google Scholar
Van Vechten, Carl. “Introduction [to The Autobiography of an Ex-Coloured Man].” In Critical Essays on James Weldon Johnson, ed. Price, Kenneth M and Oliver, Lawrence J, 25–27. New York: G. K. Hall, 1997.Google Scholar
Van Vechten, Carl. Nigger Heaven, ed. Pfeiffer, Kathleen. Urbana: University of Illinois Press, 2000.Google Scholar
Verduyn, Christl (ed.). Marian Engle’s Notebooks: “Ah, mon cahier, écoute…” Waterloo: Wilfrid Laurier University Press, 1999.Google Scholar
Vogel, Shane. The Scene of Harlem Cabaret: Race, Sexuality, Performance. University of Chicago Press, 2009.Google Scholar
Vogel, Shane. “The Sensuous Harlem Renaissance: Sexuality and Queer Culture.” In Sherrard-Johnson, (ed.), Companion, 267–83.Google Scholar
Voorhees, David William. The Holland Society: A Centennial History, 1885–1985. Holland Society of New York, 1985.Google Scholar
Wahl, Kimberly. “A Domesticated Exoticism: Fashioning Gender in Nineteenth-Century British Tea Gowns.” In Cultures of Femininity in Modern Fashion, ed. Parkins, Ilya and Sheehan, Elizabeth M., 45–70. Durham: University of New Hampshire Press, 2011.Google Scholar
Wald, Priscilla. “Becoming ‘Colored’: The Self-Authorized Language of Difference in Zora Neale Hurston.” American Literary History 2, no. 1 (1990): 79–100.Google Scholar
Walker, David. David Walker’s Appeal. 1829; New York: Macmillan, 1995.Google Scholar
Wall, Cheryl A. “Harlem as Culture Capital in 1920s African American Fiction.” In Fearnley, and Matlin, (eds.), Race Capital, 165–82.Google Scholar
Wall, Cheryl A. Women of the Harlem Renaissance. Bloomington: Indiana University Press, 1995.Google Scholar
Wall, Cheryl A. Worrying the Line: Black Women Writers, Lineage, and Literary Tradition. Chapel Hill: University of North Carolina Press, 2005.Google Scholar
Warner, Charles Dudley. Washington Irving. Boston, ma: Houghton, 1881.Google Scholar
Weheliye, Alexander G. Phonographies: Grooves in Sonic Afro-Modernity. Durham, nc: Duke University Press, 2005.Google Scholar
Weinbaum, Alys Eve. “Reproducing Racial Globality: W. E. B. Du Bois and the Sexual Politics of Black Nationalism.” Social Text 19, no. 2 (2001): 15–41.Google Scholar
Weisenfeld, Judith. Hollywood Be Thy Name: African American Religion in American Film, 1920–1949. Berkeley: University of California Press, 2007.Google Scholar
West, M. Genevieve. “‘Youse in New Yawk’: The Sexual Politics of Zora Neale Hurston’s ‘Lost’ Caroline Tales.” African American Review 47, no. 4: 477–93.Google Scholar
West, M. Genevieve. Zora Neale Hurston and American Literary Culture. Gainesville: University Press of Florida, 2005.Google Scholar
Whalan, Mark. The Great War and the Culture of the New Negro. Gainesville: University Press of Florida, 2008.Google Scholar
Whalan, Mark. Race, Manhood, and Modernism in America: The Short Story Cycles of Sherwood Anderson and Jean Toomer. Knoxville: University of Tennessee Press, 2007.Google Scholar
Wharton, Edith. The House of Mirth. 1905; New York: Signet, 2000.Google Scholar
White, Deborah Gray. Too Heavy a Load: Black Women in Defense of Themselves, 1894–1994. New York: W. W. Norton, 1999.Google Scholar
White, Shane and White, Graham. Stylin’: African American Expressive Culture from Its Beginnings to the Zoot Suit. Ithaca, ny: Cornell University Press, 1998.Google Scholar
White, Walter. The Fire in the Flint. 1924; Athens: University of Georgia Press, 1996.Google Scholar
Whiting, Cécile. “More than Meets the Eye: Archibald Motley and Debates on Race in Art.” Prospects 26 (2001): 449–76.Google Scholar
Wiegman, Robyn. American Anatomies: Theorizing Race and Gender. Durham, nc: Duke University Press, 1995.Google Scholar
Williams, Adriana. Covarrubias. Austin: University of Texas Press, 2011.Google Scholar
Williams, Edward Christopher. When Washington Was in Vogue: A Love Story (A Lost Novel of the Harlem Renaissance, ed. McKible, Adam. New York: Amistad, 2004.Google Scholar
Willis[-Braithwaite], Deborah. Reflections in Black: A History of Black Photographers 1840 to the Present. New York: W. W. Norton, 2002.Google Scholar
Willis[-Braithwaite], Deborah. “They Knew Their Names.” In VanDerZee: Photographer 1886–1983, ed. Willis-Braithwaite, Deborah, 8–25. New York: Henry N. Abrams, 1993.Google Scholar
Wilson, James Grant. The Memorial History of the City of New-York from Its First Settlement to the Year 1892, vol. i. New-York History Co., 1892.Google Scholar
Wilson, Sondra Kathryn (ed.). The Selected Writings of James Weldon: The New York Age Editorials, 1914–1923, vol. i. New York: Oxford University Press, 1995.Google Scholar
Wolcott, Victoria W. Remaking Respectability: African American Women in Interwar Detroit. Chapel Hill: University of North Carolina Press, 2001.Google Scholar
Wolfskill, Phoebe. “Caricature and the New Negro in the Work of Archibald Motley Jr. and Palmer Hayden.” Art Bulletin 91, no. 3 (2009): 343–65.Google Scholar
Wood, James Playsted. Magazines in the United States: Their Social and Economic Influence. New York: Ronald Press, 1971.Google Scholar
Woodhouse, Anna. “The Woolrichian Window and the Democratization of the Detective in Rear Window.” Comparative American Studies 11 , no. 4 (2013): 387–403.Google Scholar
Wright, Richard. “Blueprint for Negro Writing.” Race & Class 21, no. 4 (April 1980): 403–12.Google Scholar
Year Book of the Holland Society of New York. New York: Knickerbocker Press, 1896.Google Scholar
Young, John K. Black Writers, White Publishers: Marketplace Politics in Twentieth-Century African American Literature. Jackson: University Press of Mississippi, 2006.Google Scholar
Young, John K. “Midwestern Magazine Modernism: Recovering Samuel Pessin and The Milwaukee Arts Monthly/Prairie.” Journal of Modern Periodical Studies 12, no. 2 (2021): 212–66Google Scholar
Young, John K. “The Roots of Cane: Jean Toomer in The Double Dealer and Modernist Networks.” In Race, Ethnicity and Publishing in America, ed. Cottenet, Cécile, 171–92. London: Palgrave Macmillan, 2014.Google Scholar
Young, Kevin. The Grey Album: On the Blackness of Blackness. Minneapolis, mn: Graywolf Press, 2012.Google Scholar
Zieger, Susan. “The Case of William Seabrook: Documents, Haiti, and the Working Dead.” Modernism/Modernity 19, no. 4 (2013): 737–54.Google Scholar
Zumwalt, Rosemary Levy. Wealth and Rebellion: Elsie Clews Parsons, Anthropologist and Folklorist. Urbana: University of Illinois Press, 1992.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure [email protected] is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Miriam Thaggert, University of Iowa, Rachel Farebrother, Swansea University
  • Book: African American Literature in Transition, 1920–1930
  • Online publication: 17 March 2022
  • Chapter DOI: https://doi.org/10.1017/9781108992039.019
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Miriam Thaggert, University of Iowa, Rachel Farebrother, Swansea University
  • Book: African American Literature in Transition, 1920–1930
  • Online publication: 17 March 2022
  • Chapter DOI: https://doi.org/10.1017/9781108992039.019
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Miriam Thaggert, University of Iowa, Rachel Farebrother, Swansea University
  • Book: African American Literature in Transition, 1920–1930
  • Online publication: 17 March 2022
  • Chapter DOI: https://doi.org/10.1017/9781108992039.019
Available formats
×