Book contents
- Affect and Literature
- Cambridge Critical Concepts
- Affect and Literature
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- I Origins
- Chapter 1 Poetic Fear-Related Affects and Society in Greco-Roman Antiquity
- Chapter 2 Secondary Affect in Lessing, Mendelssohn, and Nicolai
- Chapter 3 Affect and Life in Spinoza, Nietzsche, and Bergson
- Chapter 4 Feelings under the Microscope: New Critical Affect
- Chapter 5 ‘We Manufacture Fun’: Capital and the Production of Affect
- Chapter 6 Jacques Lacan’s Evanescent Affects
- Chapter 7 The Durability of Affect and the Ageing of Gay Male Queer Theory
- Chapter 8 Affect, Meaning, Becoming, and Power: Massumi, Spinoza, Deleuze, and Neuroscience
- Chapter 9 Translating Postcolonial Affect
- Chapter 10 Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction
- II Developments
- III Applications
- Index
Chapter 1 - Poetic Fear-Related Affects and Society in Greco-Roman Antiquity
from I - Origins
Published online by Cambridge University Press: 16 January 2020
- Affect and Literature
- Cambridge Critical Concepts
- Affect and Literature
- Copyright page
- Contents
- Notes on Contributors
- Introduction
- I Origins
- Chapter 1 Poetic Fear-Related Affects and Society in Greco-Roman Antiquity
- Chapter 2 Secondary Affect in Lessing, Mendelssohn, and Nicolai
- Chapter 3 Affect and Life in Spinoza, Nietzsche, and Bergson
- Chapter 4 Feelings under the Microscope: New Critical Affect
- Chapter 5 ‘We Manufacture Fun’: Capital and the Production of Affect
- Chapter 6 Jacques Lacan’s Evanescent Affects
- Chapter 7 The Durability of Affect and the Ageing of Gay Male Queer Theory
- Chapter 8 Affect, Meaning, Becoming, and Power: Massumi, Spinoza, Deleuze, and Neuroscience
- Chapter 9 Translating Postcolonial Affect
- Chapter 10 Making Sorrow Sweet: Emotion and Empathy in the Experience of Fiction
- II Developments
- III Applications
- Index
Summary
Although numerous studies have dealt with expressions of emotions in Greco-Roman antiquity, less attention has been given to poetry as an artistic form deliberately meant to shape and transform human affectivity. This essay examines how ancient authors characterize lyric, dramatic, and didactic poetry as a means to influence affects, exemplifying with varieties of fear. The emphasis is on how poetic works can decrease or increase fear-related affects, such as panic on the battlefield, fear of death, horror, and existential anxiety. The examples range from archaic Greek lyric poetry (Tyrtaeus), to views about tragedy in classical Greek philosophy (Plato and Aristotle) and, finally, to didactic poetry in Rome (Lucretius).
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- Information
- Affect and Literature , pp. 33 - 48Publisher: Cambridge University PressPrint publication year: 2020