Book contents
- Sound and Literature
- Cambridge Critical Concepts
- Sound and Literature
- Copyright page
- Epigraph
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- Part I Origins
- Part II Development
- Chapter 6 Literary Soundscapes
- Chapter 7 Noise
- Chapter 8 ‘Lost in Music’
- Chapter 9 Unrecordable Sound
- Part III Applications
- Bibliography
- Index
Chapter 8 - ‘Lost in Music’
Wild Notes and Organised Sound
from Part II - Development
Published online by Cambridge University Press: 29 May 2020
- Sound and Literature
- Cambridge Critical Concepts
- Sound and Literature
- Copyright page
- Epigraph
- Contents
- Figures
- Contributors
- Acknowledgements
- Introduction
- Part I Origins
- Part II Development
- Chapter 6 Literary Soundscapes
- Chapter 7 Noise
- Chapter 8 ‘Lost in Music’
- Chapter 9 Unrecordable Sound
- Part III Applications
- Bibliography
- Index
Summary
An argument about the interpretation of black atlantic music is used here to articulate a joyful and shamelessly sentimental response to the dry defaults of ‘afropessimist’ thinking. An extended discussion of the relationship between music and freedom provides a means to explore the possibility of a dissident politics of culture articulated in terms derived from the vexed history of organised musical sound.
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- Sound and Literature , pp. 170 - 189Publisher: Cambridge University PressPrint publication year: 2020