Book contents
- Organization as Time
- Organization as Time
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Organization as Time
- Part I The Politics of Time: Ontologies and Metaphysics of Organization as Time
- 1 Media Temporalities and the Technical Image
- 2 Material Temporal Work in Artistic Innovation
- 3 In the Practice Agencement
- 4 Metaphysics of Tragedy, a Non-Dispositional View of Time
- Part II Re-orienting Critique in Organization Studies? Exploring Jointly Time and Politics
- Part III New Ways of Organizing Work, Digitality and the Politics of Time
- Part IV History and Duration: Making Things Last, Enduring Politics and Organizing
- Index
- References
2 - Material Temporal Work in Artistic Innovation
How Hilma af Klint Powered Time
from Part I - The Politics of Time: Ontologies and Metaphysics of Organization as Time
Published online by Cambridge University Press: 22 June 2023
- Organization as Time
- Organization as Time
- Copyright page
- Contents
- Figures
- Tables
- Contributors
- Organization as Time
- Part I The Politics of Time: Ontologies and Metaphysics of Organization as Time
- 1 Media Temporalities and the Technical Image
- 2 Material Temporal Work in Artistic Innovation
- 3 In the Practice Agencement
- 4 Metaphysics of Tragedy, a Non-Dispositional View of Time
- Part II Re-orienting Critique in Organization Studies? Exploring Jointly Time and Politics
- Part III New Ways of Organizing Work, Digitality and the Politics of Time
- Part IV History and Duration: Making Things Last, Enduring Politics and Organizing
- Index
- References
Summary
This chapter explores the material temporal work involved in protecting a radical artistic innovation, conceived ahead of its time, from incomprehension and projecting it into the future in search of receptive audiences. Inspired by the trajectory and recent rediscovery of the pioneering abstract artist Hilma af Klint, we suggest that it is temporal agency (i.e. anticipating of and acting upon one’s future significance) and material temporal work (i.e. influencing, sustaining, or redirecting interpretations of time through materiality) that enable the radical artistic innovation to reach receptive audiences, spanning over a century. We distinguish two processes of material temporal work: bifurcating time by working in parallel along established and unknown temporalities, and bridging time by narrative construction, waiting time, and emotional resonance with distant-future artists, museum curators, and critics. Taken together, these two processes power time as the ultimate organizer of a radical artistic innovation’s comprehension and appreciation, i.e. engage time in the politics of meaning.
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- Information
- Organization as TimeTechnology, Power and Politics, pp. 36 - 60Publisher: Cambridge University PressPrint publication year: 2023