Book contents
- Drawn from the Ground
- Series page
- Drawn from the Ground
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- 1 Introduction
- 2 Sand stories as social and cultural practice
- 3 Catching a move as it flies: multimodal data collection and annotation
- 4 Lines in the sand
- 5 Body-anchored and airborne action
- 6 Ordering, redrawing and erasure
- 7 Vocal style in sand stories
- 8 Crossing boundaries
- Appendix 1 Abbreviations, glossing and orthographic conventions
- Appendix 2 Summary of six stories annotated in detail
- Bibliography
- Index
- Plate section
8 - Crossing boundaries
Published online by Cambridge University Press: 05 May 2014
- Drawn from the Ground
- Series page
- Drawn from the Ground
- Copyright page
- Dedication
- Contents
- Illustrations
- Tables
- Acknowledgements
- 1 Introduction
- 2 Sand stories as social and cultural practice
- 3 Catching a move as it flies: multimodal data collection and annotation
- 4 Lines in the sand
- 5 Body-anchored and airborne action
- 6 Ordering, redrawing and erasure
- 7 Vocal style in sand stories
- 8 Crossing boundaries
- Appendix 1 Abbreviations, glossing and orthographic conventions
- Appendix 2 Summary of six stories annotated in detail
- Bibliography
- Index
- Plate section
- Type
- Chapter
- Information
- Drawn from the GroundSound, Sign and Inscription in Central Australian Sand Stories, pp. 222 - 243Publisher: Cambridge University PressPrint publication year: 2014
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