Book contents
- The Cambridge History of the Mongol Empire
- The Cambridge History of the Mongol Empire
- Copyright page
- Dedication
- Contents
- Figures in Volume I
- Figures in Volume II
- Maps in Volume I
- Maps in Volume II
- Tables in Volume I
- Contributors to Volume I
- Contributors to Volume II
- Acknowledgments
- Notes on Dates and Transliterations
- Abbreviations
- Volume I
- Volume II
- Volume II Part 1 Literary Sources
- Volume II Part 2 Archaeological and Visual Sources
- 17 Archaeological Sources
- 18 Archaeological Sources
- 19 Archaeological Sources
- 20 Archaeological Sources
- 21 Visual Sources
- Index to Volume I
- Index to Volume II
- References
21 - Visual Sources
from Volume II Part 2 - Archaeological and Visual Sources
Published online by Cambridge University Press: 01 January 2024
Book contents
- The Cambridge History of the Mongol Empire
- The Cambridge History of the Mongol Empire
- Copyright page
- Dedication
- Contents
- Figures in Volume I
- Figures in Volume II
- Maps in Volume I
- Maps in Volume II
- Tables in Volume I
- Contributors to Volume I
- Contributors to Volume II
- Acknowledgments
- Notes on Dates and Transliterations
- Abbreviations
- Volume I
- Volume II
- Volume II Part 1 Literary Sources
- Volume II Part 2 Archaeological and Visual Sources
- 17 Archaeological Sources
- 18 Archaeological Sources
- 19 Archaeological Sources
- 20 Archaeological Sources
- 21 Visual Sources
- Index to Volume I
- Index to Volume II
- References
Summary
This chapter provides an overview of the copious material production that occurred during the centuries when the Mongols dominated much of Asia. Co-authored, the essay offers a fully integrated study that focuses on common themes rather than regional differences. It begins by assessing the sources available for study in order to underscore some of the problems in using them. It then shows that the process of commodity and exchange across the Mongol domains resulted in a shared material culture and in the emergence of a new visual language marked by three features: an interest in perspective and the opening up of space, the cultivation of monumental size in which importance was demonstrated through scale, and a concern for allover surface patterning, often with raised, pierced, or multilevel carving.
Keywords
- Type
- Chapter
- Information
- The Cambridge History of the Mongol Empire , pp. 1349 - 1398Publisher: Cambridge University PressPrint publication year: 2023
References
Aigle, Denise. 1997. “Le soufisme sunnite en Fārs: Šayḫ Amīn al-Dīn Balyānī.” In L’Iran face à la domination mongole, ed. Aigle, Denise, 231–60. Tehran.Google Scholar
Aigle, Denise 2005. Le Fārs sous la domination mongole: Politique et fiscalité (XIIe–XIVe s.). Paris.Google Scholar
Album, Stephen. 1984. “Studies in Ilkhanid History and Numismatics: i. A Late Ilkhanid Hoard (743/1342).” Studia Iranica 13.1: 47–116.Google Scholar
Allen, Terry. 1981. A Catalogue of Toponyms and Monuments of Timurid Herat. Cambridge, MA.Google Scholar
Allsen, Thomas T. 1997a. Commodity and Exchange in the Mongol Empire: A Cultural History of Islamic Textiles. Cambridge.Google Scholar
Allsen, Thomas T. 1997b. “Ever Closer Encounters: The Appropriation of Culture and the Apportionment of Peoples in the Mongol Empire.” Journal of Early Modern History 1: 2–23.CrossRefGoogle Scholar
Allsen, Thomas T. 1999. “Review of The Mongol Empire and Its Legacy, ed. Reuven Amitai-Preiss and David O. Morgan.” Iranian Studies 32.3: 431–34.Google Scholar
Allsen, Thomas T. 2000. “The Rasulid Hexaglot in Its Eurasian Cultural Context.” In The King’s Dictionary, ed. and tr. Golden, Peter B., 25–49. Leiden.CrossRefGoogle Scholar
Allsen, Thomas T. 2019. The Steppe and the Sea: Pearls in the Mongol Empire. Philadelphia.Google Scholar
Amitai-Preiss, Reuven. 1999. “Sufis and Shamans: Some Remarks on the Islamization of the Mongols in the Ilkhanate.” JESHO 42.1: 27–46.CrossRefGoogle Scholar
Arnold, Lauren. 1999. Princely Gifts and Papal Treasures: The Franciscan Mission to China and Its Influence on the Art of the West, 1250–1350. San Francisco.Google Scholar
Barnes, Laurie E. 2010. “Yuan Dynasty Ceramics.” In Chinese Ceramics from the Paleolithic Period through the Qing Dynasty, ed. Zhiyan, Li, Bower, Virginia E., and He, Li, 331–86. New Haven.Google Scholar
Baṭṭūṭa/Gibb. See Abbreviations.Google Scholar
Baxandall, Michael. 1992. Patterns of Intention: On the Historical Exploration of Pictures. New Haven.Google Scholar
Ben Azzouna, Nourane. 2014. “Rashīd al-Dīn Faḍl Allah al-Hamadhānī’s Manuscript Production Project in Tabriz Reconsidered.” In Politics, Patronage and the Transmission of Knowledge in 13th–15th Century Tabriz, ed. Pfeiffer, Judith, 321–56. Leiden.Google Scholar
Ben Azzouna, Nourane, and Roger-Puyo, Patricia. 2016. “The Question of Manuscript Production Workshops in Iran According to Rashīd al-Dīn Faḍl Allah al-Hamadhānī’s Majmūʿa Rashīdiyya in the Bibliothèque nationale de France.” Journal of Islamic Manuscripts 7.2: 152–94.CrossRefGoogle Scholar
Bentor, Yael. 1995. “In Praise of Stūpas: The Tibetan Eulogy at Chü-yung-kuan Reconsidered.” Indo-Iranian Journal 38: 31–54.CrossRefGoogle Scholar
Berlekamp, Persis. 2010. “The Limits of Artistic Exchange in Fourteenth-Century Tabriz: The Paradox of Rashīd al-Dīn’s Book on Chinese Medicine, Part i.” Muqarnas 27: 209–50.Google Scholar
Biran, Michal. 2004. “The Mongol Transformation from the Steppe to Eurasian Empire.” Medieval Encounters 10: 339–61.CrossRefGoogle Scholar
Blair, Sheila S. 1982a. “The Coins of the Later Ilkhanids: Mint Organization, Regionalization, and Urbanism.” American Numismatic Society Museum Notes 27: 211–30.Google Scholar
Blair, Sheila S. 1982b. “The Inscription from the Tomb Tower at Basṭām.” In Art et société dans le monde iranien, ed. Adle, Chahryar, 263–86. Paris.Google Scholar
Blair, Sheila S. 1986. “The Mongol Capital of Sulṭāniyya, ‘the Imperial’.” Iran 24: 139–52.CrossRefGoogle Scholar
Blair, Sheila S. 1992. “The Development of the Illustrated Book in Iran.” Muqarnas 10: 266–74.CrossRefGoogle Scholar
Blair, Sheila S. 1995. A Compendium of Chronicles: Rashīd al-Dīn’s Illustrated History of the World. London.Google Scholar
Blair, Sheila S. 2002. “Religious Art of the Ilkhanids.” In Komaroff and Carboni 2002, 104–33.Google Scholar
Blair, Sheila S. 2005. “A Mongol Envoy.” In The Iconography of Islamic Art: Studies in Honour of Robert Hillenbrand, ed. O’Kane, Bernard, 45–60. Edinburgh.CrossRefGoogle Scholar
Blair, Sheila S. 2008. “‘Arg-i Alī Shāh.” In Encyclopaedia Islamica, ed. Madelung, Wilferd and Daftary, Farhad, vol. 3, 610–14. Leiden.Google Scholar
Blair, Sheila S. 2011. “On Giving to Shrines: ‘Generosity Is a Quality of the People of Paradise’.” In Gifts to the Sultan: The Art of Giving at the Islamic Courts, ed. Komaroff, Linda, 51–74. New Haven.Google Scholar
Blair, Sheila S. 2013. “Tabriz: International Entrepôt under the Mongols.” In Politics, Patronage and the Transmission of Knowledge in 13th–15th Century Tabriz., ed. Pfeiffer, Judith, 321–56. Leiden.Google Scholar
Blair, Sheila S. 2015. “Writing about Faith: Epigraphic Evidence for the development of Twelver Shi’ism in Iran.” In People of the Prophet’s House: Artistic and Ritual Expressions of Shi’i Islam, ed. Suleman, Fahmida, 102–10. London.Google Scholar
Blair, Sheila S. 2018. “The Archeology of a Manuscript.” In Adle Nāmeh: Studies in Memory of Chahryar Adle, ed. Anisi, Alireza, 15–34. Tehran.Google Scholar
Blair, Sheila S. 2019a. “Iran and Central Asia, 1250–1500.” In Sir Banister Fletcher’s A History of Architecture, 21st ed., 559–83. London.Google Scholar
Blair, Sheila S. 2019b. “Muslim-Style Mausolea across Mongol Eurasia: Religious Syncretism, Architectural Mobility and Cultural Transformation.” JESHO 62.2–3: 318–55.Google Scholar
Blair, Sheila S. 2019c. “Women Enthroned: From Mongol to Muslim.” In The Ancient Throne: The Mediterranean, the Near East, and Beyond. From the 3rd Millennium bce to the 14th Century ce, ed. Naeh, Liat and Gilboa, Dana Brostowsky, 173–90. Vienna.Google Scholar
Blair, Sheila S. forthcoming. “Sultan Öljeitü’s Baghdad Qurʾan: A Life History.” In The Word Illuminated: Form and Function of Qur’anic Manuscripts, ed. Farhad, Massumeh and Rettig, Simon. Washington, DC.Google Scholar
Bloom, Jonathan M. 2001. Paper before Print: The History and Impact of Paper in the Islamic World. New Haven.Google Scholar
Bloom, Jonathan M. 2006. “Paper: The Transformative Medium in Ilkhanid Art.” In Beyond the Legacy of Genghis Khan, ed. Komaroff, Linda, 289–302. Leiden.CrossRefGoogle Scholar
Buell, Paul D., and Anderson, Eugene N.. 2010. A Soup for the Qan: Chinese Dietary Medicine of the Mongol Era as Seen in Hu Sihui’s Yinshan zhengyao. Leiden.CrossRefGoogle Scholar
Çağman, Filiz, and Tanındı, Zeren. 1986. The Topkapı Saray Museum: The Albums and Illustrated Manuscripts, tr., expanded, and ed. Rogers, J. M.. Boston.Google Scholar
Carey, Moya. 2009. “The Gold and Silver Lining: Shams al-Dīn Muḥammad b. Muʾayyad al-ʿUrdī’s Inlaid Celestial Globe (c. ad 1288) from the Ilkhanid Observatory at Marāgha.” Iran 47: 97–108.CrossRefGoogle Scholar
Carswell, John. 1999–2000. “Kharakhoto and Recent Research in Inner Mongolia.” Oriental Art 45.4: 19–32.Google Scholar
Chen, Yunru 陳韻如. 2016. Gongzhu de yaji: Meng–Yuan huangshi yu shuhua jiancang wenhua tezhan 公主的雅集:蒙元皇室與書畫鑑藏文化特展 (Elegant Gathering of the Princess: The Culture of Appreciating and Collecting Art at the Mongol Yuan Court). Taipei.Google Scholar
Chou, Diana Yeongchau, intro. and tr. 2005. A Study and Translation from the Chinese of Tang Hou’s Huajian (Examination of Painting): Cultivating Taste in Yuan China, 1279–1368. Lewiston, NY.Google Scholar
Christian, David. 2001. “Review of The Mongol Empire and Its Legacy, ed. Reuven Amitai-Preiss and David O. Morgan.” Journal of World History 12.2: 476–79.Google Scholar
Cleaves, Francis W., tr. 1979–1980. “The Biography of the Empress Čabi in the Yüan shih.” Harvard Ukrainian Studies 3/4.1: 138–50.Google Scholar
Conlan, Thomas D. 2001. In Little Need of Divine Intervention: Takezaki Suenaga’s Scrolls of the Mongol Invasions of Japan. Ithaca, NY.Google Scholar
Crill, Rosemary, and Stanley, Tim, eds. 2006. The Making of the Jameel Gallery of Islamic Art at the Victoria and Albert Museum. London.Google Scholar
Czaja, Olaf, and Proser, Adriana, eds. 2014. Golden Visions of Densatil: A Tibetan Buddhist Monastery. New York.Google Scholar
Danti, Michael D. 2004. The Ilkhanid Heartland: Hasanlu Tepe (Iran) Period i. Philadelphia.Google Scholar
Bruno, De Nicola. 2013. “Ruling from Tents: Some Remarks on Women’s ordos in Ilkhanid Iran.” In Ferdowsi, the Mongols and the History of Iran: Art, Literature and Culture from Early Islam to Qajar Persia, ed. Robert Hillenbrand, A. C. S. Peacock, and Abdullaeva, Firuza, 126–36. London.Google Scholar
Denney, Joyce. 2010. “Mongol Dress in the Thirteenth and Fourteenth Centuries.” In Watt 2010, 75–86.Google Scholar
Denny, Walter 2010. “Anatolia, Tabriz and the Carpet Design Revolution.” In Carpets and Textiles in the Iranian World 1400–1700, ed. Thompson, Jon, Shaffer, Daniel, and Mildh, Pirjetta, 58–71. Oxford.Google Scholar
Di Cosmo, Nicola. 2000. “Review of The Mongol Empire and Its Legacy, ed. Reuven Amitai-Preiss and David O. Morgan.” JESHO 43.4: 582–86.Google Scholar
Di Cosmo, Nicola 2010. “Black Sea Emporia and the Mongol Empire: A Reassessment of the Pax Mongolica.” JESHO 53: 83–108.CrossRefGoogle Scholar
Dode, Zvezdana. 2005. “Juhta Burial Chinese Fabrics of the Mongolian Period in 13th–14th Centuries in North Caucasus.” Bulletin du Centre des études textiles anciennes 82: 75–93.Google Scholar
Endicott-West, Elizabeth. 1989. “Merchant Association in Yuan China: The ‘Ortoy’.” Asia Major, 3rd series, 2.2: 127–54.Google Scholar
Fedorov-Davydov, German A. 1991. The Silk Road and the Cities of the Golden Horde. Berkeley.Google Scholar
FitzHugh, Elisabeth West, and Floor, Willem M.. 1992. “Cobalt.” In EIr, vol. V/8, 873–75.Google Scholar
Fitzhugh, William W., Rossabi, Morris, and Honeychurch, William, eds. 2009. Genghis Khan and the Mongol Empire. Washington, DC.Google Scholar
Folsach, Kjeld von. 2013. “A Set of Silk Panels from the Mongol Period.” In God Is Beautiful and Loves Beauty: The Object in Islamic Art and Culture, ed. Blair, Sheila and Bloom, Jonathan, 217–42. London.Google Scholar
Fong, Wen C., and Watt, James C. Y.. 1996. Possessing the Past: Treasures from the National Palace Museum, Taipei. New York and Taipei.Google Scholar
Franses, Michael. 2013. “An Early Anatolian Animal Carpet and Related Examples.” In God Is Beautiful and Loves Beauty: The Object in Islamic Art and Culture, ed. Blair, Sheila and Bloom, Jonathan, 253–72. London.Google Scholar
Shen, Fu. 1990. “Princess Sengge Ragi: Collector of Painting and Calligraphy.” In Flowering in the Shadows: Women in the History of Chinese and Japanese Painting, ed. Weidner, Marsha, 55–80. Honolulu.Google Scholar
Gao, Nianhua 高念華, ed. 2002. Feilaifeng zaoxiang 飛來峰造像 (Sculptures of Feilaifeng Peak). Beijing.Google Scholar
Gesterkamp, Lennert. 2011. The Heavenly Court: Daoist Temple Painting in China, 1200–1400. Leiden.CrossRefGoogle Scholar
Gierlichs, Joachim, et al. 2010. Focus on 50 Unseen Treasures from the Museum of Islamic Art in Qatar. Doha.Google Scholar
Golden, Peter. 2000. “Review of The Mongol Empire and Its Legacy, ed. Reuven Amitai-Preiss and David O. Morgan.” International History Review 22.1: 131–32.Google Scholar
Golombek, Lisa. 1974. “The Cult of Saints and Shrine Architecture in the Fourteenth Century.” In Near Eastern Numismatics, Iconography, Epigraphy and History: Studies in Honor of George C. Miles, ed. Kouymjian, D., 419–30. Beirut.Google Scholar
Lisa, Golombek, and Wilber, Donald. 1988. The Timurid Architecture of Iran and Turan, 2 vols. Princeton, NJ.Google Scholar
Gonnella, Julia, Weis, Friederike, and Rauch, Christoph, eds. 2017. The Diez Albums: Contexts and Contents. Leiden.CrossRefGoogle Scholar
Gray, Basil. 1978. The World History of Rashīd al-Dīn: A Study of the Royal Asiatic Society Manuscript. London.Google Scholar
Gungnip jungang bangmulgwan 國立中央博物館. 1977. Sinan haejeo munmul: Sinan haejeo munhwa teukbyeoljeon dorok 新安海底文物: 新安海底文化特別展圖錄 (Special Exhibition of Cultural Relics Found off the Sinan Coast). Seoul.Google Scholar
Binghua, Han 韓炳華 and Baoqiang, Huo 霍寶强. 2011. “Shanxi Xingxian Hongyucun Yuan Zhida er nian bihua mu 山西興縣紅峪村元代至大二年壁畵墓” (Murals in the Yuan Tomb, Dated Zhida 2 [1309], at Hongyucun, Xing County, Shanxi Province). Wenwu 2011.2: 40–46.Google Scholar
Hay, John. 1999. “Questions of Influence in Chinese Art History.” RES: Anthropology and Aesthetics 35: 240–62.Google Scholar
Hay, Jonathan. 1989. “Khubilai’s Groom.” RES: Anthropology and Aesthetics 17–18: 117–39.Google Scholar
Hearn, Maxwell. 2010. “Painting and Calligraphy under the Mongols.” In Watt 2010, 181–240.Google Scholar
Hillenbrand, Robert. 1982. “The Flanged Tomb Tower at Basṭām.” In Art et société dans le monde iranien, ed. Adle, Chahryar, 237–61. Paris.Google Scholar
Hillenbrand, Robert 2002. “The Arts of the Book in Ilkhanid Iran.” In Komaroff and Carboni 2002, 134–67.Google Scholar
Wei, Huang 黃薇 and Qinghua, Huang 黃清華. 2012. “Yuan qinghua ciqi zaoqi leixing de xin faxian: cong shizheng jiaodu lun Yuan qinghua ciqi de qiyuan 元青花瓷器早期類型的新發現―從實證角度論元青花瓷器的起源” (New Discoveries of Yuan Blue-and-White Ceramic Types: An Evidentiary Investigation into the Origin of Yuan Blue-and-White Porcelain). Wenwu 2012.11: 79–88.Google Scholar
Jackson, Peter. 2005. “The Mongols and the Faith of the Conquered.” In Mongols, Turks and Others: Eurasian Nomads and the Sedentary World, ed. Amitai, Reuven and Biran, Michal, 245–90. Leiden and Boston.Google Scholar
Jing, Anning. 1994. “The Portraits of Khubilai Khan and Chabi by Anige (1245–1306).” Artibus Asiae 54.1–2: 40–86.CrossRefGoogle Scholar
Kadoi, Yuka 2017. “The Mongols Enthroned.” in The Diez Albums: Contexts and Contents, ed. Gonnella, Julia, Weis, Friederike, and Rauch, Christoph, 243–71. Leiden.Google Scholar
Kamola, Stefan. 2019. Making Mongol History: Rashīd al-Dīn and the Jamiʿ al-Tawarikh. Edinburgh.Google Scholar
Kao, Mu-sen. 1981. “Li K’an: An Early Fourteenth Century Painter.” Chinese Culture 22.3: 85–101.Google Scholar
Kaogu yu wenwu 考古與文物. 2016. kaogu yanjiuyuan, Shaanxisheng 陝西省考古硏究院, et al. “Shaanxi Hengshan Luogetai cun Yuandai bihuamu fajue jianbao 陝西橫山羅圪臺村元代壁畵墓發堀簡報” (Preliminary Excavation Report on the Yuan Dynasty Mural-Painted Tomb at Luogetai Village, Hengshan, Shaanxi Province). Kaogu yu wenwu 2016.5: 63–74.Google Scholar
Karamağaralı, Beyhan. 1968. “Camiu’t-Tevarih’in bilinmiyen bir nüshanına ait dört minyatur.” Sanat Tarihi Yıllığı 2: 70–86.Google Scholar
Kauz, Ralph. 2006. “The Maritime Trade of Kish during the Mongol Period.” In Beyond the Legacy of Genghis Khan, ed. Komaroff, Linda, 51–67. Leiden.Google Scholar
Kauz, Ralph ed. 2010a. Aspects of the Maritime Silk Road: From the Persian Gulf to the East China Sea. Wiesbaden.Google Scholar
Kauz, Ralph 2010b. “A Kāzarūnī-Network?” In Aspects of the Maritime Silk Road: From the Persian Gulf to the East China Sea, ed. Kauz, Ralph, 61–70. Wiesbaden.Google Scholar
Kessler, Adam T. 1994. Empires beyond the Great Wall: The Heritage of Genghis Khan. Los Angeles.Google Scholar
Kessler, Adam T. 2012. Song Blue and White Porcelain on the Silk Road. Leiden.CrossRefGoogle Scholar
Kim, Wondong. 1986. “Chinese Ceramics from the Wreck of a Yuan Ship in Sinan, Korea: With Particular Reference to Celadon Wares.” PhD thesis, University of Kansas.Google Scholar
Komaroff, Linda. 2002. “The Transmission and Dissemination of a New Visual Language.” In Komaroff and Carboni 2002, 168–95. London.Google Scholar
Komaroff, Linda, and Carboni, Stefano, eds. 2002. The Legacy of Genghis Khan: Courtly Art and Culture in West Asia, 1256–1353. London.Google Scholar
Krahl, Regina. 1986. Chinese Ceramics in the Topkapi Saray Museum, Istanbul, vol. 2, Yuan and Ming Dynasty Porcelains. London.Google Scholar
Krahl, Regina et al., eds. 2010. Shipwrecked: Tang Treasures and Monsoon Winds. Washington, DC.Google Scholar
Kramarovskii, (Kramarovsky), Mark G. 2001. Zoloto Chingisidov: kul′turnoe nasledie Zolotoĭ Ordy. St. Petersburg.Google Scholar
Kramarovskii, (Kramarovsky), Mark G. 2013. “The Origin and Influence of Spiral-Filigree Jewelry,” tr. J. M. Rogers. In The Art of Adornment: Jewellery of the Islamic Lands, part 2, 404–12. London.Google Scholar
Kunst- und Ausstellungshalle Der Bundesrepublik Deutschland, and Staatliches Museum für Völkerkunde München, ed. 2005. Dschingis Khan und seine Erben: Das Weltreich Der Mongolen. Munich.Google Scholar
Lambton, A. K. S. 1998. “The Āthār wa Aḥyāʾ of Rashīd al-Dīn.” In The Mongol Empire and Its Legacy, ed. Amitai-Preiss, Reuven and Morgan, David O., 126–54. Leiden.Google Scholar
Lane, George, ed. 2018. The Phoenix Mosque and the Persians of Medieval Hangzhou. London.CrossRefGoogle Scholar
Lasikova, Galina. 2014. “Classical Art of the Islamic World from the ix to the xix Centuries: ‘Ninety-Nine Names of God’, Pushkin State Museum of Fine Arts, Department of Private Collections, Moscow, Russia, February 20–June 16, 2013.” International Journal of Islamic Architecture 3.1: 215–19.Google Scholar
Lee, Taehee. 2011. “Sinan Shipwreck Collection at the National Museum of Korea.” Journal of Korean Art and Archaeology 5: 105–16.Google Scholar
Limbert, John. 2004. Shiraz in the Age of Hafiz: The Glory of a Medieval Persian City. Seattle.Google Scholar
Liu, Cary Y. 1992. “The Yüan Dynasty Capital, Ta-tu: Imperial Building Program and Bureaucracy.” T’oung Pao 88.4–5: 264–301.CrossRefGoogle Scholar
McCausland, Shane. 2011. Zhao Mengfu: Calligraphy and Painting for Khubilai’s China. Hong Kong.Google Scholar
McCausland, Shane 2012. “Discourses of Visual Learning in Yuan Painting: The Case of Luo Zhichuan’s Snowy River.” JSYS 42: 375–405.Google Scholar
McCausland, Shane 2014. The Mongol Century: Visual Cultures of Yuan China, 1271–1368. London.Google Scholar
McCausland, Shane 2015. “Seeing Well-Being: A Revisionist View of Yuan (1271–1368) Painting.” Transactions of the Oriental Ceramics Society 78: 101–12.Google Scholar
McCausland, Shane 2022. “The Art History and Material Culture of the Yuan Empire.” In The Mongol World, ed. May, Timothy and Hope, Michael. London.Google Scholar
Magagnato, Licisco, ed. 1983. Le stoffe di Cangrande: Ritrovamenti e ricerche sul 300 veronese. Florence.Google Scholar
Masuya, Tomoko 2018. “Portraits of Chinese Emperors in the Jāmiʿ al-tavārīkh by Ilkhanid and Timurid Painters.” Taida Journal of Art History 45, 109–58.Google Scholar
Medley, Margaret. 1986. “Ardabīl. iv. Ardabīl Collection of Chinese Porcelain.” EIr 2.4: 357–65.Google Scholar
Melville, Charles. 1990. “Pādshāh-i Islam: The Conversion of Sultan Ghazan Khan.” Pembroke Papers 1: 159–77.Google Scholar
Mezcua López, A. 2017. “Cursed Sculptures, Forgotten Rocks: Hangzhou’s Feilaifeng Hill.” Studies in the History of Gardens and Designed Landscapes 37.1: 33–76.CrossRefGoogle Scholar
Morgan, David O. 2008. “Review of History and Historiography of Post-Mongol Central Asia and the Middle East: Studies in Honor of John E. Woods.” BSOAS 71.1: 141–43.Google Scholar
Morgan, David O. 2013. “Persian and Non-Persian Historical Writing in the Mongol Empire.” In Ferdowsi, the Mongols and the History of Iran: Art, Literature and Culture from Early Islam to Qajar Persia, ed. Hillenbrand, Robert, Peacock, A. C. S., and Abdullaeva, Firuza, 120–25. London.Google Scholar
Morton, Alexander H. 1974, 1975. “The Ardabil Shrine in the Reign of Shah Tahmāsp.” Iran 12: 31–64, 13: 39–58.CrossRefGoogle Scholar
Morton, Alexander H. 1998. “The Letters of Rashīd al-Dīn: Ilkhānid Fact or Timurid Fiction?” In The Mongol Empire and Its Legacy, ed. Amitai-Preiss, Reuven and Morgan, David O., 155–99. Leiden.Google Scholar
Munhwa jaecheong Gungnip haeyang yumul jeonsigwan 文化財廳國立海洋遺物展示館. 2006. Sinanseon 新安船 (The Sinan Wreck), 3 vols. Mokpo.Google Scholar
Nemtseva, N. B. 1989. “Arkhitekturnyy kompleks na okraine Bukhary: Kul′tura srednego Vostoka.” In Gradostroitel′stvo i arkhitektura, ed. Pugachenkova, G. A., 104–14. Tashkent.Google Scholar
Northedge, Alastair, and Kennet, Derek. 1994. “The Samarra Horizon.” In Cobalt and Lustre by Grube, Ernst, 21–35. Oxford.Google Scholar
O’Kane, Bernard. 1996. “Monumentality in Mamluk and Mongol Art and Architecture.” Art History 19: 499–522.CrossRefGoogle Scholar
O’Kane, Bernard 2004. “Chaghatai Architecture and the Tomb of Tughluq Temür at Almaliq.” Muqarnas 21: 277–86.Google Scholar
Paviot, Jacques. 1997. “Les marchands italiens dans l’Iran mongol.” In L’Iran face à la domination mongole, ed. Aigle, Denise, 71–86. Tehran.Google Scholar
Pfeiffer, Judith. 1999. “Conversion Versions: Sultan Öljeytü’s Conversion to Shiʿism (709/1309) in Muslim Narrative Sources.” Mongolian Studies 22: 35–67.Google Scholar
Polo, Marco. 1993. The Travels of Marco Polo: The Complete Yule–Cordier Edition, 2 vols. New York.Google Scholar
Pope, John A. 1956. Chinese Porcelains from the Ardebil Shrine. Washington, DC.CrossRefGoogle Scholar
Prazniak, Roxann. 2014. “Ilkhanid Buddhism: Traces of a Passage in Eurasian History.” Comparative Studies in Society and History 56.3: 650–80.CrossRefGoogle Scholar
Purtle, Jennifer. 2011. “The Far Side: Expatriate Medieval Art and Its Languages in Sino-Mongol China.” Medieval Encounters 17: 167–97.CrossRefGoogle Scholar
Qāshānī, Abū al-Qāsim. 1345/1966–1967. Arāʾis al-Jawāhir wa Nafāʾis al-Aṭāyib, ed. Afshar, Iraj. Tehran.Google Scholar
Quette, Béatrice, ed. 2011. Cloisonné: Chinese Enamels from the Yuan, Ming, and Qing Dynasties. New York.Google Scholar
JT/Karīmī. See Abbreviations.Google Scholar
JT/Thackston. See Abbreviations.Google Scholar
Rice, David Talbot. 1976. The Illustrations to the “World History” of Rashīd al-Dīn, ed. Gray, Basil. Edinburgh.Google Scholar
Ritter, Markus. 2010. “Kunst mit Botschaft: Der Gold-Seide-Stoff für den Ilchan Abu Said von Iran (Grabgewand Rudolfs iv. in Wien) – Rekonsruktion, Typus, Repräsentationsmedium.” In Beiträge zur Islamischen Kunst und Archäologie, vol. 2, ed. Ritter, Markus and Korn, Lorenz, 105–35. Wiesbaden.Google Scholar
Ritter, Markus 2016. “Cloth of Gold from West Asia in a Late Medieval European Context: The Abū Saʿīd Textile in Vienna – Princely Funeral, and Cultural Transfer.” In Oriental Silks in Medieval Europe, ed. von Fircks, Juliane and Schorta, Regula, 231–51. Berne.Google Scholar
Rizvi, Kishwar. 2011. The Safavid Dynastic Shrine: Architecture, Religion and Power in Early Modern Iran. London.CrossRefGoogle Scholar
Roxburgh, David. 2005. The Persian Album, 1400–1600: From Dispersal to Collection. New Haven.Google Scholar
bowuguan 上海博物館, Shanghai (Museum, Shanghai). 2012. Youlan shencai: Yuandai qinghua ciqi tezhan 幽藍神采:元代青花瓷器特集 (Splendors in Smalt: Art of Yuan Blue-and-White Porcelain). Shanghai.Google Scholar
Shih, Ching-fei 施靜菲. 2000. “Yuandai Jingdezhen qinghuaci zai Zhongguo nei shichang zhong de jiaose he xingzhi 元代景德鎮青花瓷在國內市場中的角色和性質” (The Market Role and Characteristics of Jingdezhen Blue-and-White Porcelain in Yuan China). Taida Journal of Art History 8 (March): 137–86.Google Scholar
Shih, Ching-fei 2003. “Meng–Yuan gongting zhong ciqi shiyong chutan 蒙元宮廷中磁器使用初探” (Imperial Use of Porcelain under the Mongols). Taida Journal of Art History 15 (October): 169–203.Google Scholar
Sims, Eleanor. 1982. “The International Decoration of the Mausoleum of Oljeitü Khudābanda: A Preliminary Re-examination.” Quaderni del Seminario di Iranistica, Uralo-Ataistica e Caucasologie dell’Universita’ degli Studi di Venzia [Solţāniye iii]: 89–123.Google Scholar
Smart, Ellen. 1975–1977. “Fourteenth Century Chinese Porcelain from a Tughluq Palace in Delhi.” Transactions of the Oriental Ceramic Society 41: 199–230.Google Scholar
Soucek, Priscilla. 1999. “Ceramic Production as Exemplar of Yuan–Ilkhanid Relations.” RES: Anthropology and Aesthetics 35: 125–41.Google Scholar
Soudavar, Abolala. 2003. “In Defense of Rašid-od-din and His Letters.” Studia Iranica 32: 77–122.CrossRefGoogle Scholar
Steinhardt, Nancy S. 1983. “The Plan of Khubilai Khan’s Imperial City.” Artibus Asiae 44.2–3: 137–58.CrossRefGoogle Scholar
Steinhardt, Nancy S. 1998. “The Temple to the Northern Peak at Quyang.” Artibus Asiae 58.1–2: 69–90.CrossRefGoogle Scholar
Streusand, Douglas. 2000. “Review of The Mongol Empire and Its Legacy, ed. Reuven Amitai-Preiss and David O. Morgan.” Middle East Studies Association Bulletin 34.1: 100–1.Google Scholar
Sturman, Peter. 1999. “Confronting Dynastic Change.” RES: Anthropology and Aesthetics 35: 143–69.Google Scholar
Swietochowski, Marie Lukens, and Carboni, Stefano. 1994. Illustrated Poetry and Epic Images: Persian Painting of the 1330s and 1340s. New York.Google Scholar
Thackston, Wheeler M. 2001. Album Prefaces and Other Documents on the History of Calligraphers and Painters. Leiden.CrossRefGoogle Scholar
Thompson, Jon. 2010. “Carpets in the Fifteenth Century.” In Carpets and Textiles in the Iranian World 1400–1700, ed. Thompson, Jon, Shaffer, Daniel, and Mildh, Pirjetta, 30–57. Oxford.Google Scholar
Treasures on Grassland: Archaeological Finds from the Inner Mongolia Autonomous Region (Caoyuan guibao: Nei Menggu wenwu kaogu jingpin 草原瑰寶: 内蒙古文物考古精品) 2000. Shanghai.Google Scholar
Vardjavand, Parviz. 1979. “La découverte archéologique du complexe scientifique de l’Observatoire de Maraqé.” In Akten des VII. Internationalen Kongresses für Iranische Kunst und Archäologie, München 7–10 September 1976, 527–36. Berlin.Google Scholar
Wang, Eugene Y. 2009. “The Elegiac Cicada: Problems of Historical Interpretation of Yuan Painting.” Ars Orientalis 37: 176–94.Google Scholar
Yun, Wang 王惲. 1993–1997. Shuhua mulu 書畵目錄 (Catalogue of Calligraphy and Painting) (1276). In Fusheng, Lu 盧輔聖, ed., Zhongguo shuhua quanshu 中國書畵全書 (Compendium of Texts on Chinese Calligraphy and Painting), vol. 2, 954–57. Shanghai.Google Scholar
Wardwell, Anne. 1989. “Panni Tartarici: Eastern Islamic Silks Woven with Gold and Silver (13th and 14th Centuries).” Islamic Art 3: 95–173.Google Scholar
Watson, Oliver 2006. “Pottery under the Mongols.” In Beyond the Legacy of Genghis Khan, ed. Komaroff, Linda, 325–45. Leiden.Google Scholar
Watson, Oliver 2014. “Revisiting Samarra: The Rise of Islamic Glazed Pottery.” In Hundert Jahre Grabungen in Samarra. 7. Kolloquium der Ernst Herzfeld Gesellschaft, Museum für Islamische Kunst Berlin, 30. Juni–2. Juli 2011, ed. Gonnella, Julia, 123–42. Wiesbaden.Google Scholar
Watt, James C. Y. 2002. “A Note on Artistic Exchanges in the Mongol Empire.” In Komaroff and Carboni 2002, 62–73.Google Scholar
Watt, James C. Y. ed. 2010. The World of Khubilai Khan: Chinese Art in the Yuan Dynasty. New York and New Haven.Google Scholar
Watt, James C. Y., and Wardwell, Anne. 1997. When Silk Was Gold: Central Asian and Chinese Textiles. New York.Google Scholar
Weitz, Ankeney. 2002. Zhou Mi’s Record of Clouds and Mist Passing before One’s Eyes: An Annotated Translation. Leiden.CrossRefGoogle Scholar
Whitfield, Roderick. 1993. Fascination of Nature: Plants and Insects in Chinese Painting and Ceramics of the Yuan Dynasty (1279–1368). Seoul.Google Scholar
Wilber, Donald. 1955. The Architecture of Islamic Iran: The Il Khanid Period. Princeton.Google Scholar
Wright, Elaine. 2013. The Look of the Book: Manuscript Production in Shiraz, 1303–1452. Seattle.Google Scholar
Situ, Zhaona 照那斯圖 [Junast]. 1998. “Yuandai fashu jianshangjia Huihuiren Ali de tushu yin 元代法書鑑賞家回回人阿里的圖書印” (The Collector’s Seal of Ali, a Yuan-Dynasty Muslim Connoisseur of Chinese Calligraphy). Wenwu 1998.4: 87–90.Google Scholar