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6 - The political aesthetic of Blake's images

from Part I - Perspectives

Published online by Cambridge University Press:  28 May 2006

Morris Eaves
Affiliation:
University of Rochester, New York
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Summary

Reading William Blake's illuminated books is, to say the least, an uncanny experience. Some people find it unappealing. Not seeing any immediately obvious meaning, not even recognizing in Blake's text any of the conventions and cues which normally guide readings along, they find themselves repelled by the text's seemingly obscure words and bizarre images, and ultimately find reading Blake a tiring and unrewarding activity, involving a great deal of effort and very little definite accomplishment. Other readers admire Blake's work for the very same reason: confronting the seemingly impenetrable wall of words and images, they arm themselves with formidable scholarly guides, dictionaries and code books, writings of long-forgotten mystics and visionaries, and they seek out the text's buried treasures, relishing the extraction of what they take to be the mysterious knowledge contained within, access to which is seemingly barred to all but those who have passed certain (presumably secret) rituals of initiation.

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Publisher: Cambridge University Press
Print publication year: 2003

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