Crossref Citations
This Book has been
cited by the following publications. This list is generated based on data provided by Crossref.
Eaves, Morris
2006.
Crafting Editorial Settlements1.
Romanticism on the Net,
2007.
The Romantic Poets.
p.
4.
Moore, Jane
and
Strachan, John
2010.
Key Concepts in Romantic Literature.
p.
122.
Paley, Morton D.
2011.
William Blake'sMilton/A Poemand the Miltonic Matrix of 1791–1810.
University of Toronto Quarterly,
Vol. 80,
Issue. 4,
p.
786.
Leonard, Garry
2011.
‘Without Contraries There is No Progression’: Cinematic Montage and the Relationship of Illustration to Text in William Blake's The [First] Book of Urizen.
University of Toronto Quarterly,
Vol. 80,
Issue. 4,
p.
918.
2012.
Reading Romantic Poetry.
p.
193.
2014.
Creative Confluence.
Vol. 16,
Issue. ,
Lombaard, Christo J.S.
and
Jansone, Ilze
2017.
Three three-letter words in three recent novels in three different languages: God, sex and joy.
Verbum et Ecclesia,
Vol. 38,
Issue. 2,
Paris-Popa, Andreea
2018.
Breaking the Contract between God and the Visual-Literary Fusion: Illuminated Manuscripts, William Blake and the Graphic Novel.
American, British and Canadian Studies,
Vol. 30,
Issue. 1,
p.
133.
Damrosch, Leo
2019.
William Blake in Context.
p.
7.
Haggarty, Sarah
2019.
William Blake in Context.
Deans, Michael
2020.
Origin of Life’s Chirality.
European Journal of Medical and Health Sciences,
Vol. 2,
Issue. 3,
Böker, Uwe
2020.
Kindlers Literatur Lexikon (KLL).
p.
1.
Billingham, Peter
2020.
The Wiley Blackwell Companion to Contemporary British and Irish Literature.
p.
61.
Vickery, Ann
2021.
ART AND ACTS OF SEEING IN THE WORK OF JOHN KINSELLA.
Angelaki,
Vol. 26,
Issue. 2,
p.
16.
Volpone, Annalisa
2024.
“From out the Portals of My Brain”: William Blake’s Partus Mentis and Imaginative Regeneration.
Humanities,
Vol. 13,
Issue. 4,
p.
99.