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from Part III - 1945–1975
Published online by Cambridge University Press: 05 December 2024
The paper will be looking at two Second World War texts, Olaf Stapledon’s 1944 science fiction fantasy Sirius, about the genetic modification of a sheepdog so that it becomes a superdog capable of speech and spiritual and erotic relationships; and Charles Williams’ 1945 theological fantasy All Hallow’s Eve. The novels are novels of ideas, testing theories of creative evolution and species distinctions with Stapledon, and damnation and control with Williams: both explore the death drive within the psyche in war culture, and posit the very different ways infection by Fascist politics have shaped those explorations.
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