This book investigates insurgent planning practices and their potential for alternative forms of civic engagement and democracy-building. It explores how planners can challenge technocratic planning by incorporating notions of participation, inclusion, trans-sectionality and the right to the city into their daily practices. Each chapter delves into those daily practices to answer: What does insurgent planning practice look like in practice? How are radical planners coping with traditional, technocratic planning as practised in most places around the world? And what do they do to advance an agenda of democratisation and the right to the city, counteracting neoliberal forms of governance?

Chapters draw on conversations with planners in several cities around the world, cataloguing insurgent experiences that challenge the status quo of contemporary market-based, exclusionary city-making. Throughout, cross-cutting issues such as gender, race and class are explored to consider ways in which insurgent planners bring diversity into planning.

Cities are synonymous with the production and consumption of culture. It is their material and human cultural infrastructure that also makes them archives and works of art. The Cultural Infrastructure of Cities critically re-examines the relationship between the urban and its cultures. It expands our understanding of the concept of urban cultural infrastructure and highlights the foundational role of culture to the materiality and sociality of urban life and the governance of cities.

The book begins with a theoretical overview of the cultural and infrastructural turns in urban studies scholarship. It then explores definitions of cultural infrastructure and its 'hard' and 'soft' dimensions before critically considering the vulnerabilities generated in the cultural sector by the Covid-19 pandemic. Chapters are organised in four thematic sections focusing on aspects of producing, performing, consuming and collecting culture, which feature detailed case studies from 17 cities across the global North and South.

This book will be of interest not only to students and scholars of urban studies, but also to policy-makers planning and creating cultural infrastructures as well as those working in cultural institutions and creative industries.