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Essay collections by leading scholars examine ways in which major literary texts, or the work of major literary figures or genres, have been adapted, transformed, even subverted, in movie and TV versions. A range of critical approaches are used, and the volumes include contributors with expertise in film as well as literary studies. Subjects of particular interest include differences between visual and on-page ways of representing narrative, and how literary texts are reinvented to meet the needs of a new audience more familiar with on-screen than with literary conventions.

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2 results in On Screen

Jane Austen on Screen
  • Edited by Gina MacDonald, Andrew MacDonald
  • Published online:
    05 June 2012
    Print publication:
    09 October 2003
  • Jane Austen on Screen is a collection of essays exploring the literary and cinematic implications of translating Austen's prose into film. Contributors raise questions of how prose fiction and cinema differ, of how mass commercial audiences require changes to script and character, and of how continually remade films evoke memories of earlier productions. The essays represent widely divergent perspectives, from literary 'purists' suspicious of filmic renderings of Austen to film-makers who see the text as a stimulus for producing exceptional cinema. Theoretical issues are explored in balance with the practical concerns of literature-to-film conversions: casting choices, authenticity of settings, script 'amputations' of the original prose, anachronisms, relevance for modern mass audiences, and the intertextuality informing the production of much-remade works. This comprehensive study, including an exhaustive Austen bibliography and filmography, will be of interest to students and teachers alike.

Dickens on Screen
  • Edited by John Glavin
  • Published online:
    22 September 2009
    Print publication:
    27 November 2003
  • Television and film, not libraries or scholarship, have made Charles Dickens the most important unread novelist in English. It is not merely that millions of people feel comfortable deploying the word 'Dickensian' to describe their own and others' lives, but that many more people who have never read Dickens know what Dickensian means. They know about Dickens because they have access to over a century of adaptations for the big and small screen. Because Dickens has proven to be the most easily adapted of major novelists, he has become, somewhat ironically, one of the foremost novelists in the English canon. This is ironic because it was just this capacity to entertain that once confined him to the margins of the 'great tradition' in fiction. Dickens on Screen is an invaluable resource for students and scholars alike. It provides an exhaustive filmography and is well illustrated.