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Big Books in Times of Big Data examines recent trends of size and scale in the novel in terms of the shift from the bound book to the newer materialities of the digital. Using a wide-ranging international archive of hefty tomes by authors such as Mark Z. Danielewski, Roberto Bolaño, Elena Ferrante, and Karl Ove Knausgård, George R. R. Martin, Jonathan Franzen, and William T. Vollmann, Van de Ven reflects on the place of big book-bound literature in a media genealogy which includes film and television but also online databases, social media, selfies, and Global Information Systems. This study makes a case for the cultural agency of the big book-as a material object and a discursive phenomenon, entangled in complex ways with questions of canonicity, mediality, gender, and power. Van de Ven takes us into a contested bookish terrain beyond the one thousand-page mark, where issues of scale and readerly comprehension clash with authorial aggrandizement and the pleasures of 'binging' and serial consumption.
Fernand Deligny (1913-1996), 'poet and ethologist', is mostly known for his work with autistic children and for his influence on the revolutions in French post-war psychiatry. Though neither director nor a theorist of the image, cinema is constantly called into his social, pedagogical, and clinical experimentations. More interested in the processes of making, he distinguishes 'camering' from filming, thus emphasizing not the finished film but a 'film to come'. This volume provides Deligny's essential corpus on cinema and the image. It shows both the role of cameras in many of his experimental 'attempts' with delinquents and autistic children and his highly speculative reflections on image.
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