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Don Pedro Calderón de la Barca (1600–81) was, with Lope de Vega, the greatest exponent of Spanish Golden Age drama. Professor Parker's essays are the fruits of a highly distinguished career spanning forty-five years. They provide a wide-ranging survey of Calderón's secular, three-act plays (comedias) through detailed analyses of individual works. The themes found in the plays are studied in relation to the background of ideas in seventeenth-century Spain and to the development of Calderón's own view of the intellectual life and the social, ethical and moral problems of this age. From the tensions of Calderón's early family life and his intellectual struggle with the associated problems, the book passes to the wider tensions in the social and political life of his time, and concludes with a demonstration of how Calderón raises all these human problems onto a wide 'philosophical' level through his use of myths and symbols.
This book is a comprehensive study of the writings of Jean-Paul Sartre. As well as examining the drama and the fiction, the book analyses the evolution of his philosophy, explores his concern with ethics, psychoanalysis, literary theory, biography and autobiography and includes a lengthy section on the still much-neglected study of Flaubert, L'Idiot de la famille. One important aim of the book is to rebut the charges made by many theorists and philosophers by revealing that Sartre is in fact a major source for concepts such as the decentred subject and detotalised truth and for the revolt against individualistic humanism. Dr Howells also takes into account much posthumously published material, in particular the Chaiers pour une morale, but also the Lettres au Castor and the Cranets de la drole de guerre. The work is a substantial contribution to Sartre studies, but has been written with the non-specialist in mind; to that end all quotations are translated into English and gathered in an appendix.
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