Inside the Invisible provides the first examination of the work of Turner Prize-winning Black British artist and curator Professor Lubaina Himid CBE. This comprehensive volume breaks new ground by theorizing her development of an alternative visual and textual language within which to do justice to the hidden histories and untold stories of Black women, children, and men bought and sold into transatlantic slavery. For Himid, the act of forgetting within official sites of memory is indivisible from the art of remembering within an African diasporic art historical tradition. She interrogates the widespread distortion and even wholesale erasure of Black bodies and souls subjected to dehumanizing stereotypes and grotesque caricatures within western imaginaries and dominant iconographic traditions over the centuries. Creating bodies of work in which she comes to grips with the physical and psychological realities of iconic and anonymous African diasporic individuals as living breathing human beings rather than as objectified types, she bears witness not only to tragedy but to triumph. A self-appointed researcher, historian, and storyteller as well as an artist, she succeeds in seeing "inside the invisible" regarding untold narratives of Black agency and artistry by mining national archives, listening to oral stories, acknowledging art-making traditions, and revisiting autobiographical testimonies.

After Britain's Abolition of the Slave Trade Act of 1807, a squadron of Royal Navy vessels was sent to the West Coast of Africa tasked with suppressing the thriving transatlantic slave trade. Drawing on previously unpublished papers found in private collections and various archives in the UK and abroad, this book examines the personal and cultural experiences of the naval officers at the frontline of Britain's anti-slavery campaign in West Africa. It explores their unique roles in this 60-year operation: at sea, boarding slave ships bound for the Americas and 'liberating' captive Africans; on shore, as Britain resolved to 'improve' West African societies; and in the metropolitan debates around slavery and abolitionism in Britain. Their personal narratives are revealing of everyday concerns of health, rewards and strategy, to more profound questions of national honour, cultural encounters, responsibility for the lives of others in the most distressing of circumstances, and the true meaning of 'freedom' for formerly enslaved African peoples. British anti-slavery efforts and imperial agendas were tightly bound in the nineteenth century, inseparable from ideas of national identity. This is a book about individuals tasked with extraordinary service, military men who also worked as guardians, negotiators, and envoys of abolition.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library.

The Unfinished Revolution: Haiti, Black Sovereignty and Power in the Nineteenth-Century Atlantic World addresses post-revolutionary (and contemporary) sovereignty in Haiti. Working through an archive of black politics, The Unfinished Revolution examines the charged upheaval that Haiti's arrival caused in the Atlantic world. Salt revisits this site of contestation in order to critically reflect on the ways that brokers from Haiti and across the Atlantic responded to the political existence of a nation forged from the fires of revolution and consistently racialized as black by other nation-states. These sovereign bodies - who Salt argues took their political cues regarding who can be sovereign from the Treaty of Westphalia (1648) - struggled to accept the existence of the independent nation-state of Haiti. Examining Haiti through the lens of blackness and sovereignty, Salt produces an original and compelling account of the challenges and constraints Haiti has encountered in fighting for its continued political existence. Assembling a wide range of materials - from photographs, newspaper articles, letters, diplomatic documents, essays and objects - Salt produces a cogent and nuanced book that moves beyond the revolutionary period of Haiti's history in order to argue that Haiti remains in the midst of an unfinished revolution over its sovereignty.

Fathers, Daughters, and Slaves brings to life the unique contribution by French women during the early nineteenth century, a key period in the history of colonialism and slavery. The book enriches our understanding of French and Atlantic history in the revolutionary and postrevolutionary years when Haiti was menaced with the re-establishment of slavery and when class, race, and gender identities were being renegotiated. It offers in-depth readings of works by Germaine de Staël, Claire de Duras, and Marceline Desbordes-Valmore. In addition to these now canonical French authors, it calls attention to the lives and works of two lesser-known but important figures—Charlotte Dard and Sophie Doin. Approaching these five women through the prism of paternal authority, Fathers, Daughters, and Slaves explores the empathy that daughters show toward blacks as well as their resistance against the oppression exercised by male colonists and other authority figures. The works by these French women antislavery writers bear significant similarities, which the book explores, with twentieth and twenty-first century Francophone texts. These women’s contributions allow us to move beyond the traditional boundaries of exclusively male accounts by missionaries, explorers, functionaries, and military or political figures. They remind us of the imperative for ever-renewed gender research in the colonial archive and the need to expand conceptions of French women’s writing in the nineteenth century as being a small minority corpus. Fathers, Daughters, and Slaves contributes to an understanding of colonial fiction, Caribbean writing, romanticism, and feminism. It undercuts neat distinctions between the cultures of France and its colonies and between nineteenth and twentieth-century Francophone writing.

‘There are no two things in the world more different from each other than East-Indian and West Indian-slavery’ (Robert Inglis, House of Commons Debate, 1833). In Slavery, Abolitionism and Empire in India, 1772–1843, Andrea Major asks why, at a time when East India Company expansion in India, British abolitionism and the missionary movement were all at their height, was the existence of slavery in India so often ignored, denied or excused? By exploring Britain's ambivalent relationship with both real and imagined slaveries in India, and the official, evangelical and popular discourses which surrounded them, she seeks to uncover the various political, economic and ideological agendas that allowed East Indian slavery to be represented as qualitatively different from it trans-Atlantic counterpart. In doing so, she uncovers tensions in the relationship between colonial policy and the so-called 'civilising mission', elucidating the intricate interactions between humanitarian movements, colonial ideologies and imperial imperatives in the late eighteenth and early nineteenth century. The work draws on a range of sources from Britain and India to provide a trans-national perspective on this little known facet of the story of slavery and abolition in the British Empire, uncovering the complex ways in which Indian slavery was encountered, discussed, utilised, rationalised, and reconciled with the economic, political and moral imperatives of an empire whose focus was shifting to the East.

In 1833 Thomas Fowell Buxton, the parliamentary successor to William Wilberforce, proposed a toast to ‘the anti-slavery tutor of us all - Mr. Macaulay.’ Yet Zachary Macaulay’s considerable contribution to the ending of slavery in the British Empire has received scant recognition by historians. This book seeks to fill that gap, focussing on his involvement with slavery and anti-slavery but also examining the people and events that influenced him in his life’s work. It traces his Scottish roots and his torrid account of years as a young overseer on a Jamaican plantation. His accidental stumbling into the anti-slavery circle through a family marriage led to formative years in the government of the free colony of Sierra Leone dealing with settlers, slave traders, local chiefs and a French invasion. His return to Britain in 1799 began nearly forty years of research, writing, and reporting in the long campaign to get rid of what he described as ‘this foul stain on the nation.’ James Stephen rated him as the most feared and hated foe of slave interests.His weaknesses and failures are explored alongside his unswerving commitment to the cause to which he gave his energy, sacrificed his business interests, and saw as a natural result of his strong religious faith. This book is a result of extensive research of Macaulay’s own prolific writings and seeks to illustrate the man behind them, his passions and his prejudices, his steely resolve and his personal shyness, above all his willingness to work unremittingly in the background, generating the power to drive the engine of anti-slavery to victory.

The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is the first to present an account of a specifically Haitian literary tradition in the Revolutionary era. Beyond the Slave Narrative shows the emergence of two strands of textual innovation, both evolving from the new revolutionary consciousness: the remarkable political texts produced by Haitian revolutionary leaders Toussaint Louverture and Jean-Jacques Dessalines, and popular Creole poetry from anonymous courtesans in Saint-Domingue's libertine culture. These textual forms, though they differ from each other, both demonstrate the increasing cultural autonomy and literary voice of non-white populations in the colony at the time of revolution. Unschooled generals and courtesans, long presented as voiceless, are at last revealed to be legitimate speakers and authors. These Haitian French and Creole texts have been neglected as a foundation of Afro-diasporic literature by former slaves in the Atlantic world for two reasons: because they do not fit the generic criteria of the slave narrative (which is rooted in the autobiographical experience of enslavement); and because they are mediated texts, relayed to the print-cultural Atlantic domain not by the speakers themselves, but by secretaries or refugee colonists. These texts challenge how we think about authorial voice, writing, print culture, and cultural autonomy in the context of the formerly enslaved, and demand that we reassess our historical understanding of the Haitian Independence and its relationship to an international world of contemporary readers.

Apparently innocuous, sugar is a substance which brings with it a profound disquiet, not least because of its direct links with the histories of slavery in the New World. These links have long been a source of critical fascination, generating several landmark analyses, ranging from Fernando Ortis�s Cuban Counterpoint: Tobacco and Sugar (1940) and No�l Deerr�s monumental two-volume The History of Sugar (1949-50) to Sidney Mintz's Sweetness and Power: The Place of Sugar in Modern History (1985). Unlike previous texts, Plasa's meticulously researched book not only examines the traditional classic studies but also the hitherto largely ignored work produced by a number of expatriate Caribbean authors, both male and female, from the 1980s onwards. As a result Slaves to Sweetness provides the most comprehensive account to date of the historical transformations which sugar's representation has undergone, providing a rich resource for scholars in Slavery, Caribbean, Black Atlantic, Postcolonial and Literary Studies.