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Literature, Culture, Theory is dedicated to theoretical studies in the human sciences that have literature and culture as their object of enquiry. Acknowledging the contemporary expansion of cultural studies and the redefinitions of literature that this has entailed, the series includes not only original works of literary theory but also monographs and essay collections on topics and seminal figures from the long history of theoretical speculation on the arts and human communication generally.

  • General Editors: Anthony Cascardi, University of California, Berkeley, Richard Macksey, The Johns Hopkins University

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20 results in Literature, Culture, Theory

Critical Conditions
  • Postmodernity and the Question of Foundations
  • Horace L. Fairlamb
  • Published online:
    01 June 2011
    Print publication:
    26 May 1994
  • The postmodern debate has been heavily influenced by often contradictory conclusions about the foundations of knowledge: hermeneutics challenges epistemology, politics challenges science, identity theory challenges critical theory, pragmatism challenges formalism, and so on. Horace Fairlamb contends that philosophy's foundationist quest has usually been misconceived as a choice between a 'super-science' and theoretical anarchy. Through an examination of the history of foundationism, and detailed analysis of the work of leading theorists including Fish, Foucault, Derrida, Gadamer and Habermas, Dr Fairlamb argues for a less reductive and less arbitrary conception of knowledge and meaning. The result in this 1994 book is a sophisticated critique of contemporary theory with implications for philosophers as well as literary theorists, and an important contribution to the re-evaluation of theoretical discourse.

The Subject of Modernity
  • Anthony J. Cascardi
  • Published online:
    03 May 2011
    Print publication:
    19 March 1992
  • The question of modernity has provoked a vigorous debate in the work of thinkers from Hegel to Habermas. Our own self-styled postmodern age has seen no end to this debate, which now receives a major and wide-ranging intervention from the theorist and critic Anthony J. Cascardi. Offering an historical account of the origins and transformations of the rational subject or self as it is represented in Descartes, Cervantes, Pascal, Hobbes and the Don Juan myth, he carries his argument across the fields of epistemology, literature, political science, religion and psychology. The modern subject proves to be positioned within conflicting discourses, in a culture characterised by its 'detotalised totality'. Max Weber's concept of 'world disenchantment' enables Cascardi to make a searching critique of modernity's sense of its absoluteness, divorced from an archaic, 'enchanted' world. He advocates in its place a more fruitful relationship between historical analysis and theoretical speculation, offering constructive new alternatives to current orthodoxy regarding subjectivity and modernity.

Mikhail Bakhtin
  • Between Phenomenology and Marxism
  • Michael F. Bernard-Donals
  • Published online:
    03 May 2011
    Print publication:
    24 February 1995
  • The language theory of Mikhail Bakhtin does not fall neatly under any single rubric - 'dialogism,' 'marxism,' 'prosaics,' 'authorship' - because the philosophic foundation of his writing rests ambivalently between phenomenology and Marxism. The theoretical tension of these positions creates philosophical impasses in Bakhtin's work, which have been neglected or ignored partly because these impasses are themselves mirrored by the problems of antifoundationalist and materialist tendencies in literary scholarship. In Mikhail Bakhtin: Between Phenomenology and Marxism Michael Bernard-Donals examines various incarnations of phenomenological and materialist theory - including the work of Jauss, Fish, Rorty, Althusser, and Pecheux - and places them beside Bakhtin's work, providing a contextualised study of Bakhtin, a critique of the problems of contemporary critics, and an original contribution to literary theory.

The Practice of Theory
  • Rhetoric, Knowledge, and Pedagogy in the Academy
  • Michael F. Bernard-Donals
  • Published online:
    04 August 2010
    Print publication:
    04 June 1998
  • Though theory has become a common language in the humanities in recent years, the relation between theoretical speculation and its practical application has yet to be fully addressed. In The Practice of Theory, Michael Bernard-Donals examines the connection between theory and pedagogy at the level of practice. He asks how such a practice works not only to change the way we read and speak with one another, but also the conditions in which these activities become possible. Bernard-Donals argues that the most sophisticated practice linking pedagogy to theory is rhetoric, but the version of this tradition in thinkers like Rorty and Fish is never broad enough. The conception of rhetoric he proposes instead is linked to other human and natural sciences. The practice of theory investigates the degree to which a materialistic rhetoric can reinvigorate the link between theory, teaching and practice, and offers a sustained reflection on the production of knowledge across a broad range of contemporary disciplines.

Cinema, Theory, and Political Responsibility in Contemporary Culture
  • Patrick McGee
  • Published online:
    06 July 2010
    Print publication:
    14 August 1997
  • This 1997 book explores the political significance of aesthetic analysis in the context of cultural studies. It applies the theories of Adorno, Derrida, and Lacan to film studies, and asks how political responsibility can be reconciled with the concept of the university as a democratic institution. Art and the university, Patrick McGee claims, share a common feature: they are commonly regarded as autonomous realms that resist the determination of economic and political interests, while still playing a crucial role in ethical and political discourse. Through detailed reference to Neil Jordan's film The Crying Game, McGee shows how film can be both a product and a critique of the culture industry. He goes on to analyse the function of the university in producing interpretations of such highly political art forms and in determining the limits of critical discussion. McGee links Adorno with Derrida to provide a new route through cultural studies and the claims of political criticism.

Theorising Textual Subjects
  • Agency and Oppression
  • Meili Steele
  • Published online:
    06 July 2010
    Print publication:
    01 May 1997
  • This book addresses the central crisis in critical theory today: how to theorise the subject as both a construct of oppressive discourse and a dialogical agent. By engaging with a wide range of leading political, philosophical, and critical thinkers - Jameson, Habermas, MacIntyre, Rorty, Taylor, Benhabib, and West are all critiqued - Meili Steele proposes linking language with human agency in order to develop an alternative textual and ethical theory of the subject. Steele shows how constructivist theories of agency fail to account for the ethical implications of the supposed contingency of all contexts, and how dialogical theorists fail to acknowledge the insight of postmodern critiques. Developing this theory through readings of texts that address issues of identity, politics, race, and feminist theory, Steele illustrates that we do not have to choose between an idealised or demonised modernity.

Kenneth Burke
  • Rhetoric, Subjectivity, Postmodernism
  • Robert Wess
  • Published online:
    21 May 2010
    Print publication:
    29 March 1996
  • Kenneth Burke, arguably the most important American literary theorist of the twentieth century, helped define the theoretical terrain for contemporary literary and cultural studies. His perspectives were literary and linguistic, but his influences ranged across history, philosophy, and the social sciences. In this important study, first published in 1996, Robert Wess traces the trajectory of Burke's long career and situates his work in relation to postmodernity. His study is both an examination of contemporary theories of rhetoric, ideology, and the subject, and an explanation of why Burke failed to complete his Motives trilogy. Burke's own critique of the 'isolated unique individual' led him to question the possibility of unique individuation, a strategy which anticipated important elements of postmodern concepts of subjectivity. Robert Wess' study is a judicious exposition of Burke's massive oeuvre, and a crucial intervention in debates on rhetoric and human agency.

Renegotiating Ethics in Literature, Philosophy, and Theory
  • Edited by Jane Adamson, Richard Freadman, David Parker
  • Published online:
    04 February 2010
    Print publication:
    10 December 1998
  • Is it possible for postmodernism to offer viable, coherent accounts of ethics? Or are our social and intellectual worlds too fragmented for any broad consensus about the moral life? These issues have emerged as some of the most contentious in literary and philosophical studies. In Renegotiating Ethics in Literature, Philosophy, and Theory a distinguished international gathering of philosophers and literary scholars address the reconceptualisations involved in this 'turn towards ethics'. An important feature of this has been a renewed interest in the literary text as a focus for the exploration of ethical issues. Exponents of this trend include Charles Taylor, Bernard Williams, Iris Murdoch, Cora Diamond, Richard Rorty and Martha Nussbaum, the latter a contributor and a key figure in this volume. This book assesses the significance of this development for ethical and literary theory and attempts to articulate an alternative postmodern account of ethics which does not rely on earlier appeals to universal truths.

The Poetics of Personification
  • James J. Paxson
  • Published online:
    15 January 2010
    Print publication:
    25 February 1994
  • Literary personification has long been taken for granted as an important aspect of Western narrative; Paul de Man has given it still greater prominence as 'the master trope of poetic discourse'. James Paxson here offers a much-needed critical and theoretical appraisal of personification in the light of poststructuralist thought and theory. The poetics of personification provides a historical reassessment of early theories, together with a sustained account of how literary personification works through an examination of narratological and semiotic codes and structures in the allegorical texts of Prudentius, Chaucer, Langland and Spenser. The device turns out to be anything but an aberration, oddity or barbarism, from ancient, medieval or early modern literature. Rather, it works as a complex artistic tool for revealing and advertising the problems and limits inherent in narration in particular and poetic or verbal creation in general.

Introduction to Literary Hermeneutics
  • Peter Szondi
  • Translated by Martha Woodmansee
  • Foreword by Joel Weinsheimer
  • Published online:
    14 December 2009
    Print publication:
    24 February 1995
  • Peter Szondi is widely regarded as being among the most distinguished post-war literary critics. This first English edition of one of his most lucid and interesting series of lectures opens up his work in hermeneutics for English-speaking readers.The question of what is involved in understanding a text occupied Biblical and legal scholars long before it became a concern of literary critics. Peter Szondi here traces the development of hermeneutics through examination of the work of eighteenth-century German scholars. Ordinarily treated only as prefigurations of Schleiermacher, the work of Enlightenment theorists Johann Martin Chladenius, George Friedrich Meier, and Friedrich Ast yields valuable insight into the 'material theory' of interpretation, on which a practical interpretive methodology might be built.

Theories of Mimesis
  • Arne Melberg
  • Published online:
    04 December 2009
    Print publication:
    26 January 1995
  • Mimesis, with its connecting concepts of imitation, simile, and similarity, has been cited since classical times in the exploration of the relationship between art and reality. In this major study Arne Melberg discusses the theory and history of mimesis through narratological analysis of texts by Plato, Cervantes, Rousseau, and Kierkegaard. Moving away from the relatively straightforward 'representation of reality' ideas in Erich Auerbach's Mimesis (1946), Melberg brings the concept of mimesis into the context of the literary theories of de Man and others. Theories of Mimesis is a strenuously argued account of language and time, charting the movement of mimesis from the Platonic philosophy of similarity to modern ideas of difference.

Rhetoric, Sophistry, Pragmatism
  • Edited by Steven Mailloux
  • Published online:
    03 December 2009
    Print publication:
    18 May 1995
  • The anti-sceptical relativism and self-conscious rhetoric of the pragmatist tradition, which began with the Older Sophists of Ancient Greece and developed through an American tradition including William James and John Dewey has attracted new attention in the context of late twentieth-century postmodernist thought. At the same time there has been a more general renewal of interest across a wide range of humanistic and social science disciplines in rhetoric itself: language use, writing and speaking, persuasion, figurative language, and the effect of texts. This book, written by leading scholars, explores the various ways in which rhetoric, sophistry and pragmatism overlap in their current theoretical and political implications, and demonstrates how they contribute both to a rethinking of the human sciences within the academy and to larger debates over cultural politics.

Derrida and Autobiography
  • Robert Smith
  • Published online:
    03 December 2009
    Print publication:
    01 June 1995
  • The work of Jacques Derrida can be seen to reinvent most theories. In this book Robert Smith offers both a reading of the philosophy of Derrida and an investigation of current theories of autobiography. Smith argues that for Derrida autobiography is not so much subjective self-revelation as relation to the other, not so much a general condition of thought as a general condition of writing - what Derrida calls the 'autobiography of the writing' - which mocks any self-centred finitude of living and dying. In this context, and using literary-critical, philosophical, and psychoanalytical sources, Smith thinks through Derrida's texts in a new, but distinctly Derridean, way, and finds new perspectives to analyse the work of classical writers including Hegel, Nietzsche, Kierkegaard, Freud, and de Man.

Possible Worlds in Literary Theory
  • Ruth Ronen
  • Published online:
    12 November 2009
    Print publication:
    26 May 1994
  • The concept of possible worlds, originally introduced in philosophical logic, has recently gained interdisciplinary influence; it proves to be a productive tool when borrowed by literary theory to explain the notion of fictional worlds. In this book Ruth Ronen develops a comparative reading of the use of possible worlds in philosophy and in literary theory, and offers an analysis of the way the concept contributes to our understanding of fictionality and the structure and ontology of fictional worlds. Dr Ronen suggests a new set of criteria for the definition of fictionality, making rigorous distinctions between fictional and possible worlds; and through specific studies of domains within fictional worlds - events, objects, time, and point of view - she proposes a radical rethinking of the problem of fictionality in general and fictional narrativity in particular.

Paratexts
  • Thresholds of Interpretation
  • Gerard Genette
  • Foreword by Richard Macksey
  • Translated by Jane E. Lewin
  • Published online:
    04 November 2009
    Print publication:
    13 March 1997
  • Paratexts are those liminal devices and conventions, both within and outside the book, that form part of the complex mediation between book, author, publisher and reader: titles, forewords, epigraphs and publishers' jacket copy are part of a book's private and public history. In this first English translation of Paratexts, Gérard Genette shows how the special pragmatic status of paratextual declaration requires a carefully calibrated analysis of their illocutionary force. With clarity, precision and an extraordinary range of reference, Paratexts constitutes an encyclopedic survey of the customs and institutions as revealed in the borderlands of the text. Genette presents a global view of these liminal mediations and the logic of their relation to the reading public by studying each element as a literary function. Richard Macksey's foreword describes how the poetics of paratexts interact with more general questions of literature as a cultural institution, and situates Gennet's work in contemporary literary theory.

Consequences of Enlightenment
  • Anthony J. Cascardi
  • Published online:
    22 September 2009
    Print publication:
    04 February 1999
  • What is the relationship between contemporary intellectual culture and the European Enlightenment it claims to reject? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues against the view that postmodern culture has rejected Enlightenment beliefs and explores instead the continuities contemporary theory shares with Kant's failed ambition to bring the project of Enlightenment to completion. He explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel, and Wittgenstein in order to reverse the tendency to see works of art simply in terms of the worldly practices among which they are situated.

Theory and the Novel
  • Narrative Reflexivity in the British Tradition
  • Jeffrey Williams
  • Published online:
    22 September 2009
    Print publication:
    03 December 1998
  • Narrative features such as frames, digressions, or authorial intrusions have traditionally been viewed as distractions from or anomalies in the narrative proper. In Theory and the Novel Jeffrey Williams exposes these elements as more than simple disruptions, analysing them as registers of narrative reflexivity, that is, moments that represent and advertise the functioning of narrative itself. Williams argues that narrative encodes and advertises its own functioning and modal form. He takes a range of novels from the English canon - Tristram Shandy, Joseph Andrews, The Turn of the Screw, Wuthering Heights, Lord Jim and Heart of Darkness are amongst the novels examined - and shows how narrative technique is never beyond or outside plot. He poses a series of theoretical questions such as about reflexitivity, imitation and fictionality, to offer a striking and original contribution to readings of the English novel, as well as to discussions of theory in general.

Theorizing the Avant-Garde
  • Modernism, Expressionism, and the Problem of Postmodernity
  • Richard Murphy
  • Published online:
    22 September 2009
    Print publication:
    22 April 1999
  • In Modernism, Expressionism and Theories of the Avant Garde, Richard Murphy mobilises theories of the postmodern to challenge our understanding of the avant-garde. He assesses the importance of the avant-garde for contemporary culture and for the debates among theorists of postmodernism such as Jameson, Eagleton, Lyotard and Habermas. Murphy reconsiders the classic formulation of the avant-garde in Lukacs and Bloch, especially their discussion of aesthetic autonomy, and investigates the relationship between art and politics via a discussion of Marcuse, Adorno and Benjamin. Combining close textual readings of a wide range of films as well as works of literature, it draws on a rich array of critical theories, such as those of Bakhtin, Todorov, MacCabe, Belsey and Raymond Williams. This interdisciplinary project will appeal to all those interested in modernist and avant-garde movements of the early twentieth century, and provides a critical rethinking of the present-day controversy regarding postmodernity.

Rhetoric and Culture in Lacan
  • Gilbert D. Chaitin
  • Published online:
    04 September 2009
    Print publication:
    15 August 1996
  • This is the first book to explore the full range and import of Lacan's theory of poetry and its relationship to his understanding of the subject and historicity. Gilbert Chaitin's lucid and accessible study of this famously complex thinker shows how Lacan moves beyond the traditionally hostile polarities of mythos and logos, poetics and philosophy, to conceive of the subject as a complex interplay between psychoanalysis, rationality and history. Lacan's incorporation of historical necessity into the formation of subjectivity enables him to illuminate the role literature plays in the creation of selfhood. Lacan's metaphor of the subject, Chaitin argues, draws not only on Saussure, Jakobson, Freud, Heidegger and Hegel but on hitherto unacknowledged sources such as Bertrand Russell and I.A. Richards. Chaitin explores the ambiguities, contradictions and singularities of Lacan's immensely influential work to provide a definitive account of the theoretical development across his entire career.

Novels behind Glass
  • Commodity Culture and Victorian Narrative
  • Andrew H. Miller
  • Published online:
    17 August 2009
    Print publication:
    19 October 1995
  • Drawing on work in critical theory, feminism and social history, this book traces the lines of tension shot through Victorian culture by the fear that the social world was being reduced to a display window behind which people, their actions and their convictions were exhibited for the economic appetites of others. Affecting the most basic elements of Victorian life - the vagaries of desire, the rationalisation of social life, the gendering of subjectivity, the power of nostalgia, the fear of mortality, the cyclical routines of the household - the ambivalence generated by commodity culture organizes the thematic concerns of these novels and the society they represent. Taking the commodity as their point of departure, chapters on Thackeray, Gaskell, Dickens, Eliot, Trollope, and the Great Exhibition of 1851 suggest that Victorian novels provide us with graphic and enduring images of the power of commodities to affect the varied activities and beliefs of individual and social experience.