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There are many publications dealing with the political career of Ruhollah Khomeini (1902-1989), who transformed the political landscape of Iran and the Middle East after the Islamic Revolution of 1979. Most of the research conducted in the West is on Khomeini's political strategies, while the influential role of mysticism in all facets of his life is ignored. This book is the first study examining Khomeini's poetry, mysticism and the reception of his poetry both in Iran and the West. It investigates how Khomeini integrated various doctrines and ideas of Islamic mysticism and Shi’ism such as the 'Perfect Man' into his poetry.
The contributors to this timely volume explore the philosophical underpinnings and cinematic techniques characteristic of contemporary Iranian film. Collectively, they demonstrate how the pervasive themes of Iranian cinema 'such as martyrdom and war, traditional gender roles and their recent subversion, as well as broader social policy issues' have been addressed and how various directors, including the acclaimed Abbas Kiarostami, have approached them using a variety of techniques. Capturing the unique poetic and mystical dimensions of Iranian cinema, these essays consider the effects of the Islamic Revolution on cinema's ethical and aesthetic aspects.
This book deals for the first time with the cultural history of media in nineteenth-century Iran, a history that deals with how modern techniques of representation and communication were received in the Iranian Shi'a society. This reception history is examined in religious photography, military reforms, Persian passion plays, Shi'a medicine, and the burgeoning telegraphic culture. The problematic relationship between Shi'a Islam and 19th-century media is conceptualised and contextualised, especially through the lens of the first Polytechnique college (Dar al-Fonun, 1851) in Iran. This college is conceptualised as a media laboratory, where the technological sphere in Iran was fundamentally transforming. It is also contextualised in the age of reform, a period in which the Middle East was undergoing widespread social, political, and military changes. Islamic (art) history, Iranian Studies, and cultural analysis form an interdisciplinary analytic framework to create new knowledge about the historical complexity of nineteenth-century Iran.
The Necklace of the Pleiades is a volume on Persian literature, culture and religion by Persian scholars from around the world. This book reflects the state of the field of Persian literary studies and will be of substantial interest not only to scholars of Iranian culture, history and religions, but of Middle Eastern and South Asian studies, as well.
The topics of the 24 essays range from the Persian Alexander romance, to Ferdowsi's Shahnama and other epics, the poetics and imagery of the ghazal and the qasida, Mughal court poetry, Sufism, Ismaili history, Baha'i literature, Iranian linguistics, the modern writer Sadeq Hedayat, and the reception of Salman Rushdie's novel in Persian translation.
Processing Compound Verbs in Persian is the first monograph investigating how Persian compound verbs are processed in the mental lexicon, through which it can be inferred how they are stored, organized, and accessed. The study examines Persian compound verbs in light of psycholinguistic theories on poly-morphemic word processing as well as linguistic theories of complex predicates.
This book is the first study of Persian literary riddles to appear in English, analysing a wide range of complex riddling poems systematically from the tenth to the twelfth century. In addition to the genre of riddles, the book examines the relationship between metaphors and riddles and the genre of literary description.
Riddles belong to the oldest genre in many literary traditions. Riddles were composed at courts in the Iranian world for various purposes, such as highlighting the courtly insignia that refer to the ruler's administrative and military power. The aesthetic of puzzlement was much appreciated at courts. Through a riddle, the poet aims to demonstrate his artistic accomplishment in a short space; and at the same time he secures his social, professional and personal position at the court and in cultured circles. Literary riddles occur in the early specimens of Persian literature from the tenth century and they continue to be used in modern Iranian society.
Agreement Restrictions in Persian is the first comprehensive attempt to tackle the issue of verbal agreement in Persian from a cross-linguistic point of view. Persian is a field of research within theoretical linguistics that is yet to be sufficiently explored. This book adopts the Minimalist Program of Chomsky (1995-2004) which is at the forefront of recent theories of formal syntax and applies it to the Persian language.
Although it is commonly believed that in Persian the verb agrees with the subject, several constructions seem to constrain this obligatory rule. Adopting the framework of Distributed Morphology, the author argues that agreement is in fact obtained with the plural inanimate subjects but a morphological rule may block the result. Unlike the previous analyses which consider the experiencer as the subject of the psychological constructions, the author argues that the psychological state is the subject of the sentence. The findings of this book not only contribute to better understanding of Persian syntax, but also have important implications for grammar theory.
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