Special issue focusing on violence in fifteenth-century life, text, and image: warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.

Annual volume of essays, focusing on the literary genres of drama, poetry, prose, and romance.

Described as "a golden age of pathogens", the long fifteenth century was notable for a series of international, national and regional epidemics that had a profound effect upon the fabric of society. The impact of pestilence upon the literary, religious, social and political life of men, women and children throughout Europe and beyond continues to excite lively debate among historians, as the ten papers presented in this volume confirm. They deal with the response of urban communities in England, France and Italy to matters of public health, governance and welfare, as well as addressing the reactions of the medical profession to successive outbreaks of disease, and of individuals to the omnipresence of Death, while two, very different, essays examine the important, if sometimes controversial, contribution now being made by microbiologists to our understanding of the Black Death. Contributors: J.L. Bolton, Elma Brenner, Samuel Cohn, John Henderson, Neil Murphy, Elizabeth Rutledge, Samantha Sagui, Karen Smyth, Jane Stevens Crawshaw, Sheila Sweetinburgh

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. 'Fifteenth-Century Studies' offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Following the customary opening article on the current state of fifteenth-century drama research, essays treat such topics as poetry as a source for illustrated German prose, the St. Edith picture cycle in Salisbury, the flourishing of French history; and Spanish schools of translators. Other essays treat poems from the 'Gruuthuse' songbook; Louis XI and pilgrim's dress, Robert Henryson's 'Moral Fabilles,' violence in English romances, Jews' presence through absence in Vicente Ferrer's 'Sermons,' and Conrad Buitzruss's recipe collection in Manuscript Clm 671 (Munich). Book reviews conclude the volume. Contributors: Edelgard E. DuBruck, James H. Brown, Mary Dockray-Miller, Jean Dufournet, Rocío del Río Fernández, Bas Jongenelen and Ben Parsons, Jennifer Lee, John Marlin, Ilan Mitchell-Smith, Daniel Salas-Días, Elizabeth I. Wade-Sirabian. Edelgard E. DuBruck is professor emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University, Dothan, Alabama.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. "Fifteenth-Century Studies" offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 38 addresses a broad spectrum of topics: monastic reformation of domestic space in Richard Whitford's "Werke for Housholders"; Margery Kempe and spectatorship in medieval drama; "The Book of Margery Kempe" and the trial of Joan of Arc; a new edition and interpretations of "The Book of the Duke and Emperor" in the context of MS Manchester, Chetham's Library 8009 (Mun. A.6.31); two cultural perspectives on the Battle of Lippa, Transylvania (1551); translation and manipulation of audience expectations in "Sir Gawain and the Green Knight"; the dry tree legend in medieval literature; and Wessel Gansfort, John Mombaer, and medieval technologies of the self. Book reviews conclude the volume. Contributors: Brandon Alakas, Maria Dobozy, Andrew Eichel, Rosanne Gasse, Kate McLean, Jesse Njus, Sarah Ritchey, P. R. Robins. Barbara I. Gusick is Professor Emerita of English at Troy University, Dothan, Alabama. Review editor Rosanne Gasse is Associate Professor of English at Brandon University.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. 'Fifteenth-Century Studies' offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 37 includes articles on René d'Anjou and authorial doubling in the 'Livre du Coeur d'Amour épris'; tradition and innovation in popular German song poetry from Oswald von Wolkenstein to Georg Forster; the role of sacred images in Capgrave's 'Life of Saint Katherine'; milieu, John Strecche, and the Gawain-poet; Gaelic, Middle Scots, and the question of ethnicity in three Scottish flytings; William Caxton's translations of Aesop; the visualization of information in Conrad Buitzruss's compendium; and Gilles de Rais and his modern apologists. Book reviews conclude the volume. Contributors: Albrecht Classen, Nicholas Ealy, Richard Garrett, Rosanne Gasse, Janice McCoy, Jacqueline Murdock, Ben Parsons, Carolyn King Stephens, Elizabeth Wade-Sirabian. BARBARA I. GUSICK is Professor Emerita of English at Troy University, Dothan, Alabama; MATTHEW Z. HEINTZELMAN is curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John's University, Collegeville, Minnesota.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. 'Fifteenth-Century Studies' treats diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Volume 35 addresses topics including physical impairments as depicted in surgical handbooks printed in Germany and as reflected through eyeglasses for the blind (a therapy proposed by French vernacular poets); literary constructions of women in de Meun's 'Cité des Dames' and in hagiographic legends of Spain; the evolution of the Order of the Garter as dramatized in Shakespeare; serious elements in French farces; the festival context of Villon's 'Pet-au-Deable'; Boethius in the late Middle Ages; 'A Revelation of Purgatory' and Chaucer's Prioress; 'Piers Plowman' in one British Library manuscript; and narrative afterlife and time in Henryson's 'Testament of Cresseid.' Book reviews conclude the volume. Contributors: Milagros Alameda-Irizarry, Chiara Benati, Edelgard E. DuBruck, Rosanne Gasse, Chelsea Honeyman, Noel Harold Kaylor Jr., James N. Ortego II, E. L. Risden, Julie Singer, Geri L. Smith, Martin W. Walsh. Matthew Z. Heintzelman is Curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John's University, Minnesota; Barbara I. Gusick is Professor Emerita of English at Troy University Dothan; Martin W. Walsh is Head of the Drama Program at the University of Michigan's Residential College.

Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, 'Fifteenth-Century Studies' has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenth century defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the influence of Gutenberg, Columbus, the 'Devotio Moderna,', and Humanism. Along with the standard updating of bibliography on 15th-c. theater, this volume is devoted to research on late-medieval authors as literary critics. Thus, for the historian as well as the writer of fiction, the tenuous limits between truth and fantasy (and the role of doubt) are investigated. If there are several eyewitness accounts of an event, which one can be trusted? Medieval memorialists sometimes became advisors to princes and used a rhetoric of careful persuasion. Values such as chivalry, courtly love, and kingly self-representation come up for discussion here. Several essays ponder the structure of poetic forms and popular genres, and others consider more factual topics such as incunabula on medications, religious literature in the vernacular for everyday use, a student's notebook on magic, and late medieval merchants, money, and trade. Contributors: Edelgard DuBruck, Karen Casebier, Emma J. Cayley, Albrecht Classen, Michael G. Cornelius, Jean Dufornet, Catherine Emerson, Leonardas V. Gerulaitis, Kenneth Hodges, Sharon M. Loewald, Luca Pierdominici, Michel J. Raby, Elizabeth I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College in Detroit; Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, Fifteenth-Century Studies has appeared annually since then. It offers essays on diverse aspects of the 15th century, including liberal and fine arts, historiography, medicine, and religion. The 15th century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition, and a passage to modern times. The current volume opens with the customary survey of research on 15th-century drama. Graham A. Runnalls and Jesse Hurlbut present their extensive bibliography of French miracle plays and mysteries, a work accumulated over 25 years. Continuing on the topic of late-medieval art, Edelgard DuBruck offers a study of gesture within the miniatures of the Passion Isabeau (1398). Barbara I. Gusick analyzes healing and social reorientation in Christ's transformation of Zacchaeus in the York Cycle; Mark Trowbridge investigates the Cleveland St. John the Baptist, attributed to Petrus Christus. Finally, this year's entry by Leonardas V. Gerulaitis provides Renaissance views on genius and madness. A book review section concludes the volume. Edelgard E. DuBruck is professor emerita of Modern Languages at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama.

Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, 'Fifteenth-Century Studies' offers essays on diverse aspects of the 15th century, including liberal and fine arts, historiography, medicine, and religion. Designed as a 'Festschrift' honoring Edelgard E. DuBruck, the current volume focuses on the importance and praise of late-medieval women. Topics include Christine de Pizan's response to Boccaccio's 'De Mulieribus Claris,' the figures of Melibea and Celestina in 'La Celestina,' Catalan love poetry, the Nine Muses in Le Franc's 'Champion des Dames,' and artistic praise of the Virgin Mary. Other topics include a wellness guide for late-medieval seniors, women's sins of the tongue and Villon's 'Testament,' the stoic tradition seen in a farewell letter, medicine and magic, and book-burning. An article demonstrates Bertrand Du Guesclin's extraordinary valor, and two essays on Chaucer explore chivalry and violence in 'The Knight's Tale' and Troilus's withdrawal at the end of 'Troilus and Criseyde'. CONTRIBUTORS: MELITTA WEISS ADAMSON, GARY B. BLUMENSHINE, KAREN CASEBIER, EDELGARD E. DUBRUCK, OLGA ANNA DUHL, BARBARA I. GUSICK, JAIME LEANOS, ILAN MITCHELL-SMITH, CHRISTIANE RAYNAUD, ROXANA RECIO, BARBARA N. SARGENT-BAUR, KAREN ELAINE SMYTH, STEVEN MILLEN TAYLOR, ARJO VANDERJAGT, ELIZABETH I. WADE-SIRABIAN, KARL A. ZAENKER. Edelgard E. DuBruck is professor emerita at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor at Troy University-Dothan, Dothan, Alabama.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, 'Fifteenth-Century Studies' offers essays on diverse aspects of the fifteenth century, including liberal and fine arts, historiography, medicine, and religion. Following the standard opening article on the current state of fifteenth-century drama research, volume 33 offers essays investigating authors such as Christine de Pizan, Hans Sachs, Hartmann Schedel, Alain Chartier, and Robert Henryson. Genres and themes treated include drama, epistles of persuasion, late Arthurian romances, translations, mythology and folklore, print media, and art appreciation. Alternative interpretations are afforded by Franco Mormando's study of male nakedness and the Franciscans. Twelve book reviews round out the volume. Contributors: Edelgard E. DuBruck, Tracy Adams, Lidia Amor, Roció del Río Fernández, Leonardas Vytautas Gerulaitis, Jonathan Green, Christiane J. Hessler, Ashby Kinch, Franco Mormondo, Alessandra Petrina. Edelgard E. DuBruck is professor emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University, Dothan, Alabama.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. 'Fifteenth-Century Studies' offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Essays within this thirty-sixth volume treat a wide range of topics: the importance of manuscript culture as reflected in 'Cárcel de amor;' the wanderings of René d'Anjou and Olivier de la Marche as reflected in literary texts; the art of compiling in Jean de Bueil's 'Jouvencel;' a diplomatic transcription of Princeton MS 153 (reception and compilation practices of the 'Rose'); historical approaches in the chronicles of Jean le Bel and Jean Froissart; the Fairfax Sequence in Bodleian MS Fairfax 16; anticlerical critique in the Croxton 'Play of the Sacrament'; the Chester cycle of mystery plays; the conquering Turk in Carnival Nürnberg: Hans Rosenplüt's 'Des Turken Vasnachtspil'; and Tolkien's eucatastrophe and Malory's 'Morte Darthur'. Book reviews conclude the volume. CONTRIBUTORS: Ethan Campbell, Emily C. Francomano, D. Thomas Hanks, Jr., Theodore K. Lerud, John Moreau, Gerald Nachtwey, Mariana Neilly, Marco Nievergelt, Michelle Szkilnik, Martin W. Walsh. EDITORS: BARBARA I. GUSICK is Professor Emerita of English at Troy University, Dothan, Alabama; MATTHEW Z. HEINTZELMAN is curator of the Austria/Germany Study Center and Rare Book Cataloger at Hill Museum & Manuscript Library, Saint John's University, Collegeville, Minnesota.