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  3. Edinburgh Companions to the Gothic

This series provides a comprehensive overview of the Gothic from the eighteenth century to the present day. Each volume takes either a period, place, or theme and explores their diverse attributes, contexts and texts via completely original essays. The volumes provide an authoritative critical tool for both scholars and students of the Gothic.

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3 results in Edinburgh Companions to the Gothic

Italian Gothic
  • An Edinburgh Companion
  • Edited by Marco Malvestio, Stefano Serafini
  • Published by:
    Edinburgh University Press
    Published online:
    20 October 2023
    Print publication:
    31 March 2023
  • This Companion constitutes the first, systematic theorisation of the Italian Gothic. Through an interdisciplinary, trans-medial approach that encompasses prose fiction, poetry, journalism, film, music, and comics, it explores the varied and complex metamorphoses of the Gothic in Italy from the late eighteenth-century to the present day. Although the last thirty years have seen a burgeoning in the academic study of the Gothic at college and university levels and in related publications, scholars have long struggled to even acknowledge the very existence of this mode in the Italian context. This companion does not only fill in a historical and critical gap in the scholarship, but it also contributes to revitalising the field of Gothic Studies, opening new channels of communication, and paving the way to the exploration of the fruitful interchanges between Italian and other European and American configurations of the Gothic.

Twentieth-Century Gothic

Scottish Gothic
  • An Edinburgh Companion
  • Edited by Carol Margaret Davison, Monica Germanà
  • Published by:
    Edinburgh University Press
    Published online:
    20 December 2017
    Print publication:
    08 March 2017
  • Written from various critical standpoints by internationally renowned scholars, Scottish Gothic: An Edinburgh Companion interrogates the ways in which the concepts of the Gothic and Scotland have intersected and been manipulated from the mid-eighteenth century to the present day. This interdisciplinary collection is the first ever published study to investigate the multifarious strands of Gothic in Scottish fiction, poetry, theatre and film. Its contributors - all specialists in their fields - combine an attention to socio-historical and cultural contexts with a rigorous close reading of works, both classic and lesser known, produced between the eighteenth and twenty-first centuries.