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Cambridge Studies in the History of Art develop as a series of carefully selected original monographs and more general publications, aimed primarily at professional art historians, their students, and scholars in related subjects. The series embraces a broad range of topics from all branches of art history, and demonstrates a wide variety of approaches and methods.

  • General Editors: Francis Haskell, University of Oxford, Nicholas Penny, Ashmolean Museum, Oxford

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1 results in Cambridge Studies in the History of Art

A Bibliography of Salon Criticism in Paris from the July Monarchy to the Second Republic, 1831–1851
  • Volume 2
  • Edited by Neil McWilliam
  • Published online:
    18 December 2009
    Print publication:
    26 April 1991
  • This bibliography provides a source for reviews of the state-sponsored Parisian exhibitions of painting and sculpture (Salons) held during the July Monarchy and Second Republic (1831–1851). It includes an extensive list of references, each presented in a standard format, with titles, dates and ordering codes based upon the holdings of the Bibliothèque nationale in Paris. It is indexed both by authors and by periodicals. The essays and articles that are catalogued are of fundamental importance in establishing a picture of contemporary reactions to art in mid-nineteenth-century France and yet the standard work by Maurice Tourneux, Salons et expositions d'art a Paris, 1801–1870, has been out of print for several decades. By incorporating and correcting the relevant material from Tourneux and adding new references gathered from unpublished nineteenth-century manuscript bibliographies and a broad sample of the periodical press, this work offers a substantial increase in the volume and range of criticism available for analysis by cultural and literary historians.