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Cambridge Studies in Philosophy and the Arts is a forum for examining issues common to philosophy and critical disciplines that deal with the history of art, literature, film, music and drama. In order to inform and advance both critical practice and philosophical approaches, the series analyses the aims, procedures, language and results of enquiry in the critical fields, and examines philosophical theories by reference to the needs of arts disciplines. This interaction of ideas and findings, and the ensuing discussion, brings into focus new perspectives and expands the terms in which the debate is conducted.

  • General Editors: Salim Kemal, University of Dundee, Ivan Gaskell, Harvard University Art Museums, Massachusetts

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6 results in Cambridge Studies in Philosophy and the Arts

Landscape, Natural Beauty and the Arts
  • Edited by Salim Kemal, Ivan Gaskell
  • Published online:
    03 May 2011
    Print publication:
    15 April 1993
  • Landscape, Natural Beauty and the Arts offers probing studies of the complex structure of aesthetic responses to nature. Each chapter refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To explore the interrelation between our conceptions of nature, beauty and art, the contributors consider the social construction of nature, the determination of our appreciation by artistic media, and the duality of nature's determining in gardening. Showing that natural beauty is impregnated with concepts derived from the arts and from particular accounts of nature, the volume occasions questions of the distinction and relation between art and nature generally, and culminates in a set of philosophical studies of the role of scientific understanding, engagement and emotion in the aesthetic appreciation of nature.

Beyond Representation
  • Philosophy and Poetic Imagination
  • Edited by Richard Eldridge
  • Published online:
    06 July 2010
    Print publication:
    21 March 1996
  • The essays in this 1996 volume explore the ways in which traditional philosophical problems about self-knowledge, self-identity, and value have migrated into literature since the Romantic and Idealist periods. How do so-called literary works take up these problems in a new way? What conception of the subject is involved in this literary practice? How are the lines of demarcation between philosophy and literature problematised? The contributors examine these issues with reference both to Romantic and Idealist writers and to some of their literary and philosophical inheritors and revisers. Their essays offer a philosophical understanding of the roots and nature of contemporary literary and philosophical practice, and elaborate, powerful and influential, but rarely decisively articulated, conceptions of the human subject and of value.

Schopenhauer, Philosophy and the Arts
  • Edited by Dale Jacquette
  • Published online:
    05 May 2010
    Print publication:
    18 January 1996
  • This collection brings together thirteen essays by some of the most respected contemporary scholars of Schopenhauer's aesthetics from a wide spectrum of philosophical perspectives. The dynamics of the empirical will and Will as a thing-in-itself in the interplay of Schopenhauer's metaphysics and philosophy of fine art has important implications for the freedom, salvation and tragic suffering of the artist, the representation of Platonic Ideas in art, and the role of artistic inspiration, emotion and aesthetic pleasure in the beautiful and sublime. These essays examine the unique theory Schopenhauer developed to explain the life and work of the artist, and the influence his aesthetic philosophy has had on subsequent artistic traditions in such diverse areas as music, painting, poetry, literature and architecture. The authors present Schopenhauer's thought as a vital and enduring contribution to aesthetic theory, and to the idealist vision which continues to guide Romantic and neo-Romantic art.

Aesthetics and Ethics
  • Essays at the Intersection
  • Edited by Jerrold Levinson
  • Published online:
    22 March 2010
    Print publication:
    13 January 1998
  • This major collection of essays stands at the border of aesthetics and ethics and deals with charged issues of practical import: art and morality, the ethics of taste, and censorship. As such its potential interest is by no means confined to professional philosophers; it should also appeal to art historians and critics, literary theorists, and students of film. Prominent philosophers in both aesthetics and ethics tackle a wide array of issues. Some of the questions explored in the volume include: Can art be morally enlightening and, if so, how? If a work of art is morally better does that make it better as art? Is morally deficient art to be shunned, or even censored? Do subjects of artworks have rights as to how they are represented? Do artists have duties as artists and duties as human beings, and if so, to whom? How much tension is there between the demands of art and the demands of life?

Explanation and Value in the Arts
  • Edited by Salim Kemal, Ivan Gaskell
  • Published online:
    24 February 2010
    Print publication:
    15 April 1993
  • Explanation and Value in the Arts offers penetrating studies by art historians, literary theorists and philosophers, of issues central to explaining works of literature and painting. The first chapters look at the sources of interest in the fine arts and point to the intimate relation between aesthetic and other values. The following contributions develop the interaction between value and explanation by examining the construction of value in the study of the arts, including considerations of the nature of creativity and the principles for the explanations of works. A final section takes up questions of the role of ideology and the determining role of power.

Performance and Authenticity in the Arts
  • Edited by Salim Kemal, Ivan Gaskell
  • Published online:
    12 November 2009
    Print publication:
    09 December 1999
  • This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. The final essays discuss the link of authenticity to sincerity and truth in poetry, explain how performance, as an authentic feature of poetry, embodies a collective effort, and culminate in a discussion of the dark side of performance - its constant susceptibility to inauthenticity. Together the essays suggest how issues of performance and authenticity enter into consideration of a wide range of the arts.