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Cambridge Introductions to Literature address the fundamental issues literature students require to pursue a course of study. They provide basic information on the history of a literary topic with accessible and comprehensive coverage of its development. Leading scholars guide students through the major issues involved in each area. Combining relevant information and fresh interpretation, these Introductions are specifically designed for use on courses and in the classroom.

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92 results in Cambridge Introductions to Literature

Page 1 of 5

The Cambridge Introduction to Samuel Johnson
  • Robert DeMaria, Daniel Hitchens
  • Coming soon
  • Expected online publication date:
    March 2025
    Print publication:
    31 March 2025
  • Samuel Johnson is a towering figure of eighteenth-century literature. As well as the celebrated Dictionary of the English Language, Johnson was the leading literary critic of his time, and a celebrated author who contributed to almost every genre from poetry to political pamphleteering. At the same time, an enduring legend developed around him, culminating in James Boswell's classic biography. This book offers a concise introduction to Johnson's many-sided work, and its complex and rich historical contexts. Presenting Johnson in his different guises – Journalist, Poet and Storyteller, Scholar, Critic, Political and Social Thinker, Biographer and Legend – it carefully guides the reader through Johnson's writings, and provides detailed expert treatments of his major texts.

The Cambridge Introduction to Literary Posthumanism
  • Joseph Tabbi
  • Published online:
    04 December 2024
    Print publication:
    14 November 2024
  • At a time when scholars in both literary and scientific disciplines are advancing the term posthumanism, this book offers a through-line. Beginning with Mary Shelley's Frankenstein and continuing into the post-print, born-digital excursions of Shelley Jackson's Patchwork Girl, this literary introduction defines posthumanism and provides a summary account of the key literary and cultural theorists in the field. It embraces humanist refusals from Melville's Bartelby to Thomas Pynchon's authorial surrogation, and more recent evasions and avoidances in the writing of William Gibson, Tom McCarthy, Coleson Whitehead, Jeanette Winterson, and Claire-Louise Bennett. This book also provides close readings of key posthuman fiction, poetry, and conceptual approaches that help ground the discipline.

The Cambridge Introduction to American Poetry since 1945
  • Andrew Epstein
  • Published online:
    01 December 2022
    Print publication:
    15 December 2022
  • Contemporary American poetry can often seem intimidating and daunting in its variety and complexity. This engaging and accessible book provides the first comprehensive introduction to the rich body of American poetry that has flourished since 1945 and offers a useful map to its current landscape. By exploring the major poets, movements, and landmark poems at the heart of this era, this book presents a compelling new version of the history of American poetry that takes into account its variety and breadth, its recent evolution in the new millennium, its ever-increasing diversity, and its ongoing engagement with politics and culture. Combining illuminating close readings of a wide range of representative poems with detailed discussion of historical, political, and aesthetic contexts, this book examines how poets have tirelessly invented new forms and styles to respond to the complex realities of American life and culture.

The Cambridge Introduction to Mikhail Bakhtin
  • Ken Hirschkop
  • Published online:
    21 October 2021
    Print publication:
    04 November 2021
  • In this introduction to Mikhail Bakhtin, Ken Hirschkop presents a compact, readable, detailed, and sophisticated exposition of all of Bakhtin's important works. Using the most up-to-date sources and the new, scholarly editions of Bakhtin's texts, Hirschkop explains Bakhtin's influential ideas, demonstrates their relevance and usefulness for literary and cultural analysis, and sets them in their historical context. In clear and concise language, Hirschkop shows how Bakhtin's ideas have changed the way we understand language and literary texts. Authoritative and accessible, this Cambridge Introduction is the most comprehensive and reliable account of Bakhtin and his work yet available.

The Cambridge Introduction to Narrative
  • 3rd edition
  • H. Porter Abbott
  • Published online:
    04 December 2020
    Print publication:
    03 December 2020
  • What is narrative? How does it work and how does it shape our lives? H. Porter Abbott emphasizes that narrative is found not just in literature, film, and theatre, but everywhere in the ordinary course of people's lives. This widely used introduction, now revised and expanded in its third edition, is informed throughout by recent developments in the field and includes one new chapter. The glossary and bibliography have been expanded, and new sections explore unnatural narrative, retrograde narrative, reader-resistant narratives, intermedial narrative, narrativity, and multiple interpretation. With its lucid exposition of concepts, and suggestions for further reading, this book is not only an excellent introduction for courses focused on narrative but also an invaluable resource for students and scholars across a wide range of fields, including literature and drama, film and media, society and politics, journalism, autobiography, history, and still others throughout the arts, humanities, and social sciences.

The Cambridge Introduction to British Fiction, 1900–1950
  • Robert L. Caserio
  • Published online:
    28 March 2019
    Print publication:
    18 April 2019
  • Examining the work of more than one hundred writers, in a wide variety of genres including detective, spy, gothic, fantasy, comic, and science fiction, this book is an unusually comprehensive introduction to the novels and short stories of the period. Providing fresh readings of famous modernist figures (Conrad, Ford Madox Ford, Joyce, Woolf, Forster, Lawrence, and others), Robert L. Caserio also brings new attention to lesser-known writers who merit increased attention. He provides readers with an overview of modernist fiction's intellectual milieu, and addresses its contextualization by history and politics - feminism, global war, and the emergence of the welfare state after World War II. An ideal introduction for the student, this book offers a thought-provoking re-examination of literary history, and an exploration of the unique value of fiction's portrayals of the world.

The Cambridge Introduction to Satire
  • Jonathan Greenberg
  • Published online:
    01 February 2019
    Print publication:
    20 December 2018
  • In satire, evil, folly, and weakness are held up to ridicule - to the delight of some and the outrage of others. Satire may claim the higher purpose of social critique or moral reform, or it may simply revel in its own transgressive laughter. It exposes frauds, debunks ideals, binds communities, starts arguments, and evokes unconscious fantasies. It has been a central literary genre since ancient times, and has become especially popular and provocative in recent decades. This new introduction to satire takes a historically expansive and theoretically eclectic approach, addressing a range of satirical forms from ancient, Renaissance, and Enlightenment texts through contemporary literary fiction, film, television, and digital media. The beginner in need of a clear, readable overview and the scholar seeking to broaden and deepen existing knowledge will both find this a lively, engaging, and reliable guide to satire, its history, and its continuing relevance in the world.

The Cambridge Introduction to Creative Writing
  • David Morley
  • Published online:
    05 August 2016
    Print publication:
    10 May 2007
  • This pioneering book introduces students to the practice and art of creative writing and creative reading. It offers a fresh, distinctive and beautifully written synthesis of the discipline. David Morley discusses where creative writing comes from, the various forms and camouflages it has taken, and why we teach and learn the arts of fiction, poetry and creative nonfiction. He looks at creative writing in performance; as public art, as visual art, as e-literature and as an act of community. As a leading poet, critic and award-winning teacher of the subject, Morley finds new engagements for creative writing in the creative academy and within science. Accessible, entertaining and groundbreaking, The Cambridge Introduction to Creative Writing is not only a useful textbook for students and teachers of writing, but also an inspiring read in its own right. Aspiring authors and teachers of writing will find much to discover and enjoy.

The Cambridge Introduction to Performance Theory
  • Simon Shepherd
  • Published online:
    05 February 2016
    Print publication:
    15 March 2016
  • What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.

The Cambridge Introduction to Theatre and Literature of the Absurd
  • Michael Y. Bennett
  • Published online:
    05 November 2015
    Print publication:
    26 October 2015
  • Michael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both similar and widely different ways. Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world, employing the latest research to this often challenging area of study in a balanced and authoritative approach. Essential reading for students of literature and theatre, this book provides the necessary tools to interpret and develop the study of a movement associated with some of the twentieth century's greatest and most influential cultural figures.

The Cambridge Introduction to British Poetry, 1945–2010
  • Eric Falci
  • Published online:
    05 November 2015
    Print publication:
    12 November 2015
  • The Cambridge Introduction to British Poetry, 1945–2010 provides a broad overview of an important body of poetry from England, Scotland, Wales, and Northern Ireland from the postwar period through to the twenty-first century. It offers a comprehensive view of the historical context surrounding the poetry and provides in-depth readings of many of the period's central poets. British poetry after 1945 has been given much less attention than both earlier British and American poetry, as well as postwar American poetry. There are very few single-author studies that present the entirety of the period's poetry. This book is unique for the comprehensive richness with which it presents the historical and literary-historical scene, as well as for its close-up focus on a wide range of major poets and poems.

The Cambridge Introduction to Shakespeare's Tragedies
  • Janette Dillon
  • Published online:
    05 August 2015
    Print publication:
    08 March 2007
  • Macbeth clutches an imaginary dagger; Hamlet holds up Yorick's skull; Lear enters with Cordelia in his arms. Do these memorable and iconic moments have anything to tell us about the definition of Shakespearean tragedy? Is it in fact helpful to talk about 'Shakespearean tragedy' as a concept, or are there only Shakespearean tragedies? What kind of figure is the tragic hero? Is there always such a figure? What makes some plays more tragic than others? Beginning with a discussion of tragedy before Shakespeare and considering Shakespeare's tragedies chronologically one by one, this 2007 book seeks to investigate such questions in a way that highlights both the distinctiveness and shared concerns of each play within the broad trajectory of Shakespeare's developing exploration of tragic form.

The Cambridge Introduction to Postmodernism
  • Brian McHale
  • Published online:
    05 July 2015
    Print publication:
    25 June 2015
  • The Cambridge Introduction to Postmodernism surveys the full spectrum of postmodern culture - high and low, avant-garde and popular, famous and obscure - across a range of fields, from architecture and visual art to fiction, poetry, and drama. It deftly maps postmodernism's successive historical phases, from its emergence in the 1960s to its waning in the first decades of the twenty-first century. Weaving together multiple strands of postmodernism - people and places from Andy Warhol, Jefferson Airplane and magical realism, to Jean-François Lyotard, Laurie Anderson and cyberpunk - this book creates a rich picture of a complex cultural phenomenon that continues to exert an influence over our present 'post-postmodern' situation. Comprehensive and accessible, this Introduction is indispensable for scholars, students, and general readers interested in late twentieth-century culture.

The Cambridge Introduction to French Literature
  • Brian Nelson
  • Published online:
    05 July 2015
    Print publication:
    05 June 2015
  • In this highly accessible introduction, Brian Nelson provides an overview of French literature - its themes and forms, traditions and transformations - from the Middle Ages to the present. Major writers, including Francophone authors writing from areas other than France, are discussed chronologically in the context of their times, to provide a sense of the development of the French literary tradition and the strengths of some of the most influential writers within it. Nelson offers close readings of exemplary passages from key works, presented in English translation and with the original French. The exploration of the work of important writers, including Villon, Racine, Molière, Voltaire, Balzac, Flaubert, Zola, Proust, Sartre and Beckett, highlights the richness and diversity of French literature.

The Cambridge Introduction to Jane Austen
  • 2nd edition
  • Janet Todd
  • Published online:
    05 March 2015
    Print publication:
    19 February 2015
  • Jane Austen is unique among British novelists in maintaining her popular appeal while receiving more scholarly attention now than ever before. This introduction by Janet Todd, leading scholar and editor of Austen's work, explains what students need to know about her novels, life, context and reception. Each novel is discussed in detail, and the essential information is given about her life and literary influences, her novels and letters, and her impact on later literature. For this second edition, the book has been fully revised; a new chapter explores the ways in which Austen's work has prompted imitations, adaptations and creative spin-offs. Key areas of current critical focus are considered throughout, but the book's analysis remains thoroughly grounded in readings of the texts themselves. Janet Todd outlines what makes Austen's prose style so innovative and gives useful starting points for the study of the major works, with suggestions for further reading.

The Cambridge Introduction to Theatre Studies
  • Christopher B. Balme
  • Published online:
    05 February 2015
    Print publication:
    18 September 2008
  • Providing thorough coverage of the methods and tools required in studying historical and contemporary theatre, this Introduction examines the complexities of a rapidly changing and dynamic discipline. Following a cross-cultural perspective, the book surveys the ways theatre and performance are studied by looking initially at key elements such as performers, spectators and space. The central focus is on methodology, which is divided into sections covering theatre theory, historiography and textual and performance analysis. The book covers all the main theatrical genres - drama, opera and dance - providing students with a comparative, integrated perspective. Designed to guide students through the academic dimension of the discipline, the volume emphasizes questions of methodology, research techniques and approaches, and will therefore be relevant for a wide variety of theatre studies courses. Informative textboxes provide background on key topics, and suggestions for further reading are included at the end of each chapter.

The Cambridge Introduction to Scenography
  • Joslin McKinney, Philip Butterworth
  • Published online:
    05 February 2015
    Print publication:
    19 November 2009
  • Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.

The Cambridge Introduction to Modernism
  • Pericles Lewis
  • Published online:
    05 February 2015
    Print publication:
    03 May 2007
  • More than a century after its beginnings, modernism still has the power to shock, alienate or challenge readers. Modernist art and literature remain thought of as complex and difficult. This introduction explains in a readable, lively style how modernism emerged, how it is defined, and how it developed in different forms and genres. Pericles Lewis offers students a survey of literature and art in England, Ireland and Europe at the beginning of the twentieth century. He also provides an overview of critical thought on modernism and its continuing influence on the arts today, reflecting the interests of current scholarship in the social and cultural contexts of modernism. The comparative perspective on Anglo-American and European modernism shows how European movements have influenced the development of English-language modernism. Illustrated with works of art and featuring suggestions for further study, this is the ideal introduction to understanding and enjoying modernist literature and art.

The Cambridge Introduction to Milton
  • Stephen B. Dobranski
  • Published online:
    05 January 2015
    Print publication:
    26 January 2012
  • John Milton is one of the most important and influential writers in English literary history. The goal of this book is to make Milton's works more accessible and enjoyable by providing a comprehensive overview of the author's life, times and writings. It describes essential details from Milton's biography, explains some of the cultural and historical contexts in which he wrote, offers fresh analyses of his major pamphlets and poems - including Lycidas, Areopagitica and Paradise Lost - and describes in depth traditional and recent responses to his reputation and writings. Separate sections focus on important concepts or key passages from his major works to illustrate how readers can interpret - and get excited about - Milton's writings. This detailed and engaging introduction to Milton will help readers not only better understand the author's life and works but also better appreciate why Milton matters.

The Cambridge Introduction to Chaucer
  • Alastair Minnis
  • Published online:
    05 October 2014
    Print publication:
    13 October 2014
  • Geoffrey Chaucer is the best-known and most widely read of all medieval British writers, famous for his scurrilous humour and biting satire against the vices and absurdities of his age. Yet he was also a poet of passionate love, sensitive to issues of gender and sexual difference, fascinated by the ideological differences between the pagan past and the Christian present, and a man of science, knowledgeable in astronomy, astrology and alchemy. This concise book is an ideal starting point for study of all his major poems, particularly The Canterbury Tales, to which two chapters are devoted. It offers close readings of individual texts, presenting various possibilities for interpretation, and includes discussion of Chaucer's life, career, historical context and literary influences. An account of the various ways in which he has been understood over the centuries leads into an up-to-date, annotated guide to further reading.

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