As he rose to leadership of the Spencean Philanthropists in 1817, Robert Wedderburn wrote and published six issues of Axe Laid to the Root, an inexpensive weekly periodical for working-class readers. Axe Laid to the Root instructed its white audience about the radical potential of African-Jamaican land and food-based liberation. The provision grounds, plots set apart from the plantation for enslaved people to grow their own food, were a source of resistance to plantation capitalism, providing food sovereignty and communal identity. The ecological knowledge of the Jamaican Maroons was another source of resistance to plantation economies. Finally, Wedderburn’s writing in “cheap” periodicals aspired to cultivate a transatlantic alliance between the English lower classes, the colonized Irish, and free and enslaved people in Jamaica. The chapter concludes by discussing George Cruikshank’s The New Union Club, which features Wedderburn as a central figure within abolitionist circles.

Wedderburn’s view of Black-led abolition was further outlined in his life narrative, Horrors of Slavery. The narrative initially emerged as a series of letters to a working-class periodical, Bell’s Life in London, after the editor had questioned whether plantation owners ever enslaved their own mixed-race children. The question prompted Wedderburn to share his life story, in which he represented himself as a “product” of plantation slavery and testified to his father’s moral depravity as a “slave-dealer.” Although the letters prompted threatening replies from his half-brother, Andrew Colvile, Wedderburn republished the Bell’s Life letters as a pamphlet that was sold by ultra-radical booksellers in London. Horrors radically tracked Wedderburn’s life from slavery on a Jamaican plantation to his harsh sentence of solitary confinement in an English prison for blasphemous libel, making it an essential supplement to more commonly studied Romantic-era slave narratives, such as Equiano’s Interesting Narrative.