We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure [email protected]
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter asks what challenges the cartographic imaginary of literary nationalism might present to readers of three representative novels of the pre-Federation era: two of Ada Cambridge’s novels serialised at the time of Melbourne’s Centennial International Exhibition in 1888, A Black Sheep (later published as A Marked Man) and A Woman’s Friendship, and Catherine Martin’s An Australian Girl (1890). The aim is to wrest these late colonial texts back from the moment of Federation and its continental scale, relocating them once more in that earlier time, before the nation, whose cartographic imaginary was intra- and inter-colonial rather than national, albeit located within broader transnational or trans-imperial horizons. The point is to see the work of these late colonial writers not through the singular lens of literary nationalism, as harbingers of a unified national ethos, but as evidence of what historian Alan Atkinson has called the ’jigsaw work’ of Federation, with its multiple scales of knowable community and its two-way mirrors of transnational identity formation.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.