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This monograph is about the change in meaning and scope of human rights rules, principles, ideas and concepts, and the interrelationships and related actors, on moving from the physical domain into the online domain. The transposition into the digital reality can alter the meaning of well-established offline human rights to a wider or narrower extent; it can turn positivity into negativity and vice versa. The digital human rights realm has different layers of complexity in comparison with the offline realm.

Can fictional narration yield knowledge in a way that depends crucially on its being fictional? This is the hard question of literary cognitivism. It is unexceptional that knowledge can be gained from fictional literature in ways that are not dependent on its fictionality (e.g., the science in science fiction). Sometimes fictional narratives are taken to exhibit the structure of suppositional argument, sometimes analogical argument. Of course, neither structure is unique to narratives. The thesis of literary cognitivism would be supported if some novels exhibit a cogent and special argument structure restricted to fictional narratives. I contend that this is the case for a kind of transcendental argument. The reason is the inclusion and pattern of occurrence of the predicate ‘believable’ in the schema. Believability with respect to fictional stories is quite a different thing than it is with respect to nonfictional stories or anything else.

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In Lieu of the Concluding Remarks

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The Transcendental Argument of the Novel

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In Lieu of the Concluding Remarks

Summary

The Transcendental Argument of the Novel