The aim of this short note is to highlight a possible, hitherto unnoticed, telestich in Verg. Aen. 8.246–9, which presents the Greek word sēma (‘portent’, ‘wonder’, ‘prodigy’, ‘tomb’). To justify this identification, I will argue for its significance from its context in the poem (the battle between Hercules and Cacus), pointing out the insistence on the imagery of light and revelation, and the use of the phrase mirabile dictu, which appears in the same episode of the Aeneid, in the Latin poetic tradition.

This note addresses briefly the difficulties associated with the personalities named in the epigram Anth. Lat. 109.8 ShB and their roles before suggesting that tibi should be read rather than mihi in line 8.

This article draws attention to the presence of a previously unnoticed transliterated telestich (SOMATA) in the transformation of stones into bodies in the episode of Deucalion and Pyrrha in Ovid's Metamorphoses (1.406–11). Detection of the Greek intext, which befits the episode's amplified bilingual atmosphere, is encouraged by a number of textual cues. The article also suggests a ludic connection to Aratus’ Phaenomena.