A group of 24 bronze finger-rings threaded onto a wire bracelet was unearthed in 2018 at the Roman vicus at Wareswald (the “Forbidden Forest”) in Gallia Belgica. The find is analyzed here alongside evidence for the use, sale, and production of Roman rings. The find represents the work of a local craftsman, active in the first quarter of the 4th c. CE. While the rings were made in a small rural town, they closely imitate expensive global ring forms. The function and meaning of the very common class of trinket rings to which the Wareswald rings belong are considered, along with how these rings were used to make statements about identity, including local and regional affiliations, literacy, marital status, or other social connections. It is suggested that the popularity of many trinket rings lay in their ability to provide a sense of participation in upper-class fashion at a very low price.

This paper explores some 220,000 medieval objects recorded in the Portable Antiquities Scheme (PAS) online database of archaeological small finds through Geographic Information System analysis of their relationship with contemporary market sites. First, an overview of the contents of the PAS database is presented in terms of its spatial and ‘object type’ distribution. Second, the relationship of the medieval finds data against documentary evidence of commercial activity is investigated at a national level. Finally, PAS data is contextualised in its historical landscape context through case studies. It is argued that the distribution of PAS finds on the national scale can be linked with patterns of commercial activity, and that while rural and urban finds scatters have distinguishing trends, the countryside population enjoyed access to a range of sophisticated metalwork culture; also, that certain assemblages can be analysed statistically to yield new data and perspectives on local historical development.

Discussions about looted antiquities often focus on large, culturally and monetarily valuable items. Nevertheless, it is clear that mundane small finds, which sell for relatively small amounts, account for a large portion of the global market in antiquities. This article highlights two types of small artifacts—namely, cylinder seals and coins, presumed to come from Syria and Iraq and offered for sale by online vendors. We argue that the number of cylinder seals and coins sold on the Internet has increased steadily since 2011, reaching a peak in 2016–17. This shows that the trade in Iraqi and Syrian antiquities has shifted from big-ticket items sold in traditional brick-and-mortar shops to small items readily available on the Internet for modest prices. The continuing growth of the online market in antiquities is having a devastating effect on the archaeological sites in Iraq and Syria as increasing demand fuels further looting in the region.

A museum on paper

A recent colloquium on French archaeology in the second half of the 19th century drew attention to the work of a talented illustrator, Victor Caucheiné, several of whose watercolours may be seen at the niuseuni in Compiègne. Additional research, intended to place this painterarchaeologist in historical context, showed that his situation was not unique and that, during the same period, in France well as elsewhere in Europe, there was a surge of interest in reproductions of objects and of archaeological sites. This is not to be confused with the fashion for romantic landscapes, of which Baron Taylor's Voyuges dons l'ancienne France serves as a good example (Adhémar 1997), nor with the passion for monuments, as shown by the imposing collection of Laborde (Laborde 1816-1836). Rather, this activity was the doing of an archaeological school which, for three-quarters of a century, set out to explore the meaning of archaeological excavation and their associated finds.