Numerous discourse markers have been examined
in conversation and lecture contexts, but research is sparse
on markers in the sermon genre and on the religious discourse
communities in which sermons occur. This article examines discourse
marker functions of sermonic expressions frequent in performed
African American sermons (e.g. Amen, Hallelujah, Praise
God). Functions identified include those of textual boundary
marker, spiritual maintenance filler, rhythmic marker, and the
infrequent call-response marker. Results support the importance
of the role that culture (here, African oral tradition) plays
in sermon performance.