This chapter discusses Afrofuturism with reference to a wide range of literary works, influential critical and theoretical accounts, and artistic manifestos, identifying its overlaps and distinctions from the broader speculative turn apparent in African American literature from the 1980s onward. The chapter focuses on two rubrics that lend cohesion to the array of genres, styles, and aesthetic principles associated with the label of Afrofuturism: the politics of time and the idea of race as technology. Through various devices of temporal dislocation, Afrofuturist works invent revisionist histories, shatter consensus narratives about the present, and challenge prevailing discourses of futurity. In addition, the chapter argues that Afrofuturist literature at its best defamiliarizes established ways of reading race through its innovative engagement with race-making techniques and technologies ranging from genre conventions to genetic engineering.

This chapter traces some of the lines of descent that race has followed since Darwin’s Origin of Species. Far from his work putting an end to the Species Question (whether human races constituted separate and unchanging species), race flourished not only in “social Darwinism” and eugenics, but also in various academic disciplines, law, social policy, and everyday life. The chapter discusses how race served as an organizing concept within natural history and remained such in the emerging sciences of life: in biology and sociology; in critical race theory’s uncritical use of scientific evidence that challenges racial categories; and in the way Darwin’s intervention into “the truth of race” remains central to notions of diaspora, homeland, identity, and the structural racialism of everyday life, even as his work is invoked to naturalize stereotyped racial phenotypes and to support racialized technologies, especially in robotics and applications of artificial intelligence.