This article examines the processes involved in materializing the past. The recording of archaeological objects plays a pivotal role in establishing artefacts as valuable data that can be categorized, classified, and analysed to turn into historical narratives. It contributes significantly to shaping our understanding of the past: while conveying information about the objects themselves, this documentation inherently captures the subjective context of its recording and continues to influence our interpretations. In this article, both objective details and subjective conceptions are analysed from the records (drawings, photographs, reports) made at the rock figure of Karabel (Turkey), a monumental bas-relief discovered by European explorers in the 1830s. The author uses Karabel's diverse and controversial interpretations to examine how knowledge and ideas about the past evolve. To counterbalance the conventional linear interpretation of the past, he offers some insights into non-academic aspects of the monument.
