The rhetoric of Roman moralising has often seemed alien to modern readers. This book, in linking together studies of apparently diverse topics, might be seen as appropriating a trope of Roman moralistic discourse, presenting arguments concerning different subjects as parallel so that they may serve to reinforce one another. A better understanding of this and similar literary devices, as they operate in Roman moralising texts, can help us to make sense of some features of those texts which modern readers have found puzzling. We begin with an apparently bizarre example of this kind of rhetoric (included in the book of rhetorical exercises put together by the elder Seneca).

This chapter discusses how the layout and organisation of the ancient Roman house comprised a veritable Mise-en-scène in which both patrons and guests expressed and were conditioned by a culture and aesthetic practices in which the theatre was a dominant influence. It analyses the spatial and decorative organisation of Roman domestic spaces, and describes how these created an intensely theatricalised ambience which directly impacted upon and was reflected in the behaviour of both patrons and guests.

This chapter deals again with the influence of law on philosophy, now with regard to a substantive issue. Under the influence of the Roman jurists, for whom private property was an important topic, the ‘Roman’ Stoics followed suit, and awarded private property a novel, central place in thinking about justice, a place which would have a decisive influence on modern, Western political thought.