Object biography, amended and expanded by the newer and ontologically updated concept of object itineraries, is a well-established analytical tool for documenting human–object interactions. The present paper explores its intersection with art, and proposes the concept of Creative Object Biography, as a step forward in the discourse and as a means for articulating and sharing alternative narratives and imageries not only among specialists but also – and especially – with the wider public, aiming to render discussions on materiality relevant to diverse audiences. The paper uses as a case study a group of three every-day objects associated with the Vlach pastoral transhumance of northern Greece, whose entanglements and cultural itineraries functioned as the inspiration for the creation of three original short films.
