As an academic and writer in England, W. G. Sebald’s intellectual baggage was distinctly German with only a small minority of texts explicitly devoted to Anglophone literature. Yet, the atmosphere that permeated his essayistic narratives was distinctly English. In that sense, Sebald occupied a literary space in the in-between, oscillating between times past and times present. This article examines in three steps Sebald’s approach to this space in terms of thematic scope, style and perspectives that characterized his German wanderings in England. It assesses the interplay of memory and imagination in this creative process firmly located in this space of overlapping concerns, mainly rooted in the experience of exile, both real and, in his own case, simulated.

This chapter introduces the volume by offering a reflection on the notion of transition within and across Latin American literary production from 1492 to 1800. This period is defined by a series of transitions as, motivated by personal ambitions or brought by force, Europeans and later Africans and Asians crossed oceans to inhabit the already inhabited lands of the Indies. Native societies and the emergent European colonial societies were transformed by these interactions and the processes that underlay them. This introductory essay explores the broad historical context for this period of transition as it was registered on local and global scales. The book is organized around six thematic areas, which in turn are introduced.