The book looks at how copyright laws are perceived within the graffiti and street art subcultures, and how artists and writers view certain creative aspects of their own practice. By drawing on the author’s ethnographic research and fieldwork, the book gives voice to the main actors of these communities and highlights their feelings and opinions towards issues which until recently they have often felt far from their everyday life and practice. This book, in other words, brings the ‘voice from the street’ into the debate over the legal (and non-legal) protection of street art and graffiti. The monograph also touches on related and complementary issues, such as the ‘gallerisation’ and economic exploitation of these forms of art (e.g. via merchandising) and the curious similarities between the graffiti and advertising worlds. The book includes inter-disciplinary and multi-disciplinary perspectives, showing how different disciplines can interact. The ethnographic research carried out by the author gives the monograph a strong empirical touch, thus providing insight and perspectives from the street art and graffiti subcultures.