This article takes part in the reopened discussion of the Johannine δόξα/δοξάζϵιν by interpreting the concept in light of the narrative structures in the Fourth Gospel. On the basis of Aristotle's definition of a whole and complete μῦθος and his distinction between πϵριπτϵια and ἀναγνώρισις it is shown that the main structure in the Johannine narrative concerns humans' recognition of Jesus' identity as son of God. As a consequence of being firmly integrated in this narrative structure, the Johannine concept δόξα/δοξάζϵιν basically denotes divine identity and recognition. Opposing a contemporary trend in Johannine studies it is finally argued that δόξα/δοξάζϵιν in the Fourth Gospel should be understood within the normal narrative sequence.

The idea of δοξα is a crucial theme of the Fourth Gospel and a test case for scholarly approaches. Starting from two recent monographs, the article develops the central issues to be discussed. In debate with the approaches of Bultmann, Käsemann, and Bornkamm, it is shown that the Johannine narrative is focussed on the act of ‘glorification’ in Jesus' hour, which the author considers foretold in Isaiah and in which the universal salvation is rooted. The Johannine image of Christ as revealing his glory during his earthly ministry is, therefore, a retrojection from the post-Easter perspective. Even more is the notion of his preexistent glory a final consequence rooted in the view of the glorification of the crucified one in his ‘hour’.