This article analyses the construction of religious origin myths for Islam within ‘universal religion’ and esoteric frameworks in late nineteenth- and early twentieth-century South Asia and beyond, and sheds light on the role of ‘Western’ and Anglo-Indian converts in this process. At its core is a case study of the elusive Hamid Snow, founder of the so-called ‘Church of Islam’ in 1891 in Sikanderabad, Deccan. On the following pages, I reconstruct Snow's biography from little-known Urdu and English sources, analyse his writings, and place him within a context of religious modernist, esoteric, and convert networks encompassing South Asia, Europe, the United States, the Philippines, and other parts of the world. By focusing on the nature of the scholarship of religion at the time, and the reconstruction of religious pasts under the influence of esotericism and religious modernism, the article traces the influence of Orientalist and Eurocentric views on perceptions of the Islamic tradition and contributes to larger debates about the role of laypeople, especially those with an interracial background, in interpreting religious history and acting as cultural mediators between different communities during a time of ‘hybrid transnational occultism’.1

This article examines the life and works of Hossein Kazemzadeh Iranshahr, focusing on the evolution of his thought from an ardent nationalist to a cosmopolitan mystic. It offers a detailed account of the spiritual transformation that Iranshahr went through around 1920 in Europe—a topic that has never been addressed in existing scholarship. It contextualizes his esoteric views, especially the influence of Theosophy on his thought in the context of the so-called “Occult Revival” in Weimar Germany. Finally, it discusses how Iranshahr's emerging spiritual worldview impacted his intellectual outlook, especially his views on religion, nationalism, civilization, and race.

The Christian Cabala, a Christianised version of Jewish mysticism originating in Renaissance Italy, reached England in the early sixteenth century and was met with a variety of responses from English Catholics in the Reformation period. While ‘cabala’ was used as a slur by both Protestant and Catholic polemicists, Robert Persons drew positively from the work of the Italian cabalist Pietro Galatino, and in 1597 Sir Thomas Tresham, then a prisoner at Ely, described in detail a complex cabalistic design to decorate a window. While the Christian Cabala was only one source of inspiration for Tresham, he was sufficiently confident in his cabalistic knowledge to attempt manipulations of names of God in his designs for the window at Ely and to insert measurements of cabalistic significance in the gardens on his Lyveden estate. Persons’s and Tresham’s willingness to draw on Christian cabalism even after its papal condemnation suggests the intellectual independence of English Catholics, who were prepared to make use of esoteric traditions to bolster their faith. The evidence for experiments with cabalism by a few English Catholics highlights the need for further re-evaluation of the significance of esoteric traditions within the English Counter-Reformation and the eclectic nature of post-Reformation English Catholic mysticism.

This article investigates Maimonides’s ethos of disclosing “secrets” and explores its Islamic origins, focusing on sources neglected by earlier scholarship concerning the Guide of the Perplexed. I turn from the prevalent method by which the Guide has been studied for decades, namely, as a work at the core of which lie strategies and an ethos of concealment. In lieu of the conventional method, I go in a very different direction by inquiring into the modes that Maimonides used in fashioning his Guide as a work that involves a self-proclaimed exceptional act of revelation of secrets and a breach of the boundaries of concealment. The resulting textual investigation demonstrates that clusters of motifs presented in these sources, as well as structures of arguments, were retained in their cultural migration. This exploration allows me to illuminate new aspects of the question of the genre of Maimonides’ Guide, its sources, and its author’s intertextual art of writing.

This article takes the case of the Vietnamese Cao Dai religion to examine how Asian religious leaders and translators, in a context of colonial modernity, invested a European language with their own cosmologies and discourses, building both a national identity and an alternative spiritual universalism. Studies of translation in colonial contexts have tended to focus on the processes and impact of translating European texts and ideas into the languages of the colonized. This article discusses the inverse process, examining how Caodai textual production used French spiritist language and tropes to occult its Chinese roots, translating Daoist cosmology into a universalist and anti-colonial spiritual discourse rooted in Vietnamese nationalism. These shifts are examined through a close examination of translingual practices in the production and translation of the core esoteric scripture of Caodaism, the Đại Thừa Chơn Giáo 大乘真教 (The True Teachings of the Great Vehicle), rendered in its 1950 Vietnamese-French edition as The Bible of the Great Cycle of Esotericism. This study demonstrates how colonial religious institutions and networks of circulation in Asia stimulate the emergence of new movements and textual practices that mimic, invert, jumble, and transcend the cosmologies of both the Chinese imperium and the European colonial regime.