This chapter centers on a plot by three generations of slaves, led by the elderly matriarch, to murder their owner. This Virginia enslaved family used an ax, shovels, and fence posts to end their owner’s abuse.

This chapter examines the case of a teenaged term slave named Cloe who used her hands to strangle her owners’ young daughters a week apart in rural early nineteenth-century Pennsylvania.

Enslaved mothers appear as pastoral figures within depictions of the Caribbean plantation as an imagined idyll in the works of George Robertson and James Hakewill. Yet planters’ journals and histories also emphasize the need for the productive and reproductive labour of enslaved women. This essay examines Caribbean images of enslaved women and their children to trace the ‘past in the present’ (Christina Sharpe) as slavery’s legacies persist in the US. Black women in the US are 243 per cent more likely to die from pregnancy or childbirth-related causes than white women and black babies are twice as likely to die in their first year as white babies. By analysing the range of incompatible discourses that constructed and consumed the slave mother’s body in early Caribbean slavery, this essay exposes the persistence of such devastating discursive forces in the present that have real impacts on the lives of black mothers and their children.