Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • 2 - Surprised into Form: The Beginnings of the English Essay

  • from Part I - Forming the British Essay
  • Edited by Denise Gigante, Stanford University, California, Jason Childs
  • Book:
    The Cambridge History of the British Essay
    Published online:
    31 October 2024
    Print publication:
    04 July 2024, pp 18-31

  • Summary

    This chapter examines the origins and style of the early English essay, in order to consider the peculiarities of the form. The first section discusses the vexed origins of the English essay, which arrived on the literary scene both as an innovation, and as a continuation of older forms of moral discourse. It argues that essays were characterised by a paradoxical relationship to temporality, affecting both how the form began, and its style, in representing thought and thinking. Examining the style of essays by Francis Bacon, William Cornwallis, Nicholas Breton, Owen Felltham, and John Hall, the chapter uncovers a tension between flow and stasis, evident in punctuation and the structure of sentences. Rather than taking this to signal two distinct styles of the early English essay, associated respectively with Montaigne and Bacon, the chapter argues that it is the tension that is characteristic, oscillating between the representation of deliberation and decision.