Each of the individuals considered in the book had a different relationship to landscape. This reflected the varying circumstances, situations, events and influences (including cultural influences) that shaped their lives. Despite these contrasts, it is possible to identify four broad groupings. Adherers like Hallam and Cresswell were motivated by a passionate need to maintain their connection with a cherished past. Rural landscapes associated with this past served as a guarantee of its continuity. Withdrawers such as Dickinson and Spear Smith sought to escape from an oppressive present, be that family tensions and social prejudice as in Dickinson’s case, or Spear Smith’s vocational difficulties. Restorers turned to the countryside as a place in which they could reconnect with and re-energize belief systems that had been challenged, disrupted or pushed aside by personal exigencies or professional demands – medical practice for Johnston and probation work for Bissell. Finally, Explorers like Barmes and Catley valued rural landscapes above all as sites of self-discovery and self-development.

Why connect state violence with representation? The book proposes a rethinking of democratic theory based on the Arab Uprisings of 2011, also known as the Arab spring. The introduction provides definitions of the key concepts of representation, democracy, participation and civil society, and describes the sources and methods. The book argues that cultural representation and political representation come together through the theme of violence. Historically the means of coercion have been turned against Arab citizens; in 2011 these citizens proposed that democratic accountability be added to the management of legitimate violence and state coercion.