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  • 17 - Rhythm, Rasta, Rock, and “Electric Avenue”: The Electric Guitar in Anglo-Caribbean Popular Music

  • from Part V - The Global Instrument
  • Edited by Jan-Peter Herbst, University of Huddersfield, Steve Waksman, Smith College, Massachusetts
  • Book:
    The Cambridge Companion to the Electric Guitar
    Published online:
    08 November 2024
    Print publication:
    17 October 2024, pp 306-324

  • Summary

    The secondary status of the electric guitar in Anglo-Caribbean popular music is explored with an emphasis on recordings from the 1970s and 1980s, and reggae as the region’s most widely globalized music. Early guitarists in Jamaican popular music, Ernest Ranglin and Lynn Taitt, are referenced, alongside analyses of the instrument in the reggae recordings of The Wailers, and the works of Bob Marley and Peter Tosh featuring other players such as Donald Kinsey in lead guitar roles. The chapter utilizes first-hand interviews with key figures and also focuses on Eddy Grant as one of the most visible Caribbean guitarists through his international pop star career spanning several decades. The twenty-first-century emergence of the Trinidad-based metal act Orange Sky, fusing rock and reggae influences, is also discussed.