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2 results

Jews, Christians, and the Discourse on Images before Iconoclasm
  • Alexei M. Sivertsev
  • Published online:
    01 February 2024
    Print publication:
    08 February 2024
  • Between the sixth and eighth centuries CE, the image emerged as a rhetorical category in religious literature produced in the Mediterranean basin. The development was not a uniquely Christian phenomenon. Rather, it emerged in the context of broader debates about symbolic forms that took place across a wide range of ethnic, linguistic, and religious groups who inhabited the late Roman and early Byzantine world. In this book, Alexei Sivertsev demonstrates how Jewish texts serve as an important, and until recently overlooked, witness to the formation of image discourse and associated practices of image veneration in late antiquity and the early Middle Ages. Addressing the role of the image as a rhetorical device in Jewish liturgical poetry, Sivertsev also considers the theme of the engraved image of Jacob in its early Byzantine context and the aesthetics of spaces that bridge the gap between the material and the immaterial in early Byzantine imagination.

  • Chapter 6 - Substitution

  • Stephanie Rumpza, Sorbonne Université, Paris
  • Preface by Jean-Luc Marion
  • Book:
    Phenomenology of the Icon
    Published online:
    17 August 2023
    Print publication:
    31 August 2023, pp 188-216

  • Summary

    The corporeal dimensions of prayer before icons are often attributed to superstition, antiquated beliefs, or a “graced” function of metaphysical participation. In contrast to this, I develop a phenomenological analysis of corporeal substitution as a real possibility of ordinary experience, for an absent person we love strongly can come to presence in a thing before us and provoke a corporeal response. Guided by the story of the acheiropoieton, the “icon made without hands,” I show how the structure of this ordinary human practice is altered when elevated to prayerful substitution, and through its repetition over time, this allows the icon to serve as a means of communion for the believer across both visual and corporeal dimensions.