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This chapter considers the ways in which Anthony Trollope at first defied but eventually exemplified alternate ideas of creativity for successive generations. With the appearance of each of his books, contemporaries acknowledged his almost continuous labor. Later critics agreed, using more psychological terms: If Trollope was a genius, his sort of genius bordered on automatism: habitual, lacking in forethought, and suspiciously unbeholden to inspiration. Through the first half of the twentieth century, Trollope’s writing process (as described in An Autobiography) and his prose were implicitly evaluated against two dichotomies permeating behavioral studies: The first pits introspection against habit, and the second sets remote against inhibited associations. Each dichotomy poses an invidious distinction between the first and second terms. An evaluation of Trollope’s composition and style within this framework yields differing models of creative writing.
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