Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • Chapter 22 - Hanif Kureishi

  • from Part IV - 1975–Present
  • Edited by Rachel Potter, University of East Anglia, Matthew Taunton, University of East Anglia
  • Book:
    The British Novel of Ideas
    Published online:
    05 December 2024
    Print publication:
    12 December 2024, pp 378-394

  • Summary

    This chapter explores the work of Hanif Kureishi and, in particular, his 1995 novel The Black Album. Set in London in 1989, the novel engages with the fall of the Berlin Wall, with terrorism, and, most prominently, with the Rushdie Affair. It stages debates around religion, free speech, and cultural identity. Kureishi conceives of multiculturalism as premised on a vibrant exchange of ideas, and in The Black Album he portrays Islamism – and, by extension, fundamentalism of any kind – as a pseudo-idea which can only constitute a threat to, and never a part of, an effective multiculturalism. However, this chapter identifies a key paradox in The Black Album: it implores readers to treat ideas seriously, and yet there is very little serious treatment of particular ideas in the novel itself. As such, Kureishi’s novel is far more invested in the idea of ideas than in any particular body of them.