The nineteenth-century Kabyle poet Si Mohand U'Mhand is often celebrated as an icon of freedom and unconventionality. Questioning this myth, the purpose of this article is to demonstrate that this bard was rather a liminal figure that oscillated between iconoclasm and conservatism. Drawing on Gilles Deleuze's and Felix Guattari's A Thousand Plateaus and Mikhaïl Bakhtin's concept of the carnivalesque, the article argues that despite Si Mohand's being a notorious wanderer, he was not a nomad in that his poetry betrays a longing for the “State.” Indeed, the poet lamented his nomadic and unconventional lifestyle as the mark of a social and moral decline forced on him by the colonial intrusion, which stripped his family of their lands following his father's execution. In addition, the poet perpetuates the hierarchized and prejudiced traditional representations of his society's different social classes and racial components.
