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2 results

  • Chapter 13 - The Racecraft of Romantic Stagecraft

  • Edited by Manu Samriti Chander, Georgetown University
  • Book:
    The Cambridge Companion to Romanticism and Race
    Published online:
    21 November 2024
    Print publication:
    28 November 2024, pp 227-245

  • Summary

    Yasser Khan reminds us that race, simply put, is made. It is the consequence of painstaking and deliberate work, whether in the meticulous anthropological taxonomies offered by Kant and Blumenbach, or in the line of poetry, or, as Khan argues, in the representation of racial differences on the Romantic-era stage. Drawing on the notion of “racecraft,” which “foregrounds racism as a reality that produces ‘race’ to rationalize the dispossession of wealth, power, and rights,” Khan shows how stagecraft in John Fawcett’s Obi; or Three-Finger’d Jack (1800) establishes the terms by which racialized subjects come to be understood as fundamentally exploitable.

  • 4 - Performances of Freedom

  • from Part II - Theaters of Empire
  • Kathleen Wilson, State University of New York, Stony Brook
  • Book:
    Strolling Players of Empire
    Published online:
    11 November 2022
    Print publication:
    01 December 2022, pp 201-250

  • Summary

    An examination of Maroon cultural, festive and political practices, their victorious militarized Black masculinity and their wider transimperial significance as figures of resistance or reconciliation, as images of the the red-coated Maroon circulated across imperial networks