For archaeologists, stratification is an important character of archaeological deposits. Through it, layering is discerned and cultural and evolutionary interpretations are proposed. Archaeologists possess much implicit knowledge about the social practices that produce stratigraphic sequence and the specific, contextualized manner in which layers were built upon or cut into previous deposits. The aim of this paper is to gather together and formalize this knowledge so as to codify conceptual ‘tools to think by’ when recording and interpreting stratigraphy. Relevant literature is widely dispersed and here can only be sampled; authors consider stratigraphy in terms of (1) techniques of terraforming, (2) processes enacted and (3) meaning and interpretation. Techniques and processes are discussed within larger social interpretations such as memory, history-building, forgetting, renewing, cleansing and destroying. Examples are drawn from the Turkish Neolithic site of Çatalhöyük and the ancestral Maya site of K'axob in Belize, Central America, to illustrate the applicability of an approach that here is called ‘social stratigraphy’. A practice-based history of stratigraphy – the recording and interpretation of strata – within archaeology is problematized in reference to codependence with geology, the deployment of labour and centralized authority within the emergent 19th- to early 20th-century field of archaeology. The contributions of and conflicts between British and American stratigraphic schools are considered in light of a potential rapprochement. Contested issues of cultural heritage – such as preservation of selected strata – suggest that thinking about stratigraphic sequence in social terms is more than an academic exercise.