The Tale of Genji (Genji Monogatari) is the probably the earliest prose fiction in the world that still lives today as a masterpiece since the first decade of the 11th century. This 1200-page Japanese classic was written by a noble court woman, Murasaki Shikibu, and it spans almost three quarters of a century. The first part has to do with the life and loves of the nobleman known as “The Shining Genji”, and the final chapters follow the fate and fortunes of the characters that survived after Genji's death.

There have been four English translations of the novel: one partial translation (1882) by a Japanese translator and three other complete translations by different English native speakers in the 20th century.

This paper studies the Turkish translation process of The Tale of Genji from Edward G. Seidensticker's English version. It points out the plentitude of potential translation choices and tries to explore the reasons of translators for their decisions. It compares the translators’ strategies and assesses their impact on the meanings and functions of the allusions and the connections between the adopted strategies.

This essay proposes that “milk kinship,” which upper-class individuals in premodern Japan formed with their milk kin—a menoto (wet nurse) and a menotogo (foster sibling)—occupies the core of an institutionalized erotic fosterage. In this “menoto system,” the surrogate mother's lactating body and erotic-affective labor became the connective tissue to bind two interclass families, creating a symbiosis that fortified the existing sociopolitical power structures. Around the tenth century, many vernacular tales started to feature menoto characters. While a typical menoto is the protagonist's homely, asexual, motherly confidante, her derivative construct—the menotogo of the protagonist—is often cast in an erotic light. In the four texts examined in this essay, menotogo valorize their erotic agencies to benefit their charges through sexual-affective labor or through an indirect method. The latter entails the formation of a “love square” in which two menotogo become lovers and then help their respective charges do the same.