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1 results

  • Chapter 31 - The Scene of Grand Opera

  • from V - Music and Performance
  • Edited by David Trippett, University of Cambridge
  • Book:
    Wagner in Context
    Published online:
    14 March 2024
    Print publication:
    14 March 2024, pp 311-320

  • Summary

    Wagner’s attitude towards the Paris-centred tradition of grand opéra and its German-language cousin, große Oper, was equivocal. On the one hand, he mercilessly dissects the shortcomings of the genres in his Zurich writings; on the other hand, borrowings are rife and a notable exemplar exists in Rienzi. After disentangling and contextualising that contradiction in relation to Wagner’s early works and writings, this chapter considers the tensions between municipal and international resources in staging ‘grand’ works, the shifting associations of German genre such as Singspiel, große romantische Oper, and große Oper, and the witness born to this by Wagner’s prose drafts for incomplete works such as Die Sarazenin and Friedrich I.