If the domestic near future operates with residual and dominant cultural forms, in Raymond Williams’s terms, it also provides glimpses of potential emergent formations. This chapter reads two novels that give a particularly vivid sense of the incipient genre of near-future revolution struggling within inherited genres that can register but not properly embody it. While the eponymous company in The Circle by Dave Eggers (2013) provides a more legible delineation of the Anthropocene than the environmental disasters that often populate the domestic near future, its victory relies on a similar investment in individual embodiment, that has as its correlate a latent antipathy to collective agency – such as might coalesce in the prospective revolution glimpsed at the novel’s close. Odds Against Tomorrow by Nathaniel Rich (2013) progresses from a devastating satire of apocalyptic capitalism into an oscillation between shattered human communities and a dangerous journeying: between capitalist realism in the shadow of dystopia and the adventure romance. However, almost despite itself, the novel dowses at its end towards another kind of collective that would also be another form of novel.

New Orleans, before Hurricane Katrina, was a city with numerous and substantial problems. Storytelling, perhaps as a coping mechanism, was a significant feature of the local culture. With Hurricane Katrina, however, both features of the city became dramatically more pronounced, as bookstores were flooded with books about the storm and the devastating aftermath of the levee failure, several of them of significant literary value that made lasting contributions to the understanding of this highly distinctive city.